oliver huck (39 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 156 pages. 6.54x0.43x9.33 inches. In Stock.

Zustand: New. pp. 255.

Kart., geheftet. Zustand: Gut. 1. Aufl. Unpag. [etw. 70 S.], Abb. Einband berieben, bestoßen und etwas gebräunt, Verklebung mit Briefmarke auf Einbandinnenseite, sonst gut erhalten. Sprache: Deutsch Gewicht in Gramm: 340.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware -With more than 150 surviving prints and far more than twice as many lost scores up to 1918, the number and importance of composed and compiled music scores for individual films is far greater than previously thought. The six studies presented in this volume deal with fundamental questions of the synchronization of music and film as well as with individual film music cultures - prerequisites for a history of early film music that takes appropriate account of the scores for individual films.Waxmann Verlag, Steinfurter Str. 555, 48159 Münster 156 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware - Mit über 150 erhaltenen und weit mehr als doppelt so vielen verlorenen Drucken bis 1918 ist die Anzahl und die Bedeutung von Drucken komponierter und kompilierter Musik zu einzelnen Filmen weitaus höher als bisher angenommen. In den sechs hier vorgelegten Studien werden grundlegende Fragen der Synchronisation von Musik und Film sowie einzelne Filmmusikkulturen thematisiert - Voraussetzungen für eine Geschichte der frühen Filmmusik unter angemessener Berücksichtigung der Musik zu einzelnen Filmen.With more than 150 surviving prints and far more than twice as many lost scores up to 1918, the number and importance of composed and compiled music scores for individual films is far greater than previously thought. The six studies presented in this volume deal with fundamental questions of the synchronization of music and film as well as with individual film music cultures - prerequisites for a history of early film music that takes appropriate account of the scores for individual films.

Taschenbuch. Zustand: Neu. Special Music Scores 1904-1918 | Studien zur frühen Filmmusik/Studies in Early Film Music | Oliver Huck | Taschenbuch | 156 S. | Englisch | 2025 | Waxmann Verlag | EAN 9783818800178 | Verantwortliche Person für die EU: Waxmann Verlag GmbH, Steinfurter Str. 555, 48159 Münster, info[at]waxmann[dot]com | Anbieter: preigu.

Hardcover. X + 338 S., Groß-Oktav, Hardcover/gebunden. Sehr gutes, sauberes Exemplar. Minimalste Gebrauchsspuren am Einband. Kaum berieben, kaum bestoßen. Sprache: Deutsch (unbesetzt) 960 gr.

Hardcover. 403 S., Quart, Hardcover/gebunden. Gerade, fest und innen wie außen sauber. Keinerlei Einträge etc. Einband deutlich berieben. Kaum bestoßen. Insgesamt immer noch sehr gutes Exemplar. Reihe: Musica Mensurabilis, Band 2/2. Sprache: Deutsch (unbesetzt) 1700 gr.

Hardcover. 225 S., Quart, Hardcover/gebunden. Gerade, fest und innen wie außen sauber. Keinerlei Einträge etc. Einband deutlich berieben. Kaum bestoßen. Insgesamt immer noch sehr gutes Exemplar. Reihe: Musica Mensurabilis, Band 2/1. Sprache: Deutsch (unbesetzt) 1300 gr.

Taschenbuch. Zustand: Neu. Neuware -Mit über 150 erhaltenen und weit mehr als doppelt so vielen verlorenen Drucken bis 1918 ist die Anzahl und die Bedeutung von Drucken komponierter und kompilierter Musik zu einzelnen Filmen weitaus höher als bisher angenommen. In den sechs hier vorgelegten Studien werden grundlegende Fragen der Synchronisation von Musik und Film sowie einzelne Filmmusikkulturen thematisiert - Voraussetzungen für eine Geschichte der frühen Filmmusik unter angemessener Berücksichtigung der Musik zu einzelnen Filmen.With more than 150 surviving prints and far more than twice as many lost scores up to 1918, the number and importance of composed and compiled music scores for individual films is far greater than previously thought. The six studies presented in this volume deal with fundamental questions of the synchronization of music and film as well as with individual film music cultures - prerequisites for a history of early film music that takes appropriate account of the scores for individual films. 156 pp. Englisch.

kart. Zustand: Wie neu. XII, 363 S. : Noten ; 25 cm g-099e-0825 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.

gebundene Ausgabe. Zustand: Gut. 407 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Sprache: Deutsch Gewicht in Gramm: 910.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Olms, Hildesheim, 2005. XII/363 S. mit Noten, Pbd.--- - neuwertig/ungelesen/Musica Mensurabilis, band 1 - 908 Gramm.

Gr.8° Pappeinband. Zustand: Sehr gut. Sehr guter Zustand. 363 Seiten. Deutsch 900g.

Georg Olms Verlag, Hildesheim, 2007. VII/327 S., mit Notenbeispielen und 14 farbigen Faksimiles., Pappband--- - neuwertig/original verlagsfrisch verschweißt/Reihe: Musica Mensurabilis, Band 3 - 810 Gramm.

gr-8°. 376 S. mit Notenbeisp. OPp. Neuwertig (Neupreis: ca. 58,-EUR). Musica Mensurabilis, 1.

Olms Verlag, Hildesheim, 2007. VII/327 S. mit Notenbeispielen und 14 farbigen Faksimiles, Pappband--- - neuwertig/original verlagsfrisch verpackt/aus der Reihe: Musica Mensurabilis, Band 3 - 812 Gramm.

Jahr: c1999. Einband: Pappe. Beschreibung: c1999 - Hrsg. d. Reihe: In Verbindung mit der Carl-Maria-von-Weber-Gesamtausgabe herausgegeben von Gerhard Allroggen und Joachim Veit. BSS 48132. Einband berieben und teils mit kl. unscheinbaren Kratzspuren. Gut und sauber erhalten. Sprache: de. XII, 407 S.

[8] pp.; 22.8 x 15.3 cm.; accordion; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition brochure / catalogue published in conjunction with show held January 21 - February 18, 1984. Foreword by Linda Shearer. Curated and with a text by Helene Winer. Galleries include Cash, Christminster Fine Art, Civilian Warfare, East 7th Street Gallery, Executive Gallery, 51 X, Fun Gallery, Tracey Garet, International With Monument, Gracie Mansion, Nature Morte, The New Math Gallery, Oggi - Domani, Pat Hearn, Piezo Electric, PPOW, and Sharpe Gallery. Artists include Stephen Aljian, Alan Belcher, Paul Benney, Zeke Berman, Ellen Berkenblit, Keiko Bonk, Tom Brazelton, Barry Bridgwood, Nancy Brooks Brody, Chris Chevins, Craig Coleman, Rich Colicchio, Michael Collins, George Condo, Gregory A. Crane, Mark Dean, Jimmy de Sana, Futura, Robert Garratt, Dana Garrett, Judith Glantzman, Arthur Gonzalez, Rodney Alan Greenblat, Kathleen Grove, Richard Hambleton, Kiely Jenkins, Sermin Kardestuncer, Elizabeth Koury, Stephen Lack, Leora Laor, Robert Loughlin, Paul Marcus, Frank Moore, Peter Nagy, Michael Ottersen, Steven Parrino, Rick Prol, Hope Sandrow, Michael Sangaris, Bruno Schmidt, Peter Schuyff, Huck Snyder, Ahbe Sulit, Frederick Sutherland, Meyer Vaisman, Oliver Wasow, Dondi White, David Wojnarowicz, Robert Yarber, Zephyr, and Rhonda Zwillinger. "The exhibition includes work from seventeen galleries located in the East Village or the area east of Second Avenue, just below Houston Street: CASH, Christminster, Civilian Warfare, East 7th Street Gallery. Executive Gallery, 51 X, Fun Gallery, Garet/ Kohn Gallery, Gracie Mansion. International with Monument, Nature Morte, New Math, Oggi-Domani, Pat Hearn. Piezo Electric, P.P.O.W. and Sharpe Gallery. Work by artists associated with the galleries have been selected by the individual gallery directors, and Helene Winer, organizer of the exhibition. Helene Winer is a past Director of Artists Space and currently co-owner of Metro Pictures a commercial gallery in SoHo. As part of Artists Space''''s celebration of its 10th anniversary season, she has organized this exhibition to examine a growing number of artist organized commercial exhibition spaces. Ms. Winer''''s past experience with the non-profit art community and her present position in the commercial art world offer a unique outlook on this new trend. In keeping with Artists Space''''s support of new art through both its Exhibition Program and Grants Program, NEW GALLERIES OF THE LOWER EAST SIDE is a look at a new outlet for emerging art: an outlet which straddles the lines between the artists cooperative, the non-profit alternative space, the artist organized independent exhibition and the commercial gallery. NEW GALLERIES OF THE LOWER EAST SIDE acknowledges the recent appearance and rapid proliferation of more than twenty commercial art galleries that are introducing new artists and art. This phenomenon has created overnight, it seems, active new exhibition outlets for artists, an on-going vehicle for massive social opening events, a Sunday activity for the art audience, a new map in the Gallery Guide and a new focus of excitement and energy in the art community. The galleries are now numerous and offer more than the aesthetic that was first presented by the pioneers (Gracie Mansion, Fun Gallery and 51 X) and which has come to be associated with the East Village. They are very professional enterprises that intend to provide serious support and attention to the artists they show. Many of the galleries are artist owned. The artist/owners who converted storefronts to studios have now converted these studios to galleries. Most of these owners work at jobs separate from the gallery to support the activity and many live ''''behind the shop." The East Village Eye and New York Beat play the role that the SoHo News and the Village Voice did for SoHo and Tribeca. The East Village and the Lower East Side of New York has been an area many artists moved to, since SoHo and then Tribeca have been increasingly gentrified, a fate that may now befall the East Village itself. Over the years the art community has found ''''alternative'''' means of creating needed opportunities for artists to exhibit their work to at least their peers, and occasionally to a broader audience. In the fifties. New York artists opened cooperative galleries on Tenth Street. Later, alternative spaces opened with government funding: commercial galleries moved from Uptown to Downtown for both space and accessibility to the artists. community artists organized their own temporary exhibitions such as the Times Square Show, and now, in a period of two years, some 25 commercial galleries have opened on the Lower East Side, the majority in 1983."--from exhibition press release Very Good / Fine. Light yellowing of cover edges, otherwise Fine. Contents clean and unmarked.

Olms, Hildesheim, 2007. LXIII/628 S., Pappbände. Quart--- - neuwertig/original verlagsfrisch verschweißt/enthalten: Band 1: Übertragungen, texte, Kommentare/Band 2: Transkriptionen/aus der Reihe Musica Mensurabilis, Band 2/1 und 2/2 - 2575 Gramm.

Zustand: New.

4°. 284 + 412 S. OPp. Neuwertig. Musica Mensurabilis, 2.

Hardcover. Zustand: Brand New. 360 pages. German language. 8.43x1.30x11.18 inches. In Stock.

Zustand: New.

Jahr: c1998. Einband: Pappe. Beschreibung: c1998 - Hrsg. d. Reihe: In Verbindung mit der Carl-Maria-von-Weber-Gesamtausgabe herausgegeben von Gerhard Allroggen und Joachim Veit. Der Band herausgegeben von Oliver Huck und Joachim Veit. BSS 48131. Einband berieben und teils mit kl. unscheinbaren Kratzspuren. Gut und sauber erhalten. Sprache: de. XI, 466 S.