Oliver robert michael (44 Ergebnisse)

Paperback. Zustand: Fair. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Original series artist Mark Bagley returns for a special story celebrating the heroism of everyone's favorite webslinger. Then in X-Men, the surviving members of the team say goodbye to their loved ones, pay homage to their memory, and try to figure out what happens next. Mark Bagley; Stuart Immonen; Tyler Kirkham; Ben Oliver; Robert Atkins (illustrator). …

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

flexibound. Zustand: Very Good. Oversized softcover. Bound in glossy pictorial paper. Cover is neat and tidy. Binding is tight and secure. Small sticker from previous owner on FFEP. Pages are crisp, clean, and bright. Images printed in color. 468 pages. University of Georgia Press. Copyright page dated 2009. A very good copy. This is an oversized book, so extra postage will be necessary for priority or international shipping. We ship everyday from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it's properly described. Please contact us with questions or if you would like to see photographs.…

First Edition. First edition. Softcover. Fall 1998. 136 pages. Features poems by Czeslaw Milosz, Susan Lasher, Frank X. Gaspar, and others. Fiction by Michael Cunningham. Includes other contributions by Oliver Sacks, Sven Bikerts, Stephen Koch writing on the photographs of Peter Hujar. A near fine copy in wrappers.…

Softcover. Zustand: Very Good. Magazine. Oblong octavo. 102pp. Paper wrappers. Foxing on the wrappers, very good. Includes contributions from Susan Fromberg Schaeffer (preceding her first book), Tennessee Williams, Diane Wakoski, Ruth Fainlight, Lawrence Ferlinghetti, Paul Bowles, Robert Kelly, Oliver Evans, Helen Barolini, Ellen Hope Meyer, Ernest Brawley, Philip H. Schneider, Goffredo Parise, Ann Birstein, Jack Donahue, Daniel Halpern, Eugenio Montale, H.R. Wolf, Michael Mott, David Posner, L.R.N. Ashley, Ronnie Wathen, and Aaron Kramer. …

Zustand: New. In English.

Zustand: NEAR FINE. First printing. An annual poetry anthology with contributions from Mei Mei Berssenbrugge, Sharon Doubiago, Charles Bukowski, Luci Tapahanso, Nathaniel Tarn, Ana Castillo, Alice Notley, Michael McClure, Douglas Oliver, Bernadette Mayer and many others SIGNED by THREE writers at their contributions: Mei Mei Berssenbrugge at her poem "Milky Way", Sharon Doubiago at "Peru" and Michael McClure at "Billy the Kid versus Jean Harlow." Large format. 97 pp. plus ads Near fine in glossy illustrated wrappers.…

344 pp.; 26.9 x 20.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show "4th berlin biennial for contemporary art," Berlin, Germany, March 25 - June 5, 2006. Exhibition curated and catalogue edited by Massimiliano Gioni, Maurizio Cattelan, and Ali Subotnick on behalf of the KW Institute for Contemporary Art and funded by the Kulturstiftung des Bundes. Contributions by Nancy Spector. Artists include Tomma Abts, Viktor Alimpiev, Pawel Althamer, Kai Althoff and Lutz Braun, Ulf Aminde, Micol Assaël, Roger Ballen, Thomas Bayrle, Michael Beutler, Michaël Borremans, Bouchet, Tobias Buche, Anthony Burdin, Mircea Cantor, Bruce Conner, Benjamin Cottam, Martin Creed, Oliver Croy with Oliver Elser, Roberto Cuoghi, Tacita Dean, Jeremy Deller, Berlinde De Bruyckere, Gino De Dominicis, Nathalie Djurberg, Trisha Donnelly, Marcel van Eeden, Saul Fletcher, Roland Flexner, Felix Gmelin, Aneta Grzeszykowska, Sebastian Hammwöhner / Dani Jakob / Gabriel Vormstein, Rachel Harrison, Pravdoliub Ivanov, Sergej Jensen, Dorota Jurczak, Tadeusz Kantor, Ian Kiaer, Christopher Knowles, Robert Kusmirowski, Erik van Lieshout, Klara Liden, Ján Mancuska, Mike Mandel & Larry Sultan, Mark Manders, Kris Martin, Paul McCarthy, Corey McCorkle, Michaela Meise, Matthew Monahan, Otto Mühl, Bruce Nauman, Damián Ortega, Diego Perrone, Susan Philipsz, Jorge Queiroz, Reynold Reynolds with Patrick Jolley, Ricarda Roggan, Aïda Ruilova, Anri Sala, Markus Schinwald, Michael Schmidt, Thomas Schütte, Norbert Schwontkowski, Tino Sehgal, Shirana Shahbazi, Steven Shearer, Florian Slotawa, Christiana Soulou, Jaan Toomik, Paloma Varga Weisz, Gillian Wearing, Clemens von Wedemeyer with Maya Schweizer, Andro Wekua, Cathy Wilkes, Francesca Woodman, and Thomas Zipp. "A mysterious object, somewhere between an illustrated anthology of short stories and a scrapbook preserving the experience of visiting a biennial exhibition, this book presents the works of more than sixty artists in a montage of images, mixing historical photos, newspaper clippings, and other reference materials with installation shots and photographs of art works included in the show. Not simply a textual complement to the exhibition but also an unusual combine of art works, this book is much more than just a documentation of an exhibition, it's an exhibition in book form. In spite of its classical design and hardcover binding, it is an artists' book with a truly unusual use of texts and reprints. The book will also feature sections with visual reminders and references for all of the 4th berlin biennial activities including Checkpoint Charley, Gagosian Gallery in Berlin, and the columns presented by the bb4 in Zitty magazine." -- publisher's statement. New. In publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

Kartoniert / Broschiert. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly .

Soft cover. Zustand: Near Fine. 1st Edition. Xii, 370 Pp. First Printing Indicated. Near Fine. Warmly Inscribed By The Author. Inscribed by Author(s).

Paperback. Zustand: Brand New. 2005 edition. 292 pages. 9.50x6.50x0.75 inches. In Stock.

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The integration of knowledge in the life sciences is continuing apace with ev- increasingimportancebeing placedoncomputer-basedmethodsofdata capture, analysis, and knowledge representation. Today, our many di erent sciences are providing us with a sea of information: it is the handling of this in ux that is becoming a key discovery and regulatory question. The solutions to these problems will result in advancements to all of the involved sciences and will be highly in uential both in the selection of the areas scientists seek to investigate and also on their success. For this to happen, it is crucial to establish an open and lively exchange between computer scientists, biologists, and chemists. To encourage precisely this type of exchange, crossing the borders of the sciences, we organized the 1st Symposium on Computational Life Science in Konstanz, Germany(September 25 27,2005). Themainobjectiveofthesymposiumwasto formbridges,bringingtogetherscientistsfromavarietyofdisciplinestoexchange ideas and research e orts and to talk about the problems in areas of research that up until now have not been visible at an interdisciplinary level. Our conference program shows that the scienti c mix worked out very well. From 49 submissions, 21 were selected for presentation at the symposium, c- ering areas ranging from high-level system biology to data analysis related to mass spec traces. As a supplement to the regularconference program,we dedicated one section to papers presentedinthe frameworkof a workshoponDistributed Data Mining in the Life Sciences (LifeDDM), organized by Giuseppe Di Fatta.…

Taschenbuch. Zustand: Neu. Computational Life Sciences | First International Symposium, CompLife 2005, Konstanz, Germany, September 25-27, 2005, Proceedings | Michael R. Berthold (u. a.) | Taschenbuch | xii | Englisch | 2005 | Springer | EAN 9783540291046 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

Hardcover. Zustand: Brand New. 1088 pages. 10.87x7.25x11.16 inches. In Stock. Oliver, Ben; Paquette, Yanick (illustrator).

Softcover. Zustand: Fine. Magazine. 16mo. String bound illustrated stiff paper wrappers. Fine. Poetry anthology with contributions from John Updike ("Worldly Monk's Song"), William Heyen, Terry Stokes, John C. Cullen, Lyn Coffin, Michael Waters, Imogene L. Bolls, X.J. Kennedy, Bruce Bennett, Carol Frost, Mary Oliver, Michael Dennis Browne, Robert Wilkinson,Miller Williams, Sheila Nickerson, Albert Goldbarth, Leonard Nathan, Jan D. Hodge, W.M. Aberg, and Charles Levendosky. Laid in is a card announcing the suspension of publication with this issue. Also laid in is a small broadside of a poem by Mark Thalman.…

96 pp.; 33 x 25.4 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July - August 2007 issue of Modern Painters. Edited by Roger Tatley. Contents include: "Editor's Letter," by Roger Tatley; "Provision;" "Hairy Man Attacks Society's Falseness: Memories, dreams, and reflections regarding stuff I did last week," by Matthew Collings; "Truth or Dare: The State of Design: a cautionary tale," by Aric Chen; "Underdogs and Also-Rans: Six blind items from a reliable source," by Domenick Ammirati; "Artifice and Old Lace: The green screen is film's new tabula rasa," by Michael Atkinson; "Introducing: Shannon Ebner," by Dan Torop; "Introducing: Demetrius Oliver," by Nick Stillman; "This is How It Was," texts by Robert Gober and Elisabeth Sussman; "Karen Kilimnik: Vanity Project," by Wayne Koestenbaum; "Sol LeWitt" introduction and interview by Sarah Kent; "David Ohle: 'Stinkers,' a novel excerpt," introduction by Ben Marcus; "Reviews;" "Books;" "Index" and "Working Practice: David Goldblatt," by Jeff Byles. Also includes Richard Prince's review of the exhibition "Fugitive Artist : The Early Work of Richard Prince, 1974 - 77." Prince's review features image of Canadian Artist Richard Prince. Opening sentences of review read "This was a complete show of crap. I had nothing to do with the show and didn't want it to happen because, one, it's bullshit/student work that most artists do when they're starting out, and two, a lot of the work was stolen ." Cover by Robert Gober. Good. 3.4 cm. dog-ear to bottom right corner of recto and bumping of bottom right corner of pages. Rubbing, bumping and handling wear to covers. 3 mm. tear along spine edge wrapping around to recto with additional 3 mm. tear. Contents clean and unmarked. Due to large size of this publication additional shipping charges will be required for international orders. …

hardcover. Zustand: Gut. 244 Seiten; 9783937841373.3 Gewicht in Gramm: 1.

hardcover. Zustand: Sehr gut. 466 Seiten; 9783941531185.2 Gewicht in Gramm: 1.

Zustand: New. Die Reisebloggerin und Buchautorin Andrea Lammert wohnt seit ueber 15 Jahren in Hannover. Nachdem sie ihr Ihr Volontariat bei der Lueneburger Landeszeitung machte, begleitete sie das Schreiben durch ihr gesamtes Leben. Die passionierte Hundeliebhaberin lie.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked. …

Paperback. Zustand: Good. First Edition. 64 pages. Features: The U.S.S.R. and I - colour-photo-illustrated article describes what it's like to be a tourist in the Soviet Union; Fantastic one-page colour-photo ad for the 1967 Dodge Dart, red - convertible and black hardtop; When the Cable Came to Heart's Content - one hundred years ago the ship 'Great Eastern' linked Newfoundland with Europe; Snow Cruiser snowmobile half-page colour-photo ad; Let's Give The All Assists - a discussion of how assists are awarded in the NHL; Nice one-page colour-photo ad for the line of C.C.M. sports products; Lt.-Gen. E.L.M. Burns discusses what hope he sees for peace in the nuclear age; Vintage one-page colour toy ad for Eldon Road Racing Sets and new Eldon Tinyrooms; Centrefold colour ad for Parker Pens; My Pet Tarantula - Robert Scarlett describes his pet, one of 2,500 insects, butterflies and spiders in his collection; Safe Driving Week - A Sad Report on how Canadian motorists die; Great one-page colour-photo ad for Aylmer Soup features two photos of Phyllis Diller; How to Build a Candy House; Nice photo-illustrated article on Brampton radio station CHIC's all-girl team of disk jockeys, Jan Campbell, Marilyn Macdonnell, Penny Machtell and Febby Barnard; (Toy) Dolls Come Alive with Personality; Great photo-illustrated article on Beatle John Lennon going to war as Gripweed in making of the film 'How I Won The War'. Average wear. Unmarked. Binding intact. A sound vintage copy. Beaver, Bert (illustrator).…