O pelikan (5 Ergebnisse)
Accents in Luther's Theology
Kadai, Heino O. (ed); Tietjen, John H.; Pelikan, Jaroslav; Marty, Martin E.; et al.
Verlag: Concordia Publishing House, St. Louis, 1967
- Hardcover
Anbieter: The Haunted Bookshop, LLC, Iowa City, IA, USAThe Haunted Bookshop, LLC
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Crisp, clean pages except for a prior owner's name on the front free endpaper; full-cloth hard cover shows only small spots of surface wear at spine ends and corners; dustjacket is conspicuously faded along the spine and bears lines of surface rubbing along foreed…ges and joints, tiny tears and scuffs at spine ends and corners, and a few small, grayish smudges, mostly on the rear; otherwise well-kept. 272pp. incl. index. Jacket is now protected in a clear sleeve.
Anbieter: Antiquariaat Brinkman, since 1954 / ILAB, Amsterdam, NiederlandeAntiquariaat Brinkman, since 1954 / ILAB
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In den WarenkorbPrag 1963. 172 Ss. Mit 20 Taf. Broschiert. (Un.Brun.101).
Aufstieg und Niedergang der Römischen Welt. Principat. Künste. (= 12.1. Zwölfter Band, 1.Teilband - Geschichte und Kultur Roms im Spiegel der Neueren Forschung Teil II ). G.M.A. Richter/ J.D. Breckenridge: The Relation of Early Imperial Rome to Greek Art // O. Pelikan: Die römische Kunst und der sogenannte Manierismus am Beispiel der Skulptur // R. Chevallier: Les methodes de prospection archeologique // G.A. Mansuelli: La citta romana nei primi secoli dell'impero. Tendenze dell'urbanistica // E.A. Arslan: Urbanistica di Milano Romana. Dall'insediamento insubre alla capitale dell'Impero. // G.A. Mansuelli: Forme e significati dell'architettura in Roma nell'eta del principato. // C.F. Giuliani: Note sull'architettura delle residenze imperial
Temporini, Hildegard / Haase, Wolfgang (Hrsg.). - G.M.A. Richter / J.D. Breckenridge / O. Pelikan / R. Chevallier / G.A. Mansuelli / E.A. Arslan / C.F. Giuliani u.a. (Autoren):
- Hardcover
- Erstausgabe
Anbieter: Antiquariat Carl Wegner, Berlin, B, DeutschlandAntiquariat Carl Wegner
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Hardcover. Gr.-8°. Grüner Original-Leineneinband mit goldgepr. Rückentitel im ockerfarbenen Originalumschlag. XX, 653 Seiten mit vielen s/w Tafelabbildungen, zum Teil ausfaltbaren Karten und anderen Abbildungen. Richtig guter Zustand. --- Green original cloth with gilt spine title and original dust jacket. XX, 653 pages with num…erous photographs in black and white on plates, maps and other text illustrations. Clean, good condition. Die Beiträge jeweils in der Originalsprache des Verfassers: in deutscher, englischer, französischer und italienischer Sprache. --- Containing texts in in german, english, french and italian language. -- Bitte Portokosten außerhalb EU erfragen! / Please ask for postage costs outside EU! / S ' il vous plait demander des frais de port en dehors de l ' UE! // Bitte beachten Sie auch unsere Fotos! / Please also note our photos! / Veuillez noter nos photos -- Sommer in Berlin! Sie brauchen Lektüre? Wir haben sie. Kommen Sie in unser Ladengeschäft zum Stöbern! -- Wir kaufen Ihre werthaltigen Bücher! K09102.
Verlag: Brne Univ JE Purkyne, 1977
Anbieter: Zentralantiquariat Leipzig GmbH, Leipzig, DeutschlandZentralantiquariat Leipzig GmbH
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In den WarenkorbM. 48 Taf. 121 S. OLwd. Sprache: Deutsch 0 gr.
Anbieter: Scrinium Classical Antiquity, Aalten, NiederlandeScrinium Classical Antiquity
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In den WarenkorbUniverzita J.E. Purkyne V Brne, 1977. 141,48p. ills.(B&W photographs). Original off white cloth with pictorial dust wrps. With signature from Prof. Carl Deroux on free endpaper. 'Mannerism as a distinct style has only received recognition from art historians in recent years. The publication of this brief monograph was inspired b…y the spate of books on mannerist art of the sixteenth century that appeared in the years following the second world war. Pelikán, an authority on this subject, rightly points out the inadequacy of the conventional view of mannerism as the subjective development, in the post-Renaissance period, of exaggerated anti-classical tendencies that were only later to be resolved in baroque art. The author further contends, again with justification, that historians of ancient art have rarely treated mannerism seriously, being largely content to acknowledge the appearance of the style on an ad hoc basis as a quirk of the individual artist. (.). P.'s search for an historical interpretation of the style is to be welcomed. He sees it as an expression of the sense of crisis experienced in transitional periods of history, in which basic but contradictory conceptions of rendering an image (i.e. in representational or abstract form) appears simultaneously but in opposition to each other, so that final realization of the image is distorted in a manner that is visually disturbing to the viewer. Thus a figure may appear to be based on an idealized classical original, but the forms are treated in a manner that is wholly alien to the classical ideal. (.) P.s intention in writing this monograph is to examine the contradictions that appear in certain stages of development of ancient art in periods of political and social crisis and transition, and to consider the appearance of mannerist tendencies in ancient art as products of such instability. This is an interesting and exciting idea, but its exploration raises serious problems of methods. (.) The difficulty in forcing ancient works of art to conform to neat patterns my seem to detract from the author's claims for the historical roots of style. This weakness is the result of P.'s inadequate formulation of the historical structure within which mannerism was to be examined.' (SUSAN WALKER in The Journal of Roman Studies, 1980, pp.229-30). From the library of Prof. Carl Deroux.
