Offner richard (32 Ergebnisse)
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hardcover. Zustand: Good. Good with wear and markings. Looks like an interesting title.
- Softcover
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- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Verlag: Yale University Press, New Haven, 1927
- Hardcover
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hardcover. Zustand: very good. 48 pages of text followed by 36 b/w illustrations. 4to, gray cloth spine with gilt-decorative blue boards. New Haven: Yale University Press, 1927. A very good copy with some wear to corners.
Verlag: Frederic Fairchild Sherman, New York, 1927
- Hardcover
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hardcover. Zustand: very good. Illustrated with over 100 b/w images. 143 pages. 4to, brown cloth-backed brown boards with paper spine label. New York: Frederic Fairchild Sherman, (1927). A very good solid copy, scuffed and with considerable edgewear.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - 'Italian Primitives at Yale University Comments & Revision' is an authoritative scholarly examination of the early Italian paintings held within the prestigious Yale University collection. Written by the distinguished art historian Richard Offner, this work offers profound commentary and crit…ical revisions regarding the attribution, stylistic nuances, and historical significance of these foundational artworks.The study focuses on the transition from the late Medieval period to the early Renaissance, providing a detailed analysis of the various schools of painting that emerged in Italy during the 13th and 14th centuries. Offner employs his expert eye to scrutinize specific panels, altarpieces, and fragments, offering insights into the artists' techniques and the evolution of their craft. By addressing previous scholarship and providing updated perspectives, this book serves as a vital resource for understanding the development of Western art history. It is an essential volume for researchers, curators, and students of the Italian Renaissance, highlighting the historical and aesthetic value of one of the most significant collections of early Italian art in the United States.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - 'Studies in Florentine Painting, the Fourteenth Century' is a seminal work of art historical scholarship by the distinguished historian Richard Offner. This collection of essays offers a profound exploration of the Trecento period, focusing on the evolution of style, technique, and attributio…n within the Florentine school of painting. Offner meticulously examines the works of both major figures and lesser-known masters, providing a detailed analysis of the aesthetic developments that defined one of the most transformative eras in Western art.The book delves into the stylistic nuances of the fourteenth century, a time when the rigid Byzantine traditions began to give way to the more naturalistic and humanistic approaches that would eventually culminate in the Renaissance. Through rigorous formal analysis, Offner clarifies the artistic lineage of various workshops and identifies the subtle characteristics that distinguish individual hands. This volume is an essential resource for students, scholars, and enthusiasts of Italian art, offering timeless insights into the spiritual and technical foundations of Florentine masterpieces. Its focus on connoisseurship and historical context makes 'Studies in Florentine Painting, the Fourteenth Century' an enduring contribution to the field of medieval and early Renaissance art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Hardcover
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Buch. Zustand: Neu. Neuware - 'Italian Primitives at Yale University Comments & Revision' is an authoritative scholarly examination of the early Italian paintings held within the prestigious Yale University collection. Written by the distinguished art historian Richard Offner, this work offers profound commentary and critical re…visions regarding the attribution, stylistic nuances, and historical significance of these foundational artworks.The study focuses on the transition from the late Medieval period to the early Renaissance, providing a detailed analysis of the various schools of painting that emerged in Italy during the 13th and 14th centuries. Offner employs his expert eye to scrutinize specific panels, altarpieces, and fragments, offering insights into the artists' techniques and the evolution of their craft. By addressing previous scholarship and providing updated perspectives, this book serves as a vital resource for understanding the development of Western art history. It is an essential volume for researchers, curators, and students of the Italian Renaissance, highlighting the historical and aesthetic value of one of the most significant collections of early Italian art in the United States.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Hardcover
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Buch. Zustand: Neu. Neuware - 'Studies in Florentine Painting, the Fourteenth Century' is a seminal work of art historical scholarship by the distinguished historian Richard Offner. This collection of essays offers a profound exploration of the Trecento period, focusing on the evolution of style, technique, and attribution withi…n the Florentine school of painting. Offner meticulously examines the works of both major figures and lesser-known masters, providing a detailed analysis of the aesthetic developments that defined one of the most transformative eras in Western art.The book delves into the stylistic nuances of the fourteenth century, a time when the rigid Byzantine traditions began to give way to the more naturalistic and humanistic approaches that would eventually culminate in the Renaissance. Through rigorous formal analysis, Offner clarifies the artistic lineage of various workshops and identifies the subtle characteristics that distinguish individual hands. This volume is an essential resource for students, scholars, and enthusiasts of Italian art, offering timeless insights into the spiritual and technical foundations of Florentine masterpieces. Its focus on connoisseurship and historical context makes 'Studies in Florentine Painting, the Fourteenth Century' an enduring contribution to the field of medieval and early Renaissance art history.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
- Hardcover
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Zustand: COME NUOVO. Firenze, Giunti cm.24,5x32, pp.309, 120 illustrazioni bn.in XXXV tavole nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Corpus of Florentine Painting. Interamente in inglese, questo volume, il primo tomo sulla pittura a Firenze nel Quattordicesimo secolo (il piano d…ell'opera di cui fa parte viene riportato di seguito), è dedicato alla pittura fiorentina della scuola dei Maestri di Santa Cecilia, un libro che non solo la presenta, la classifica e la commenta, ma che intende inserire questa produzione artistica nella cultura figurativa di quel periodo, ma soprattutto di quella scuola. Questo volume fa parte dell'opera ''A Critical and Historical Corpus of Florentine Painting'' (30 volumi a opera conclusa) che è uno strumento fondamentale per la ricerca storico-artistica e offre l'informazione scientifica più completa e la più ampia documentazione fotografica mai realizzata sulla pittura fiorentina nel periodo prerinascimentale. Ogni volume, interamente in inglese, è composto da uno studio storico e critico su un artista, o un gruppo di artisti, con un catalogo completo e riccamente illustrato delle opere e la pubblicazione dei relativi documenti. Iniziato da Richard Offner nel 1930, e continuato da Klara Steinweg, il progetto fu in seguito affidato dall'Università di New York a Miklós Boskovits, e tutto il materiale raccolto da Offner fu messo a disposizione dell'Istituto di Storia dell'Arte dell'Università di Firenze. A new edition with additional notes and bibliography by M.Boskovits.
- Hardcover
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Zustand: COME NUOVO. Firenze, Giunti cm.25x32, pp.624, 261 illustrazioni bn. nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Corpus of Florentine Painting. Interamente in inglese, questo volume, il nono tomo sulla pittura del Quattordicesimo secolo a Firenze (il piano dell'opera di cui…fa parte viene riportato di seguito), è dedicato ai lavori di un gruppo di pittori di tendenza miniaturista attivi nella prima metà del Quattordicesimo secolo. Alcuni di loro sono artisti anonimi le cui personalità sono state ritrovate e ricostruite da Offner, altri erano già conosciuti, ma è un bel contributo renderli presenti in un catalogo come questo. Questo volume fa parte dell'opera ''A Critical and Historical Corpus of Florentine Painting'' (30 volumi a opera conclusa) che è uno strumento fondamentale per la ricerca storico-artistica e offre l'informazione scientifica più completa e la più ampia documentazione fotografica mai realizzata sulla pittura fiorentina nel periodo prerinascimentale. Ogni volume, interamente in inglese, è composto da uno studio storico e critico su un artista, o un gruppo di artisti, con un catalogo completo e riccamente illustrato delle opere e la pubblicazione dei relativi documenti. Iniziato da Richard Offner nel 1930, e continuato da Klara Steinweg, il progetto fu in seguito affidato dall'Università di New York a Miklós Boskovits, e tutto il materiale raccolto da Offner fu messo a disposizione dell'Istituto di Storia dell'Arte dell'Università di Firenze. A new edition with additional material, notes and bibliography by M.Boskovits.
Verlag: Institute of Fine Arts New York University, New York, 1981
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hardcover. Zustand: fine. Illustrated with 179 b/w figures + frontispiece. 102 pages of text. Slim 4to, tan cloth. New York: Institute of Fine Arts New York University, 1969. A fine copy. The Fourteenth Century: Supplement. This is a single volume from a much larger series.
Verlag: New Haven Yale University Press, 1927
- Hardcover
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Hardcover. Zustand: Gut. OHLn. mit goldgeprägtem illustr. Deckel, 48 S. sowie 43 S. mit Abb. auf Tafeln, 26,5 x 20 cm, Einband mit Gebrauchsspuren, ansonsten altersgemäß sehr guter Zustand, cover with traces of usage, apart from that age-appropriate very good condition, 1. Aufl. 1030 gr.
Verlag: Elliot's Books, 1927
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Weitere BilderVerlag: Giunti Barbera, Florence, 1986
- Hardcover
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EUR 134,70
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hardcover. Zustand: fine. near fine. Edited by Miklos Boskovits. Illustrated in black and white. 309 pages. Tall 4to, pale gray cloth, d.w. (spine sunned) Florence: Giunti Barbera, (1986). A new edition, with additional notes and bibliography. A fine copy in a near fine dust wrapper, housed in a publisher's slipcase. Published u…nder the auspices of The Istituto di Storia dell'Arte of the University of Florence. "A Critical and Historical Corpus of Florentine Painting," by Richard Offner with Klara Steinweg, continued under the auspices of Miklos Boskovits and Mina Gregori.
Verlag: Giunti, Florence, 1986
- Hardcover
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hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Edited by Miklos Boskovits. Well-illustrated throughout with b/w images. 309 pages. Tall 4to, pale gray boards, d.w. Florence: Giunti Gruppo Editoriale, (1986). A new edition, with additional notes and bibliography. A fine copy in fine dust wrapper. Published under the… auspices of The Istituto di Storia dell'Arte of the University of Florence. "A Critical and Historical Corpus of Florentine Painting," by Richard Offner with Klara Steinweg, continued under the auspices of Miklos Boskovits and Mina Gregori.
A CRITICAL AND HISTORICAL CORPUS OF FLORENTINE PAINTING. THE PAINTERS OF THE MINIATURIST TENDENCY., Section III, Volume IX
Richard Offner with Klara Steinweg, Miklos Boskovits and Mina Gregori
Verlag: Giunti Barbera, 1984
- Hardcover
- Erstausgabe
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine copy in hardcover with fine jacket and very good slipcase.
Verlag: Giunti Barbera
- Hardcover
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Hardback. Zustand: Fine. Zustand des Schutzumschlags: Fine. Fine condition in a fine dustwrapper. Large format. A Corpus of Florentine Painting, Section III, Volume II. Still in original shrink wrap - UNOPENED! This copy would make a wonderful gift. Just light wear to a couple of corners where book has pushed through shrink wrap…. Packaged with care and promptly dispatched.
Verlag: Giunti Gruppo Editoriale, Florence, 1991
- Hardcover
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EUR 202,05
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Hardcover. Zustand: near fine. New edition. Large Quarto. 513 (3)pp. Original pictorial dustjacket over gray cloth with gilt ruling and lettering on spine. Cream endpapers. Part of the series "A Critical and Historical Corpus of Florentine Painting" by Richard Offner and Klara Steinweg. This new edition includes new material, no…tes and bibliography by Miklos Boskovits. "Like the preceding volumes the bulk of Volume IV was printed in 1930. The material that has come to light since then was in great part admitted into the volume, not only in order to make it as comprehensive as possible, but to the end also of strengthening the validity of the general conclusions." (author). Profusely illustrated with b/w reproductions of Daddi's religious motifs. Dj, binding and interior in very good to near fine condition.
Verlag: Giunti Publisher, Florence, 1989
- Hardcover
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EUR 224,50
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Hardcover. Zustand: vg. New Edition. Folio. 392pp. Original pictorial dustjacket over gray cloth with gilt ruling and lettering on spine. Cream endpapers. Part of the series "A Critical and Historical Corpus of Florentine Painting" by Richard Offner and Klara Steinweg. This new edition includes new material, notes and bibliograp…hy by Miklos Boskovits in collaboration with Enrica Neri Lusanna. This edition "is a critical reconstitution of the master in terms of his works. These are so dealt with that a concrete notion of the total personality or of its phases might easily be arrived at." (Offner). Profusely illustrated with b/w reproductions of Daddi's religious motifs. Includes list of plates, authenticated facts and dates of Bernardo Daddi, list of surviving pictures, bibliography, and chapter on works attributed to Daddi. DJ with light wear along edges. Dj in overall good, binding and interior in very good condition.
Verlag: Institute of Fine Arts New York University, New York, 1969
- Hardcover
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EUR 269,40
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hardcover. Zustand: fine. 113 full page black & white plates. Small folio, tan cloth. New York: Institute of Fine Arts New York University, 1969. Fine The Fourteenth Century, Section IV Volume VI. This is a single volume from a much larger series. Andrea Bonaiuti (illustrator).
Verlag: New York University, New York, 1930
- Softcover
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paperback. Zustand: very good. Limited. Black and white plates throughout, xiii, 101pp., large thick 4to, stiff brown wrappers (chipped at edges, spine worn). New York: New York University, College of Fine Arts, 1930. Very good, internally fine. Limited Edition, one of only 250 numbered copies.
Verlag: New York University, New, 1969
- Hardcover
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EUR 763,31
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hardcover. Zustand: near fine. 2 volumes. Thick 4to, tan cloth with gilt title on spines. vi, 175 + 221 pages, plus 81 full-page single-sided black & white plates. New York: The Institute of Fine Arts, New York University, 1969. Some fading of cloth, else near fine. These volumes focus on the later works of this artist, from app…roximately 1370 to the end of his life. It also focuses on works attributed to his workshop. These works are described, and each is illustrated on full-page plates, and most are supported by multiple photographs. Giovanni Del Biondo. (illustrator).
Verlag: Giunti, Firenze,, 1984
Anbieter: FIRENZELIBRI SRL, Reggello, FI, ItalienFIRENZELIBRI SRL
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EUR 125,00
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Zustand: MOLTO BUONO. NOTA:scoloritura della sopracoperta al dorso / Firenze, Giunti cm.25x32, pp.622, 207 illustrazioni e tavole bn. nel testo, legatura editoriale in tutta tela, con sopraccoperta figurata a colori. Collana Corpus of Florentine Painting. Continued under the direction of Miklos Boskovits, Mina Gregori.
