oconnell liam (7 Ergebnisse)

Paperback. Zustand: Very Good.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover. Name in front of book.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

96 pp.; 26.9 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D.J. Huppatz; "Shaun Kirby: Slow Crawl of Necessity," by Stephen O'Connell; "The Red Eye," art by Jeremy Blake, text by Theresa Duncan; American Psychos: The End of Art Cinema in the '90s," by Laurence A. Rickels; "Thomas Demand: Paper Chases," by Nancy Princenthal; "Doug Aitkin: Immoral Video," by David Hunt; "The Family Firm: Andreas Gursky & German Photography," by Norman Bryson Reviews by Alex Coles, Jan Tumlir, David Hunt, Mai-Thu Perret, Fabrice Stroun, Jeffrey Kastner, Stuart Koop, Charles LaBelle, Ryan Whyte, Michelle Grabner, Barry Schwabsky, Terry R. Myers, Julie Joyce, Peter Frank, Roger Sullivan, Stephen O'Connell, Blair French, Regine Basha, Charles Green, Juliana Engberg, Ihor Holubizky, Lars Bang Larsen, and Gavin Wade. Cover: Thomas Demand. Very Good. Dust soiling of covers with original pricing sticker on bottom left corner of recto. Rubbing and dust soiling of verso. Light edgewear with bumping of top left corner of verso. Contents clean and unmarked.