Olszewski edward (35 Ergebnisse)

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. Indiana University Press October 1981 Binding: Hardcover.

Paperback. Zustand: Good. Zustand des Schutzumschlags: Good. Dust jacket in good condition. Shelf and handling wear to cover and binding, with general signs of previous use. Book is warped. Text is clear of markings and notations. Secure packaging for safe delivery.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Very Good. 1st Edition. No Additional printings indicated. Dust jacket has a tear on front. Z13.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Dust jacket tanned, marked and worn, some dust marking to the top edge. Orders received by 3pm Sent from the UK that weekday.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 208 pages. 10.00x8.25x0.75 inches. In Stock.

Paperback. Zustand: Brand New. 196 pages. 10.00x7.00x0.51 inches. In Stock.

Leinen. Zustand: Wie neu. X, 177 S. ; s./w. Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, Seiten zart nachgedunkelt Sprache: Englisch Gewicht in Gramm: 830.

Zustand: Wie Neu. Zustandsbeschreibung: Mängelexemplar/near mint. The cardinal?s commissions are distinguished from the 387 paintings inherited from his great-uncle, Pope Alexander VIII, in 1691. The cardinal?s taste and patronage are characterized from approximately 100 works identified in modern collections. Other archival information, diary accounts, artists? biographies, testaments, and guidebooks are consulted for insights into the cardinal?s collecting habits. XVIII,431 Seiten mit 104 Abb., gebunden (American University Studies. Series XX: Fine Arts; Vol. 36/Peter Lang Verlag 2004). Statt EUR 84,95. Gewicht: 740 g - Gebunden/Gebundene Ausgabe.…

Zustand: New.

Buch. Zustand: Neu. Neuware.

Gebunden. Zustand: New. In 1985, the Sohio oil company commissioned Claes Oldenburg and Coosje van Bruggen to design and construct a large outdoor sculpture for its new corporate headquarters in Cleveland, Ohio. The result was Free Stamp, a bold and distinctive installation that c.

Zustand: AS NEW. Etat de NEUF / AS NEW condition 0820463736 9780820463735 BP73 1.

Hardcover. Zustand: Brand New. 341 pages. 10.00x8.00x1.00 inches. In Stock.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed. Archival documents are cited to reveal why, how, and when it vanished. Detailed analysis is devoted to Juvarra's stage construction with its elaborate sets and moving apparatus. In his official function as Vice-Chancellor of the Church, it is well known that Ottoboni was positioned as a major patron of music, theater, and painting in late Baroque Rome. He was a librettist for oratorios performed by his resident composer, Arcangelo Corelli, and by Alessandro Scarlatti in venues in the palace, and in his basilica of San Lorenzo in Damaso, located in the palace grounds. His resident painters included Francesco Trevisani and Sebastiano Conca. He completed the construction of Bernini's Confessione in the nave of his basilica. As the sponsor of the Arcadian Academy, Ottoboni dictated taste in Roman cultural circles. His involvement in the competition for the façade of St. John Lateran is amplified. A grand overview is provided for the cardinal's commission of devotional machine constructed to rival the Lenten carnivals. As ephemeral constructions, and normally ignored liturgical phenomena, these are explored in detail for the first time. Late Baroque architecture, architectural patronage, Roman palace architecture Edward J. Olszewski, Case Western Reserve University, Cleveland, Ohio, U.S.A. …

Zustand: New. &Uumlber den AutorEdward OlszewskiKlappentextExamines the commission of the Vatican tomb of Pope Alexander VIII Ottoboni by his great-nephew Cardinal Pietro Ottoboni. Although neglected for centuries, the Ott.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The Inventory of Paintings of Cardinal Pietro Ottoboni (1667-1740) is the study of the inventory of more than 500 art works, assembled on the death of Cardinal Pietro Ottoboni who had been vice-chancellor of the Church for fifty years. The cardinal's commissions are distinguished from the 387 paintings inherited from his great-uncle, Pope Alexander VIII, in 1691. The cardinal's taste and patronage are characterized from approximately 100 works identified in modern collections. Other archival information, diary accounts, artists' biographies, testaments, and guid Elektronisches Buch are consulted for insights into the cardinal's collecting habits.…

Buch. Zustand: Neu. Neuware - This is a comprehensive overview of Parmigianino's enigmatic painting of The Madonna of the Long Neck. It treats the subject in terms of iconography, semiotics, studio practice, and art theory. The painting is not merely an example of mannerist extravagance, but that the Virgin in her extraordinary distension can be explained by a litany in Ecclesiasticus, with her enlargement read as a signifier of her mercy. Parmigianino's panel is interpreted as an Immaculate Conception. Because the magisterium had not fully defined the belief as dogma, the theological debate confused the artist and his contemporaries, but also gave them flexibility in their depictions of this abstract doctrine. The subject's genesis as a theological exercise is traced through the artist's drawings. Illustrations in full color and b&w.…

Buch. Zustand: Neu. Neuware - Examines the commission of the Vatican tomb of Pope Alexander VIII Ottoboni by his great-nephew Cardinal Pietro Ottoboni. Although neglected for centuries, the Ottoboni monument occupies the most strategic liturgical position in the complex of tombs in the Vatican basilica. It is impressive in scale, & offers a commanding presence on the path from the papal entryway to the apse & main altar, with a majestic papal effigy, a visually compelling narrative relief carving, & symbolically important allegories. Using unpublished archival documents in the Vatican & Lateran archives, this study discusses in detail the 30-year campaign for the construction of the tomb & identifies the artists & artisans responsible for the project. The monograph is comprehensive in its stylistic analysis, exploration of iconography, discussion of liturgical practice, & consideration of studio procedures beginning with patron & artist, architect & sculptors, & sculptor & artisans. reveals why the project required three decades to complete. 'A well-written, informative, & important monograph. And, in the process, he has expanded our understanding of contemporary workshop practice and art making in the Rome of the later Baroque period. There are sections where the author's meticulous care & insightful reconstruction of events gives the reader a sense of ''being there'' in the day-to-day process of work on the site. These parts make for especially exciting and engaging reading.' -- 'An absolutely wonderful piece of work.'.…

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Dust Jacket Included. 4to. pp. x, 177. profusely illus. biblio. index. cloth. dw. Exhib. Cat.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This is the first study to characterize the architectural patronage of Cardinal Pietro Ottoboni (1667-1740), and to identify twelve architects during his half century of patronage in his Ecclesiastical court of the Cancelleria. Most eminent among them were Filippo Juvarra and Domenico Gregorini. Commercial and private theaters in the palace are located from archival data, room measurements, drawings, diary accounts, Correspondence of the French Academy, and palimpsests of architectural details. The size, shape, appearance, capacity, and location of Filippo Juvarra's theater are discussed. Archival documents are cited to reveal why, how, and when it vanished. Detailed analysis is devoted to Juvarra's stage construction with its elaborate sets and moving apparatus. In his official function as Vice-Chancellor of the Church, it is well known that Ottoboni was positioned as a major patron of music, theater, and painting in late Baroque Rome. He was a librettist for oratorios performed by his resident composer, Arcangelo Corelli, and by Alessandro Scarlatti in venues in the palace, and in his basilica of San Lorenzo in Damaso, located in the palace grounds. His resident painters included Francesco Trevisani and Sebastiano Conca. He completed the construction of Bernini's Confessione in the nave of his basilica. As the sponsor of the Arcadian Academy, Ottoboni dictated taste in Roman cultural circles. His involvement in the competition for the façade of St. John Lateran is amplified. A grand overview is provided for the cardinal's commission of devotional machine constructed to rival the Lenten carnivals. As ephemeral constructions, and normally ignored liturgical phenomena, these are explored in detail for the first time. Late Baroque architecture, architectural patronage, Roman palace architecture Edward J. Olszewski, Case Western Reserve University, Cleveland, Ohio, U.S.A.…

hardcover. Zustand: New. 1st.

Zustand: New. KlappentextThis volume catalogues 137 drawings by nearly one hundred artists active in the Netherlands, Germany, France, Switzerland, and Spain from the very end of the fifteenth century through 1600. Compiled by a team of twenty-two sch.