odum howard guy johnson (15 Ergebnisse)

Zustand: New. In.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Hardcover without jacket (1976 printing) in very good condition. Item is slightly cocked, with bumped spine head and faintly marked page block. Some pages are bumped on upper leading corners. Pages remain clean and all content is clear. TS. Used.

Hardcover. Zustand: Fair. First Edition. 8vo. 300pp +index. A rough copy in dark blue cloth without dj. Worn and frayed, contents good.

hardcover. Zustand: Very Good.

Zustand: New. In.

Zustand: GOOD. First edition. The second of Odum's three classic works on African American music. As noted in the preface, the songs in this volume were collected in northern Mississippi and northern Georgia, with a few other songs and fragments from North Carolina and Tennessee included for comparative purposes. They are divided into three categories: religious songs (the largest group), social songs, and work songs. Much of the book consists of the lyrics to the songs. Includes a select bibliography, and an index to the songs. vii, 306 pp. Ex-library with the usual markings, but overall a good copy, tight and sturdy in very dark blue cloth with gilt lettering (corners bumped, a bit of wear to the ends of the spine covering).

Hardcover. Zustand: Good. First edition. Octavo. 306pp. Binding worn with evidence of label removal on the spine, endleaves replaced with cloth reinforcements in the gutters, front fly excised, sound but good only.

Hardcover. Zustand: Very Good. No jacket. Minor wear to boards, most evident at foot of spine.

Zustand: New. In.

Paperback. Zustand: Brand New. 496 pages. 9.00x5.75x1.25 inches. In Stock.

Hardcover. Octavo, 278 pages. In Good plus condition. Bound in the publisher's black cloth bearing gilt lettering to the spine. Boards have some whitish spotting a sunned spine and minor wear to the edges. Text block has moderate age toning to the edges. Light foxing interiorly. Previous owner's name to the front pastedown. Slight cracking to the gutter at pages one hundred forty four to one hundred forty five. Illustrated. NOTE: Shelved in Netdesk Column J, ND-J. 1380144. FP New Rockville Stock.

Hardcover. Zustand: Used-Very Good. Cloth, dj. 8vo. Black cloth with gilt lettering. Slight rubbing and fraying at ends of spine. Head endband loosening. Occasional indents at edges of boards, corners slightly turned-in. Scuff at tail of text block. Crack in rear hinge exposing gauze; occasional tenderness between signatures, but binding remains firm. Light, barely visible water damage along bottom edge of text block with attendant rippling, primarily affecting the first four signatures. Else fine. A sound copy with otherwise clean internals.

First Edition. Good copy only in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Significant off-setting from the dust-jacket remnants to the prelims and initial leaves. Remains quite well-preserved overall. Physical description: xii, 278 p. : ill., music ; 24 cm. Notes: Includes bibliographical references (p. [265]-270) and index. Subjects: African Americans ; Music; African Americans ; Music History and criticism; Folk music Southern States History and criticism; Folk songs, English Southern States History and criticism; Work songs Southern States History and criticism; African Americans ; Music; Black people ; Music; Black people ; Music History and criticism; Folk songs United States ; Texts. 3 Kg.

8vo, pp. xii (including preliminary blank), [4], 278; illustrations and music within text; a very good copy in original black cloth, gilt, corners slightly bumped.First edition. This book continues Odum's interest, demonstrated in a minor way in the above work, in the folk songs and oral history of Southern African-Americans. Odum and Johnson present lyrics divided by category, including 'blues', 'chain gang', 'bad man ballads', 'minstrel' and 'religious'. The 'typical tunes' are printed towards the end, including using 'phono-photographic records' to document the yodel and use of vibrato, which implies that Odum and Johnson used recording equipment. This work is evidence of Odum's changing attitude towards race over his academic career (his collaborator Johnson is generally considered to have been sympathetic to the African-American cause), which has led to either the partial reconciliation or indeed the simple overlooking of Odum's earlier work.

First Edition. First Edition. Illus. xii , [4], 278pp. 1 vols. 8vo, 278p. This is the third volume of a series of folk background studies. The emphasis is primarily social, however the separate chapters on melodies and phono-photographic records are very important. Brown cloth stamped in gilt, rubbed, back joint cracked else very good Illus. xii , [4], 278pp. 1 vols. 8vo, 278p.