Okada jun (29 Ergebnisse)

Tankobon Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Daihachi Ota (illustrator).

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Tankobon Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback Shinsho. Zustand: Brand New. Japanese language. 7.09x5.12x0.71 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.09x5.12x0.63 inches. In Stock.

Zustand: New. In English.

Tankobon Hardcover. Zustand: Brand New. 8.66x5.67x0.87 inches. In Stock.

Paperback. Zustand: Brand New. shohan edition. 149 pages. Japanese language. 8.35x5.75x0.87 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.35x5.75x0.63 inches. In Stock.

Zustand: New. pp. 184.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 7.48x5.35x0.47 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. 164 pages. Japanese language. 8.66x6.06x0.94 inches. In Stock.

Zustand: New. 2015. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Brand New. shohan edition. 158 pages. Japanese language. 8.66x6.14x0.87 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.35x5.75x0.79 inches. In Stock.

Paperback. Zustand: Brand New. 184 pages. 9.25x6.25x0.50 inches. In Stock.

Tankobon Hardcover. Zustand: Brand New. 205 pages. Japanese language. 8.35x5.67x0.87 inches. In Stock.

Paperback. Zustand: Brand New. shohan edition. Japanese language. 8.27x5.83x0.87 inches. In Stock.

Kartoniert / Broschiert. Zustand: New. The words Asian American film might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS. In her groundbreaking study of the past fifty years of Asian American film and video, Jun Ok.

Tankobon Hardcover. Zustand: Brand New. Japanese language. 8.27x6.14x0.87 inches. In Stock.

Taschenbuch. Zustand: Neu. Making Asian American Film and Video | History, Institutions, Movements | Jun Okada | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2015 | Rutgers University Press | EAN 9780813565019 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New. pp. 184.

Gebunden. Zustand: New. The words Asian American film might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS. In her groundbreaking study of the past fifty years of Asian American film and video, Jun Ok.

Buch. Zustand: Neu. Neuware - The words "Asian American film" might evoke a painfully earnest, low-budget documentary or family drama, destined to be seen only in small film festivals or on PBS (Public Broadcasting Service). In her groundbreaking study of the past fifty years of Asian American film and video, Jun Okada demonstrates that although this stereotype is not entirely unfounded, a remarkably diverse range of Asian American filmmaking has emerged. Yet Okada also reveals how the legacy of institutional funding and the "PBS style" unites these filmmakers, whether they are working within that system or setting themselves in opposition to its conventions. Making Asian American Film and Video explores how the genre has served as a flashpoint for debates about what constitutes Asian American identity. Tracing a history of how Asian American film was initially conceived as a form of public-interest media, part of a broader effort to give voice to underrepresented American minorities, Okada shows why this seemingly well-intentioned project inspired deeply ambivalent responses. In addition, she considers a number of Asian American filmmakers who have opted out of producing state-funded films, from Wayne Wang to Gregg Araki to Justin Lin.Okada gives us a unique behind-the-scenes look at the various institutions that have bankrolled and distributed Asian American films, revealing the dynamic interplay between commercial and state-run media. More than just a history of Asian Americans in film, Making Asian American Film and Video is an insightful meditation on both the achievements and the limitations of institutionalized multiculturalism.…

Zustand: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 184 pages. 9.25x6.25x0.75 inches. In Stock.

Archive of eighteen self-published postcards of performances by Stelarc, 1976-1984, eight SIGNED (seven also dated) by the artist on the versos, a flyer, printed on the recto and verso for a 1981 performance of "The Third Hand Event" at Galeria Sloane Racotta, a flyer for "Suspensiones 1976-1981," a 1981 photography exhibit documenting Stelarc performances at Centro Teotihuacan S.A., and a program for "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Technologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC), a 1981 multi-media lecture by Stelarc and photographer Mario Mutschlechner. Stelarc is a Cyprus-born, Australian based performance artist whose work explores body suspensions, robotics, medical instruments, prosthetics, and the internet, to test and extend the limits of the human body which Stelarc defines as "obsolete." The archive includes: Eighteen self-published postcards of performances by Stelarc: "Event for Stretched Skin" at the Maki Gallery, Tokyo on May 16, 1976. Unmailed. "Event for Penetration/Extrapolation" at Museu Universitario, Mexico City on August 14, 1976. Unmailed. "Event for Stretched Skin No. 4" at Art Academy, Munich on August 8, 1977. Unmailed. "Event for Lateral Suspension" at Tamura Gallery, Tokyo on March 12, 1978, SIGNED and dated "24/4/1978" on the bottom of the verso by the artist, addressed to librarian, archivist, lecturer, and author Judith Hoffberg and curator Joan Hugo. "Event for a Propped Body" at Tokiwa Gallery, Tokyo on May 14, 1978, SIGNED and dated "23/8/1978" on the bottom of the verso by the artist, addressed to Hoffberg and Hugo. "Event for Inclined Suspension" at Tamura Gallery, Tokyo on January 1, 1979. Unmailed. "Event for Support Structure" at Tamura Gallery, Tokyo on July 9-15, 1979. Unmailed. "Event for Amplified Tension" at Tenjo Sajiki, Tokyo on August 6, 1979. Unmailed. "Pull Out/Pull Up: Event for Self Suspension" at Tokiwa Gallery, Tokyo on March 2, 1980. Unmailed. "Sitting/Swaying: Event for Rock Suspension" at Tamura Gallery, Tokyo on May 11, 1980. Unmailed. "Event for Obsolete Body" at La Mama, Melbourne on August 13, 1980. Unmailed. "Up/Down: Event for Shaft Suspension" at Hardware Str. Studio, Melbourne on August 17, 1980. Unmailed. "The Third Hand / The Third Hand" at Tamura Gallery, Tokyo on May 8, 1981, SIGNED and dated "18/6/1981" on the bottom of the verso by the artist. Unmailed. "Handswriting (Evolution)" at Maki Gallery, Tokyo on May 22, 1982, SIGNED and dated "6/12/82" on the bottom of the verso by the artist, addressed to curator Bob Smith, curator at LAICA (Los Angeles Institute of Contemporary Art). "Moving/Modifying: Suspension for Obsolete Body" at Espace DBD, Los Angeles on July 17, 1983, SIGNED and dated "5/1/1983" on the bottom of the verso by the artist, addressed to Smith. "Prepared Tree Suspension: Event for Obsolete Body No. 6" at Black Mountain, Canberra on October 10, 1982, SIGNED and dated "9/5/1983" on the bottom of the verso by the artist, addressed to Smith. "Event for Amplified Hands No. 2" at City Art Institute, Sydney on October 15, 1982, SIGNED on the bottom of the recto by the artist, addressed to LAICA. And "Street Suspension" at Mo David Gallery on July 21, 1984, SIGNED and dated "'84" on the bottom of the verso by the artist. Unmailed. A long rectangular flyer, printed with matte black and white photographs on the recto, and illustrated on the verso, for "Evento Para La Tercera Mano (The Third Hand)" at Galeria Sloane Racotta on August 25, 1981. A flyer for "Suspensiones 1976-1981," a photography exhibit documenting Stelarc performances, at Centro Teotihuacan S.A., on August 18-25, 1981. And a four page program for the multi-media lecture by Stelarc and photographer Mario Mutschlechner, "Modified Man: Una Conferencia Ilustrada Sobre Robotica Y Tecnologias Espaciales," at Museo Tecnológico de la Comisión Federal de Electricidad (MUTEC) on August 20, 1981. Postcards, 6 x 4 inches. Near Fine overall with faint soiling, six with address labels and stamped with postmarks, one with a brief pencil annotation on the verso, and one with a small chip to the top left corner. "Evento Para La Tercera Mano (The Third Hand)" Flyer, 9.25 x 5.25 inches. Near Fine. "Suspensiones 1976-1981" Flyer, 8.5 x 12.25 inches. Very Good plus, with light edgewear and a tiny bruise to the top right corner. "Modified Man" Program, 8.5 x 11 inches, saddle-stapled. Light toning, else Near Fine. Signed.…