Onslow george (72 Ergebnisse)

Hardcover. Zustand: Very Good. Firmly bound, blue cloth boards. Facsimile of an edition first published in 1894 by Longmans, Green & Co. with illusstrations by R.T. Pritchett and from photogrtaphs (illustrator).

Size: Small 8vo. 28pp. Stapled as issued in publisher's printed wrappers.

Size: Small 8vo. 28pp. Stapled as issued in publisher's printed wrappers.

Size: Small 8vo. 40pp. Stapled as issued in publisher's printed wrappers.

Paperback. Zustand: Very Good. Copyright 1972. Le pupitre 43. Slight wear. Previous owner's address labels. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.

tapa blanda. Zustand: Bien. Pintura. Ford, Gordon Onslow Publicaciones de los particulares tipos de sociedades, entidades, organizaciones. (75 Ford, Gordon Onslow (064.3)) Mirando en lo profundo: [exposición] Fundación Eugenio Granell. Santiago de Compostela. 1998. 27 cm. 221 p. il. col. Encuadernación en tapa blanda de editorial ilustrada. Onslow-Ford, George 1912-2003. Gordon Onslow Ford. Texto en español e inglés. Exposiciones. Fundación Eugenio Granell . Depósito legal: C 1144-1998 (=1713932=) PT204. …

Zustand: Fine. First edition hard back binding in publisher's original banana yellow cloth covers, silver title and author lettering to the spine. 8vo. 9½'' x 6¼''. Contains 178 printed pages of text with sepia archive and monochrome photographs throughout. Fine condition book in Fine condition dust wrapper, not price clipped. Account of an English amateur jockey who lived a profligate life which ended in New Orleans at the age of 33. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 0245536124 SPORT [Horse Racing].…

Hardback. Zustand: Very Good. First Edition. Hardback. Dust Jacket. 4to. pp 224. Copiously illustrated in colour throughout. Introduction by Sir Peter O' Sullivan. Foreword by the Duke of Richmond. ISBN: 0859374025 Fine in fine dust wrapper.

Paperback. Zustand: Good. c.1831. 42pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty. Quintet number & opus number missing from title-page. Previous owner's signature.

Paperback. Zustand: Good. c.1831. 55pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty. Quintet number & opus number missing from title-page. Previous owner's signature.

Paperback. Zustand: Good. c.1831. 48pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty. Some foxing. Quintet number & opus number missing from title-page. Previous owner's signature.

Paperback. Zustand: Good. c.1831. 55pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty. Quintet number & opus number missing from title-page. Previous owner's signature.

Paperback. Zustand: Good. c.1831. 59pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty, front wrapper almost detached. Quintet number & opus number missing from title-page. Previous owner's signature and bookplate over imprint on title-page.

Paperback. Zustand: Fair. c.1834. 50pp engraved. In original wrappers. Lacks backstrip, all pages separate, some wear/creasing.

Paperback. Zustand: Good. c.1831. 54pp engraved. In original wrappers. Some wear/dust-staining, wrappers edges tatty and creased. Quintet number & opus number missing from title-page. Previous owner's signature.

Noten. Zustand: Neu. Neuware.

Zustand: Wie neu. 25 x 34 cm. 25 + 7 Seiten. *Mit Firmenstempel des Prager Musikverlegers Marco Berra (1784-1853) auf dem Titelblatt. - Es liegen nur die Pianoforte- und die Violinstimme vor; die Violoncellostimme fehlt. Sprache: Französisch Gewicht in Gramm: 1001 Pappband bzw. Karton der Zeit mit handschriftlichen Deckeltiteln.…

Folio. Violino 1o of both quartets disbound; all other parts sewn. No. 2: Violino 1o: [1] (title), 2-11, [i] (blank) pp.; Violino 2o: 7, [i] (blank) pp.; Alto: 7, [i] (blank) pp.; Violoncello: 7, [i] (blank) pp. Title lithographed; music engraved. Full score and piano duet version advertised to foot of title with prices in Neugroschen currency. No. 3: Violino 1o: [1] (title), 2-11, [i] (blank) pp.; Violino 2o: 7, [i] (blank) pp.; Alto: 7, [i] (blank) pp.; Violoncello: 7, [i] (blank) pp. Title lithographed; music engraved. Full score and piano duet version advertised to foot of title with prices in Neugroschen currency. Annotations in pencil to first page of all parts of no. 2 except Violino 1o, in ink to first page of all parts of no. 3. Spines reinforced. Slightly foxed; all parts of no. 2 browned and brittle; leaves of Violino 1o mostly detached; Violin part of no. 3 frayed and chipped at inner margin and edges. An early edition, later issue, first published within months of the first. The paper and printing quality suggests that the issue of no. 2 is significantly later than that of no. 3. WorldCat (5 copies in the U.S., at the New York Public Library, the Free Library of Philadelphia, the University of Arizona, Indiana University, and the University of North Texas). The University of North Carolina, Greensboro (1 copy of no. 2 only). "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. His youthful quartets (opp.4, 8, 9, and 10) are notable for great flexibility of writing, exceptional rhythmic and melodic charm, and great vitality. In 1832 he returned to the form with new and sudden vigour probably as a result of his discovery of Beethoven's late quartets. Both shocked and fascinated by these, he composed the 12 most important of all his quartets (opp.46 to 56) over a period of two years. Of greater density, and with even greater interplay between the voices, these works show great emotional intensity, opening up the way to new harmonic and rhythmic daring, and contain movements of striking beauty. Onslow's work was particularly successful in Germany and Austria throughout the first half of the 19th century, as the many editions of his works show." Viviane Niaux in Grove Music Online.…

Noten. Zustand: Neu. Neuware.

Hardcover. Zustand: Very Good.

Zustand: New. Schott, Mario, ed.

Ca. 29,5 x 21 cm. 1 Blatt, VI Seiten, 173 Seiten. Original-Karton. Reihe: Sinfonik des 19. Jahrhunderts. Nr. 51122. Schönes Exemplar.

Zustand: Fine. Facsimile reprint editions of the original 1894 work. Uniform matching hard back binding in publisher's original blue cloth covers, gilt title and lettering to the spines and to the front covers. 8vo. 7½'' x 5½''. Contains (xviii), 479 pp; (xviii), 501 pp with monochrome illustrations and archive photographs throughout. Fine condition books in Fine condition acetate dust wrappers. Unused new volumes. Heavy volumes weighing 2 kg, extra postage and insurance will be requested over and above our default setting for destinations outside the UK. Member of the P.B.F.A. SAILING BOATS (Yachting).…

Zustand: New.

Pas de couverture. Zustand: Bon. ONSLOW George Le Printemps. Nocturne à une et deux voix. Paroles de Mr. J.Jph. Vaissière. A Paris, Chez Maurice Schlesinger, [1826]. In-folio 33,3x25,5cm. 4 pp. PN M.S. N°627. Piano et Voix. Broché. Musique gravée. Belle vignette lithographiée sur le titre. Déchirure réparée en page 3.…

Folio. Early blue marbled wrappers with oval label with manuscript titling in ink to upper. Violino primo: 1f. (title), [1] (blank), 2-7 (no. 1), [i] (blank), 1f. (title), [1] (blank), 2-9 (no. 2), [i] (blank) pp.; Violino secondo: [1] (blank), 2-7 (no. 1), [i] (blank), [1] (blank), 2-7 (no. 2), [i] (blank) pp.; Violoncello: [i] (blank), 2-7 (no. 1), [1] (blank), 2-7 (no. 2), [i] (blank) pp. Engraved. Small circular handstamp, "TS," to all upper wrappers, title of no. 1, and first blank page of other partbooks. Early owner's signature, [?]"Gronigh," to lower right corner of title of no. 1. Early notational correction in red crayon to p. 2 of Violino primo part; measure numbers in pencil in a modern hand throughout. A later edition. Weinmann: Senefelder-Steiner-Haslinger 1, p. 158. WorldCat (no complete sets in the U.S.; a copy of no. 2 only at the University of North Carolina Chapel Hill). Bound with: ONSLOW [Op. 10, no. 3]. [12]tes Quartett für zwey Violinen, Bratsche und Violoncelle. [10]tes Werk No. [3]. Preis f. 2._C.M./ [Reichsthaler sign] 1.8ggr. [Parts]. Wien: Tobias Haslinger [PN S:u:C: 2823], [after 1826]. Violino Io: [1] (title), 2-9, [i] (blank) pp.; Violino Secondo: [1] (blank), 2-7, [i] (blank) pp.; Violoncello: [1] (blank), 2-7, [i] (blank) pp. Engraved. Measure numbers added in pencil in a modern hand throughout. Same edition as the above, a later issue. Weinmann: Senefelder-Steiner-Haslinger 1, p. 158. WorldCat (1 copy only, with "Tobias Haslinger" imprint, at the Badische Landesbibliothek, Karlsruhe with price in Florins only; imprint used from 1826 to 1842). Somewhat worn; slightly foxed and soiled; Viola part for each set lacking. "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. His youthful quartets (opp.4, 8, 9, and 10) are notable for great flexibility of writing, exceptional rhythmic and melodic charm, and great vitality. Onslow achieves a personal synthesis of the various styles handed down from his predecessors: the 'quatuor concertant', deriving from the French tradition of the 18th century, the 'quatuor brilliant', in which the first violin is treated as a soloist, and the Viennese-style quartet, which he practised as a performer. Onslow's work was particularly successful in Germany and Austria throughout the first half of the 19th century, as the many editions of his works show." Viviane Niaux in Grove Music Online. …

Folio. Violino 1o sewn; other parts unbound. Violino 1o: [1] (title), [i] (blank), 3-11, [i] (blank) pp.; Violino 2o: [1] (blank), 2-8 pp.; Viola: [1] (blank), 2-8 pp.; Violoncello: 7, [i] (blank) pp. Title lithographed; music engraved. Manuscript titling in blue pencil to initial blank pages of Violino 2o and Alto parts. Measure numbers added in pencil in a modern hand throughout; Violoncello part with passages in violin clef pasted over and rewritten in tenor clef. Uniformly browned and slightly to moderately foxed; some overpastes partially detached; outer bifolium of Violino 1o.part frayed at spine. An early edition, published shortly after the first. WorldCat (3 copies only in the U.S., at the Free Library of Philadelphia, the University of California, Berkeley and the University of North Texas). "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. His youthful quartets (opp.4, 8, 9, and 10) are notable for great flexibility of writing, exceptional rhythmic and melodic charm, and great vitality. In 1832 he returned to the form with new and sudden vigour probably as a result of his discovery of Beethoven's late quartets. Both shocked and fascinated by these, he composed the 12 most important of all his quartets (opp.46 to 56) over a period of two years. Of greater density, and with even greater interplay between the voices, these works show great emotional intensity, opening up the way to new harmonic and rhythmic daring, and contain movements of striking beauty. Onslow's work was particularly successful in Germany and Austria throughout the first half of the 19th century, as the many editions of his works show." Viviane Niaux in Grove Music Online.…

Folio. Unbound. Violino 1o: [1] (title), 2-11, [i] (blank) pp.; Violino 2o: [i] (blank), 2-9, [i] (blank) pp.; Alto: 8 pp.; Violoncello: 8 pp. Title lithographed; music engraved. Full score and piano duet version advertised to foot of title with prices in pre-1842 currency. Earlier owner's partial signature [?]"Ch" to lower right corner of title. Measure numbers added in pencil in a modern hand throughout. Slightly foxed and soiled; frayed at edges; title and final blank page of Violino 1o part browned; Alto part dampstained to upper inner corner throughout. A partially uncut copy. An early edition, published within months of the first; early issue but not the first, which was published ca. 1834. WorldCat (6 copies in the U.S.). First issue lacks advertisement of full score and piano duet version. "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. His youthful quartets (opp.4, 8, 9, and 10) are notable for great flexibility of writing, exceptional rhythmic and melodic charm, and great vitality. In 1832 he returned to the form with new and sudden vigour probably as a result of his discovery of Beethoven's late quartets. Both shocked and fascinated by these, he composed the 12 most important of all his quartets (opp.46 to 56) over a period of two years. Of greater density, and with even greater interplay between the voices, these works show great emotional intensity, opening up the way to new harmonic and rhythmic daring, and contain movements of striking beauty. Onslow's work was particularly successful in Germany and Austria throughout the first half of the 19th century, as the many editions of his works show." Viviane Niaux in Grove Music Online.…

Folio. Disbound. Violino Io: [1] (title), 2-8 pp.; Violino II: [1] (blank), 2-7, [i] (blank) pp; Viola: [1] (blank), 2-7, [i] (blank) pp; Violoncello: [1] (blank), 2-7, [i] (blank) pp. Engraved. Signature in brown ink to lower right corner of title; note in Danish in the same hand to foot of title: "Present af min Fader" ("a present from my father"). Occasional fingering in pencil; measure numbers added in pencil in a modern hand throughout. Slightly worn and soiled. A later edition. Weinmann: Senefelder-Steiner-Haslinger 1, p. 149. WorldCat (2 copies in the U.S., at Harvard and the University of California, Berkeley). "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. His youthful quartets (opp.4, 8, 9, and 10) are notable for great flexibility of writing, exceptional rhythmic and melodic charm, and great vitality. Onslow achieves a personal synthesis of the various styles handed down from his predecessors: the 'quatuor concertant', deriving from the French tradition of the 18th century, the 'quatuor brilliant', in which the first violin is treated as a soloist, and the Viennese-style quartet, which he practised as a performer. Onslow's work was particularly successful in Germany and Austria throughout the first half of the 19th century, as the many editions of his works show." Viviane Niaux in Grove Music Online. …

Folio. Violino 1o sewn, other parts unbound. Violino 1o: [1] (decorative title by Krätzschmer), [i] (blank), 3-12 pp.; Violino 2o: 9, [i] (blank) pp.; Alto: 8 pp.; Violoncello 1o: 10 pp.; Violoncello 2o: 8 pp.; Basso: 7, [i] (blank) pp. Title lithographed; music engraved. Fingering in pencil to Violoncello parts. Slightly worn. An early edition, published within months of the first. Hoffmeister Monatsbericht September/October 1837, p. 115. WorldCat (3 copies in the U.S., at the Eastman School of Music, Indiana University, and the University of Pennsylvania). "[A] French composer of English descent. Onslow's string quartets and quintets are the pinnacle of his output. The string quintets were composed for an interesting diversity of ensembles. The first, dating from 1806 to 1825 (opp.1 to 25) were written for two violins, viola and two cellos (a viola part being provided to replace the first cello if necessary). After hearing the double-bass player Dragonetti in London, Onslow replaced the second cello with a double bass (opp.32 to 35). With op.37 and its successors he favoured two cellos again, but all the quintets were published with. extra parts, allowing them to be played in [other] combinations. Like the quartets, these quintets bear witness to the richness of Onslow's musical development, which departs from Classicism and embraces a style of composition in which a surprising anticipation of the language of Brahms is apparent. Some of these quintets must undeniably be placed among the great masterpieces of 19th-century chamber music." Viviane Niaux in Grove Music Online.…