Offner richard (30 Ergebnisse)

hardcover. Zustand: Good. Good with wear and markings. Looks like an interesting title.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

hardcover. Zustand: very good. 48 pages of text followed by 36 b/w illustrations. 4to, gray cloth spine with gilt-decorative blue boards. New Haven: Yale University Press, 1927. A very good copy with some wear to corners.

Zustand: New.

Halbleinen. Zustand: Gut. 26,5x20cm; 48; Halbleinen. über 50 SW Abb.; Zustand: Gut bis Sehr Gut gering gebräunt (Innen); Kleiner Schrifteintrag vor dem Titelblatt; Einband (Außen) hat geringe Gebrauchsspuren; Schutzumschlag fehlt, oder es gibt keinen; * Die Photos sind original von uns erstellt worden, u.a. erkennbar an einem kleinen weißen Stück Papier im oberen Schnitt. Ab und an verwenden Suchmaschinen Verlagsphotos, bei den Portalen selbst, werden aber nur unsere Originalphotos gezeigt.…

Taschenbuch. Zustand: Neu. Neuware - 'Italian Primitives at Yale University Comments & Revision' is an authoritative scholarly examination of the early Italian paintings held within the prestigious Yale University collection. Written by the distinguished art historian Richard Offner, this work offers profound commentary and critical revisions regarding the attribution, stylistic nuances, and historical significance of these foundational artworks.The study focuses on the transition from the late Medieval period to the early Renaissance, providing a detailed analysis of the various schools of painting that emerged in Italy during the 13th and 14th centuries. Offner employs his expert eye to scrutinize specific panels, altarpieces, and fragments, offering insights into the artists' techniques and the evolution of their craft. By addressing previous scholarship and providing updated perspectives, this book serves as a vital resource for understanding the development of Western art history. It is an essential volume for researchers, curators, and students of the Italian Renaissance, highlighting the historical and aesthetic value of one of the most significant collections of early Italian art in the United States.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Zustand: Neu. Neuware - 'Studies in Florentine Painting, the Fourteenth Century' is a seminal work of art historical scholarship by the distinguished historian Richard Offner. This collection of essays offers a profound exploration of the Trecento period, focusing on the evolution of style, technique, and attribution within the Florentine school of painting. Offner meticulously examines the works of both major figures and lesser-known masters, providing a detailed analysis of the aesthetic developments that defined one of the most transformative eras in Western art.The book delves into the stylistic nuances of the fourteenth century, a time when the rigid Byzantine traditions began to give way to the more naturalistic and humanistic approaches that would eventually culminate in the Renaissance. Through rigorous formal analysis, Offner clarifies the artistic lineage of various workshops and identifies the subtle characteristics that distinguish individual hands. This volume is an essential resource for students, scholars, and enthusiasts of Italian art, offering timeless insights into the spiritual and technical foundations of Florentine masterpieces. Its focus on connoisseurship and historical context makes 'Studies in Florentine Painting, the Fourteenth Century' an enduring contribution to the field of medieval and early Renaissance art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

hardcover. Zustand: very good. Illustrated with over 100 b/w images. 143 pages. 4to, brown cloth-backed brown boards with paper spine label. New York: Frederic Fairchild Sherman, (1927). A very good solid copy, scuffed and with considerable edgewear.

Buch. Zustand: Neu. Neuware - 'Italian Primitives at Yale University Comments & Revision' is an authoritative scholarly examination of the early Italian paintings held within the prestigious Yale University collection. Written by the distinguished art historian Richard Offner, this work offers profound commentary and critical revisions regarding the attribution, stylistic nuances, and historical significance of these foundational artworks.The study focuses on the transition from the late Medieval period to the early Renaissance, providing a detailed analysis of the various schools of painting that emerged in Italy during the 13th and 14th centuries. Offner employs his expert eye to scrutinize specific panels, altarpieces, and fragments, offering insights into the artists' techniques and the evolution of their craft. By addressing previous scholarship and providing updated perspectives, this book serves as a vital resource for understanding the development of Western art history. It is an essential volume for researchers, curators, and students of the Italian Renaissance, highlighting the historical and aesthetic value of one of the most significant collections of early Italian art in the United States.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Zustand: Neu. Neuware - 'Studies in Florentine Painting, the Fourteenth Century' is a seminal work of art historical scholarship by the distinguished historian Richard Offner. This collection of essays offers a profound exploration of the Trecento period, focusing on the evolution of style, technique, and attribution within the Florentine school of painting. Offner meticulously examines the works of both major figures and lesser-known masters, providing a detailed analysis of the aesthetic developments that defined one of the most transformative eras in Western art.The book delves into the stylistic nuances of the fourteenth century, a time when the rigid Byzantine traditions began to give way to the more naturalistic and humanistic approaches that would eventually culminate in the Renaissance. Through rigorous formal analysis, Offner clarifies the artistic lineage of various workshops and identifies the subtle characteristics that distinguish individual hands. This volume is an essential resource for students, scholars, and enthusiasts of Italian art, offering timeless insights into the spiritual and technical foundations of Florentine masterpieces. Its focus on connoisseurship and historical context makes 'Studies in Florentine Painting, the Fourteenth Century' an enduring contribution to the field of medieval and early Renaissance art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Zustand: COME NUOVO. Firenze, Giunti cm.24,5x32, pp.309, 120 illustrazioni bn.in XXXV tavole nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Corpus of Florentine Painting. Interamente in inglese, questo volume, il primo tomo sulla pittura a Firenze nel Quattordicesimo secolo (il piano dell'opera di cui fa parte viene riportato di seguito), è dedicato alla pittura fiorentina della scuola dei Maestri di Santa Cecilia, un libro che non solo la presenta, la classifica e la commenta, ma che intende inserire questa produzione artistica nella cultura figurativa di quel periodo, ma soprattutto di quella scuola. Questo volume fa parte dell'opera ''A Critical and Historical Corpus of Florentine Painting'' (30 volumi a opera conclusa) che è uno strumento fondamentale per la ricerca storico-artistica e offre l'informazione scientifica più completa e la più ampia documentazione fotografica mai realizzata sulla pittura fiorentina nel periodo prerinascimentale. Ogni volume, interamente in inglese, è composto da uno studio storico e critico su un artista, o un gruppo di artisti, con un catalogo completo e riccamente illustrato delle opere e la pubblicazione dei relativi documenti. Iniziato da Richard Offner nel 1930, e continuato da Klara Steinweg, il progetto fu in seguito affidato dall'Università di New York a Miklós Boskovits, e tutto il materiale raccolto da Offner fu messo a disposizione dell'Istituto di Storia dell'Arte dell'Università di Firenze. A new edition with additional notes and bibliography by M.Boskovits.…

Hardcover. New Edition. Quarto, 513 pages. In Very Good condition with a Very Good dust jacket. Dust jacket spine blue with white and black lettering, protected in mylar covering. Mild general shelf wear. Mild bumping to head and tail of dust jacket spine and lower fore edges of boards. Shelved Front Table. 1416948. Shelved Dupont Bookstore.…

Hardcover. Zustand: Gut. OHLn. mit goldgeprägtem illustr. Deckel, 48 S. sowie 43 S. mit Abb. auf Tafeln, 26,5 x 20 cm, Einband mit Gebrauchsspuren, ansonsten altersgemäß sehr guter Zustand, cover with traces of usage, apart from that age-appropriate very good condition, 1. Aufl. 1030 gr.

hardcover. Zustand: fine. Illustrated with 179 b/w figures + frontispiece. 102 pages of text. Slim 4to, tan cloth. New York: Institute of Fine Arts New York University, 1969. A fine copy. The Fourteenth Century: Supplement. This is a single volume from a much larger series.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: fine. near fine. Edited by Miklos Boskovits. Illustrated in black and white. 309 pages. Tall 4to, pale gray cloth, d.w. (spine sunned) Florence: Giunti Barbera, (1986). A new edition, with additional notes and bibliography. A fine copy in a near fine dust wrapper, housed in a publisher's slipcase. Published under the auspices of The Istituto di Storia dell'Arte of the University of Florence. "A Critical and Historical Corpus of Florentine Painting," by Richard Offner with Klara Steinweg, continued under the auspices of Miklos Boskovits and Mina Gregori.…

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Edited by Miklos Boskovits. Well-illustrated throughout with b/w images. 309 pages. Tall 4to, pale gray boards, d.w. Florence: Giunti Gruppo Editoriale, (1986). A new edition, with additional notes and bibliography. A fine copy in fine dust wrapper. Published under the auspices of The Istituto di Storia dell'Arte of the University of Florence. "A Critical and Historical Corpus of Florentine Painting," by Richard Offner with Klara Steinweg, continued under the auspices of Miklos Boskovits and Mina Gregori.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine copy in hardcover with fine jacket and very good slipcase.

Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. Fine condition in a fine dustwrapper. Large format. A Corpus of Florentine Painting, Section III, Volume II. Still in original shrinkwrap - UNOPENED! This copy would make a wonderful gift. Just light wear to a couple of corners where book has pushed through shrink wrap, 4" long split to shrinkwrap on rear of book. Packaged with care and promptly dispatched.…

Hardcover. Zustand: near fine. New edition. Large Quarto. 513 (3)pp. Original pictorial dustjacket over gray cloth with gilt ruling and lettering on spine. Cream endpapers. Part of the series "A Critical and Historical Corpus of Florentine Painting" by Richard Offner and Klara Steinweg. This new edition includes new material, notes and bibliography by Miklos Boskovits. "Like the preceding volumes the bulk of Volume IV was printed in 1930. The material that has come to light since then was in great part admitted into the volume, not only in order to make it as comprehensive as possible, but to the end also of strengthening the validity of the general conclusions." (author). Profusely illustrated with b/w reproductions of Daddi's religious motifs. Dj, binding and interior in very good to near fine condition.…

Hardcover. Zustand: vg. New Edition. Folio. 392pp. Original pictorial dustjacket over gray cloth with gilt ruling and lettering on spine. Cream endpapers. Part of the series "A Critical and Historical Corpus of Florentine Painting" by Richard Offner and Klara Steinweg. This new edition includes new material, notes and bibliography by Miklos Boskovits in collaboration with Enrica Neri Lusanna. This edition "is a critical reconstitution of the master in terms of his works. These are so dealt with that a concrete notion of the total personality or of its phases might easily be arrived at." (Offner). Profusely illustrated with b/w reproductions of Daddi's religious motifs. Includes list of plates, authenticated facts and dates of Bernardo Daddi, list of surviving pictures, bibliography, and chapter on works attributed to Daddi. DJ with light wear along edges. Dj in overall good, binding and interior in very good condition.…

hardcover. Zustand: fine. 113 full page black & white plates. Small folio, tan cloth. New York: Institute of Fine Arts New York University, 1969. Fine The Fourteenth Century, Section IV Volume VI. This is a single volume from a much larger series. Andrea Bonaiuti (illustrator).

paperback. Zustand: very good. Limited. Black and white plates throughout, xiii, 101pp., large thick 4to, stiff brown wrappers (chipped at edges, spine worn). New York: New York University, College of Fine Arts, 1930. Very good, internally fine. Limited Edition, one of only 250 numbered copies.

hardcover. Zustand: near fine. 2 volumes. Thick 4to, tan cloth with gilt title on spines. vi, 175 + 221 pages, plus 81 full-page single-sided black & white plates. New York: The Institute of Fine Arts, New York University, 1969. Some fading of cloth, else near fine. These volumes focus on the later works of this artist, from approximately 1370 to the end of his life. It also focuses on works attributed to his workshop. These works are described, and each is illustrated on full-page plates, and most are supported by multiple photographs. Giovanni Del Biondo. (illustrator).…

Zustand: MOLTO BUONO. NOTA:scoloritura della sopracoperta al dorso / Firenze, Giunti cm.25x32, pp.622, 207 illustrazioni e tavole bn. nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Corpus of Florentine Painting. Continued under the direction of Miklos Boskovits, Mina Gregori.…

31 x 25 cn. 101 Seiten und 139 Abbildungen auf Lichtdrucktafeln. Orig.-Broschur. - Selten, nur in 250 Exemplaren erschienen.

(31,5 x 24,5 cm); 4°; 635,(2) Seiten mit 177 Tafeln in Schwarzweiss und 4 Abbildungen im Text; Orig.-Pappband; Orig.-Umschlag ( A critical and historical Corpus of Florentine painting, Section III, Volume V ). The fourteenth Century. Text in Englisch. Vorderer Umschlag durch Feuchtigkeitsspur etwas gewellt. * Customers from outside the EU ask please for real shipping costs! - Ask for more pics ! * 3501 gr.…