Olivier richon (36 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

paperback. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (19972022) a period during which the course shaped an entire generation of photographers the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images.Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Zustand: New. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997-2022) - a period during which the course shaped an entire generation of photographers - the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium - one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us.…

paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Zustand: Very Good. Unread and unmarked. Covers and pages clean with images and text bright. Binding firm. NEW EU 5 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

Paperback. Zustand: Brand New. In Stock.

1. Auflage. 94 Seiten. OBr., Oktav, 94 S.; tadellos erhaltenes Exemplar.

164 pp.; 24 x 18.8 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Padiglione d'arte contemporanea, Milan, June 7 - July 8, 1988. Curated by Gregorio Magnani, Daniela Salvioni, and Giorgio Verzotti. Artists include Dennis Adams, John Baldessari, Bernd and Hilla Becher, Alan Belcher, Jennifer Bolande, Victor Burgin, Clegg and Guttmann, Günther Förg, Gilbert and George, IFP, Alfredo Jaar, Imi Knoebel, Karen Knorr, Joseph Kosuth, Barbara Kruger, Marie-Jo Lafontaine, Bertrand Lavier, Louise Lawler, Sherrie Levine, Ken Lum, Leonel Moura, Peter Nagy, Giulio Paolini, Michelangelo Pistoletto, Richard Prince, Olivier Richon, Christiane Richter, Gerhard Richter, David Robbins, Thomas Ruff, Cindy Sherman, Jeff Wall, and Andy Warhol. Includes biographies of the artists. All text in Italian. Good / Very Good. Rubbing of cover edges and scratching and yellowing of covers. Light yellowing of page edges. Contents clean and unmarked. …

Leinen. Zustand: Sehr gut. 1. ed. 28,5x24,5cm; 208 S. Gewebe (Blauer Leinen). Sprache: Englisch, überw. Ill. Zustand: Sehr Gut, eher ungelesen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

hardcover. Zustand: Sehr gut. 176 S., Abb. First edit., SU., gebraucht: sehr guter Zustand. Sprache: Englisch Gewicht in Gramm: 298.

Zustand: BUONO USATO. I ED. Da revisionare INGLESE Coperta minimamente imbrunita, con illustrazione a colori al piatto anteriore e con ordinari segni del tempo. Tagli regolari e leggermente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libro completamente fruibile, con introduzione di John X Berger e Olivier Richon, presenti illustrazioni a colori e in nero, prima edizione, pagine non numerate; da segnalare: il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria.…

Zustand: Very Good.

Zustand: NEW.

Taschenbuch. Zustand: Neu. Neuware.

Broschiert. Zustand: Sehr gut. 4°. Erste Auflage, Nicht paginiert. Original-Broschur. Sprache: Englisch, Mit zahlreichen Abbildungen. Frisches Exemplar.

183 pp.; 30 x 27.3 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Monograph on the photography collection of Groupe Lhoist in Belgium. Edited by Pauline de Laboulaye and Jacqueline de Ponton D'Amécourt. Introduction by Pierre Apraxine. Artists include Mac Adams, John Baldessari, Lothar Baumgarten, Bernd & Hilla Becher, Max Becher, Andrea Robbins, Barbara Bloom, Christian Boltanski, Rudolph Bonvie, Denis Brihat, Ellen Brooks, Victor Burgin, Jean-Marc Bustamante, Sophie Calle, Sarah Charlesworth, Pierre Cordier, Lili Dujourie, Jeanne Dunning, Sylvie Eyberg, Patrick Faigenbaum, Peter Fischli/David Weiss, Gunther Förg, Michel François, Peter Fraser, Adam Fuss, Lynn Geesaman, Gilbert & George, Nan Goldin, Rodney Graham, Andreas Gursky, Jan Henle, Craigie Horsfield, Alfredo Jaar, Louis Jammes, Jürgen Klauke, Karen Knorr, Wilmar Koenig, Suzanne Lafont, Marie-Jo Lafontaine, Louise Lawler, Richard Long, Urs Luthi, Robert Mapplethorpe, Guy Mees, Hélène Mugot, Vic Muniz, Bruce Nauman, Luigi Ontani, Pierre & Gilles, Sigmar Polke, Richard Prince, Olivier Richon, Gerhard Richter, David Robbins, Michal Rovner, Thomas Ruff, Andres Serrano, Cindy Sherman, Laurie Simmons, Seton Smith, Thomas Struth, Hiroshi Sugimoto, jan Vercruysse, Didier Vermeiren, Not Vital, Jeff Wall, Boyd Webb, William Wegman, and James Welling. Text in French. Good. Moderate sunning and discoloration of covers, rubbing of cover edges, and bumping of bottom right corner. Light dust soiling of text block edge, contents clean and unmarked.…

Gebundene Ausgabe. Zustand: Wie neu. 112 Seiten; Ungelesen. Einband geringfügig berieben bzw. angestoßen. Am Schnitt als Mängelexemplar gekennzeichnet. Rechnung mit ausgew. MwSt. O_7.6 9783735606136 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Englisch Gewicht in Gramm: 998. …

SOFTCOVER. Zustand: Fine. 1st Edition. Quarto size (4to) in photo illustrated wrappers, 62pp, illustrations in text, etc . [CONDITION: A well preserved very clean and tight FINE copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

1... 208 S. NEW, originally shrink-wrapped. 9783865210913 Sprache: Englisch Gewicht in Gramm: 1500 Gebundene Ausgabe, Maße: 24 cm x 2 cm x 28 cm.

1... 208 S. NEW, original sealed. 9783865210913 Sprache: Englisch Gewicht in Gramm: 3000 Gebundene Ausgabe, Maße: 24 cm x 2 cm x 28 cm.

4°, Olwd Ou. Zustand: Gut. 175 S. Erste Ausgabe ,- Druckfrisches Exemplar Sprache: Deutsch Gewicht in Gramm: 1200.

Paperback. Zustand: New.

Paperback. Zustand: New. The Devouring Eye: Photography and the Mouth is a provocative essay by Swiss photographer and academic Olivier Richon which rethinks the act of looking through the language of appetite, taste, and consumption. Drawn from a series of influential lectures delivered during his twenty-five-year tenure as Head of the Photography programme at the Royal College of Art (1997-2022) - a period during which the course shaped an entire generation of photographers - the book presents a meditation on the camera as both eye and mouth: an apparatus that ingests the world in order to produce images. Framed through a psychoanalytic lens, Richon proposes that photography is less a neutral act of observation than a form of visual incorporation. If looking maintains distance, the mouth abolishes it. The camera becomes a devouring organ, where the object is dissolved, digested, and made into an image. The desire to see becomes entangled with the desire to consume. Through this reading, photography is revealed as an insatiable medium - one that satisfies and frustrates our appetite for representation in equal measure. The Devouring Eye invites us to reconsider how we relate to images, and how deeply they live in us.…

Gottingen, 2006. 175 pp. Col. photography. Hardcover, d./j.Signed by Olivier Richon.

Farbig illustriert originl-kartoniert; 4°; 112 unpaginierte Seiten; überwiegend farbig bebildert. Der Text mit farbigen Anstreichungen; sonst gutes Exemplar. Sprache: Englisch 620 gr.

Buch. Zustand: Neu. Mitra Tabrizian | Parveen/Bate, David/Richon, Olivier Adams | Buch | 112 S. | Englisch | 2019 | Kerber Verlag | EAN 9783735606136 | Verantwortliche Person für die EU: Kerber Verlag GmbH & Co. KG, Rudi-Dutschke-Str. 26, 10969 Berlin, info[at]kerberverlag[dot]com | Anbieter: preigu. …