Okamoto taro (15 Ergebnisse)

Paperback Bunko. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Encuadernacion De Tapa Blanda. Zustand: Bien. Cubiertas ajadas.

Paperback. Zustand: Very Good. Book. 307 x 241 mm. Includes articles on Taro Okamoto, Azaz, Fishet. 'Emilio Pettorutti ' by Frank Elgar. Very minor red biro (two thin lines) annotating 3 British artists in New York article (Allen Jones, Peter Philllips and Richard Smith). American Sculpture in Paris. Condition : red biro signature of the artist Geoffrey to cover & slight foxing to spine. vg.…

Soft cover. Zustand: Fine. 153 pages in Japanese : illustrations (some colour) ; 29 cm. Foreword and captions also in English. Catalogue of an exhibition held at Kokuritsu Kokusai Bijutsukan, Apr. 20-May 28, 2000, and three other locations until Apr. 8, 2001.

Couverture souple. Zustand: bon. R160183513: 1976. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur frais. 190 Pages - Quelques planches photos en noir et blanc - Une petite étiquette contre collée sur le 1er plat. . . . Classification Dewey : 709-Histoire des arts.

No Binding. Zustand: Fine. Flyer. Okamoto Taro (1911-1996). Doublefold exhibition document (4 p.). Text: Japanese. Illustrations. In perfect condition. Ephemera.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. 4° - 90pp - Color photo-plates by Komaro Hoshino. Kodo: Exploring the limitless possibilities of the traditional Japanese drum, the taiko, Kodo is forging new directions for a vibrant living art-form. First edition, including one original color photograph. Original binding and dust-jacket. In very good condition. …

Couverture souple. Zustand: Très bon. Paris, GLM, collection Peintres d'aujourd'hui n° 1, 1937. In-16 broché sous une couverture illustrée, [48] pages. Édition originale sur vélin d'édition, après 30 exemplaires numérotés sur Normandy vellum. 16 reproductions hors-texte en noir, tirées en héliogravure, d'œuvres surréalistes du peintre japonais Taro Okamoto, alors tout juste âgé de 26 ans. Très bel exemplaire. [GLM, n° 150]. Taro Okamoto (illustrator).…

Hardcover. Zustand: Near fine. Zustand des Schutzumschlags: Near fine. 1st edition. A biography of Japanese avant-garde artist Taro Okamoto, with notes by Patrick Waldberg, Pierre Klossowski and numerous other famous artists. With original slipcase and dust jacket. Slipcase has minor wear to edges, and is otherwise in fine condition. Dust jacket has slight rubbing and bumping to edges and corners. Very faint stains to text block edges. Book itself in extremely nice and bright condition. 289 p. Biography. Text in Japanese. Okamoto, Taro (illustrator). Used book. …

. 1 volume grand in-4° (35, 2 x 27 cm), reliure éditeur soie bleu-nuit avec lettrage japonais doré sur le 1er plat et le dos. En frontispice, on trouve une photo de l'artiste puis une introduction de 9 pages (en japonais, anglais et français). Puis on trouve 183 planches (pp10-193), chacune représentant un idéogramme interprêté par Taro OKAMOTO. Il s'agit d'interprétations par la couleur (toutes les couleurs de la palette) et par la déformation dynamique des éléments de l'idéogramme choisi pour thème. Chaque planche est légendéedans les trois langues. Plusieurs de ces légendes sont accompagnées d'un court texte, à la fois poétique et spiritualiste. En fin d'ouvrage, on trouvera la biographie de l'artiste, toujours dans les trois langues.Cet ouvrage de grande qualité est contenu dans un coffret cartonné de couleur rouge (avec lettrage noir). Notre exemplaire est quasiment à l'état neuf.…

Hardcover. Zustand: Very Good. 3rd Edition. The first book by Taro Okamoto (1911-1996), a Japanese avant-garde painter, sculptor and designer. It is hard to overstate the significance of his work for Japanese contemporary art. During the 1930's he studied in Sorbonne and brought European knowledge with him back to Japan. His modernist artworks can be classified as surrealist. He had the same impact on art in his native country as Dali and Picasso in Europe. Nowadays, one of the most prestigious contemporary art awards in Japan bears his name. The book includes his early works and essays, which are documents of his stay in Paris and witnesses of his work process. Three offset colour plates + 26 offset black and white plates. Hardcover. Original paperboard. Stains on the edges of the cover. Curvature of the paperboard. Occasional foxing and browning of the contents. Signed by Okamoto Taro (pen, black ink). Condition: very good. 1 vol. Complete. 18,1 x 25,3 cm. 157 pages. Text in Japanese. Signed by Author(s).…

Préface de Pierre KLOSSOWSKI. Seghers, Paris 1976, in-8, br., couv. ill., 190 p., 51 illustrations H.T. Bon ex. E.O. de la trad.

Signed limited edition of this deluxe Japanese monograph on the avant-garde artist Taro Okamoto. Quarto, written in Japanese, original pictorial boards, housed in the original publisherâs slipcase, profusely illustrated with reproductions of Okamotoâs paintings and sculpture. One of 500 numbered copies, this is number 167. Association copy, inscribed by the artist in French on the half-title page to the celebrated portrait photographer Yousuf Karsh and his wife Estrellita, âA Monsieur et Madame Estrellita Yousuf Karsh, en amical souvenir de Taro Okamoto, Tokio 13.5.69.â Boldly signed again beneath in both Roman letters and Japanese characters. The recipient, Yousuf Karsh, is recognized as one of the leading photographers of the twentieth century. Arriving in Canada in 1924 as an Armenian refugee, Karsh eventually settled in Ottawa. Over six decades, he mastered the art of portraiture and created a unique chronicle of his time through images of celebrated legends. Some of his most notable subjects include Winston Churchill, Audrey Hepburn, Martin Luther King, Jr., John F. Kennedy, and Ernest Hemingway, among others. A celebrity in his own right, he was an elegant and charming public figure, captivating audiences with compelling stories told in images and words. Karsh sought to capture, as he put it, the âelusive moment of truth,â revealing the essential nature of his subjects as reflected in their eyes, hands, and attitudes. From the collection of Yousuf Karsh with his estate label to the front pastedown. Held by the Estate of Yousuf & Estrellita Karsh; after Yousufâs death in 2002 passing to Estrellita Karsh; after Estrellitaâs death in March 2025 passing to Katherine Getchell. In near fine condition. Housed in the original publisherâs illustrated board slipcase. Edited by Hideo Kaido. Okamoto Taro (1968) is a landmark art monograph produced at one of the most consequential moments in the career of Taro Okamoto (1911-1996), the Japanese avant-garde artist, writer, and art theorist whose work constitutes one of the most original and far-reaching contributions to twentieth-century Japanese visual culture. Born in Kawasaki to the cartoonist Ippei Okamoto and the writer Kanoko Okamoto, Taro Okamoto spent more than a decade in Paris from 1929, studying aesthetics at the Sorbonne under Victor Basch, studying ethnography under Marcel Mauss alongside many of the leading Surrealist and abstract artists of the era, and forming close friendships with Pablo Picasso, Andrà Breton, Man Ray, and Robert Capa, before returning to Japan in 1940 and establishing himself as the most important conduit of the Parisian avant-garde to the Japanese art world. The 1968 publication of this volume coincided with Okamoto's completion of his monumental 5.5 by 30-meter mural Myth of Tomorrow, commissioned for the Hotel de Mexico and later installed permanently at Shibuya Station in Tokyo, and preceded by only two years his creation of the Tower of the Sun for Expo '70 in Osaka, the 70-meter humanoid concrete sculpture that became the most celebrated public artwork in modern Japanese history and transformed its creator into a figure of national cultural iconicity.…