O`doherty brian (19 Ergebnisse)

Zustand: Very Good. In 1950's, editor William Maginn is intrigued by the demise of a village in County Kerry, where he was born. Maginn returns to Kerry and uncovers a tale: both the account of destruction of a place and the way of life which once preserved Ireland's ancient traditions and the tragedy of a village where all the women mysteriously die. Num Pages: 314 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 198 x 129 x 25. Weight in Grams: 340. Some minor shelf wear but remains very good. 2000. Reprint. Paperback. . . . . Books ship from the US and Ireland.…

Zustand: Very Good. In 1950's, editor William Maginn is intrigued by the demise of a village in County Kerry, where he was born. Maginn returns to Kerry and uncovers a tale: both the account of destruction of a place and the way of life which once preserved Ireland's ancient traditions and the tragedy of a village where all the women mysteriously die. Num Pages: 314 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 198 x 129 x 25. Weight in Grams: 340. Some minor shelf wear but remains very good. 2000. Reprint. Paperback. . . . .…

ISBN 3-442-45151-5 351 S 18,3x11,5cm, Taschenbuch, leichte Gebrauchsspuren.

Zustand: New. 2001. Revised ed. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Good. Original black boards, gilt lettered spine, dust jacket, illustrated in colour and b/w, 4to.; Light tobacco smell; edges browned; red permanent marker dot on bottom cut.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2014. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. pp. 116.

Zustand: New. 2018. First. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. 2000. Expanded Ed. Paperback. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Num Pages: 113 pages, 28 b/w photographs. BIC Classification: ABA; GM. Category: (G) General (US: Trade). Dimension: 202 x 207 x 12. Weight in Grams: 410. The Ideology of the Gallery Space. 113 pages, 24 b&w illustrations. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, this book raises the question of how artists must construe their work in relation to the gallery space and system. Cateogry: (G) General (US: Trade). BIC Classification: ABA; GM. Dimension: 202 x 207 x 12. Weight: 418. . . . . . Books ship from the US and Ireland.…

8° , gebundene Ausgabe. Zustand: Gut. 26 Seiten mit 2 Fotografien, Ohne schutzumschlag, Einband mit kleineren Gebrauchsspuren, Buchzustand gut Sprache: Englisch Gewicht in Gramm: 220.

Taschenbuch. Zustand: Befriedigend. Brian O´Doherty - Aufzeichnungen eines Landpfarrers Taschenbuch, 2002, Goldmann, befriedigender ZUstand, Ecken etwas bestoßen, etwas gebräunt, remittend Im Irland der dreißiger Jahre soll ein ganzes Dorf in einer einsamen Bergregion verschwunden sein . Gewicht: 340 g. …

Taschenbuch. Zustand: Neu. Neuware - When these essays first appeared in Artforum in 1976, their impact was immediate. They were discussed, annotated, cited, collected, and translated--the three issues of Artforum in which they appeared have become nearly impossible to obtain. Having Brian O'Doherty's provocative essays available again is a signal event for the art world. This edition also includes 'The Gallery as Gesture,' a critically important piece published ten years after the others. O'Doherty was the first to explicitly confront a particular crisis in postwar art as he sought to examine the assumptions on which the modern commercial and museum gallery was based. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, he raises the question of how artists must construe their work in relation to the gallery space and system. These essays are essential reading for anyone interested in the history and issues of postwar art in Europe and the United States. Teeming with ideas, relentless in their pursuit of contradiction and paradox, they exhibit both the understanding of the artist (Patrick Ireland) and the precision of the scholar. With an introduction by Thomas McEvilley and a brilliantly cogent afterword by its author, Brian O'Doherty once again leads us on the perilous journey to center to the art world: Inside the White Cube.…

Zustand: New. Concerned with the complex and sophisticated relationship between economics, social context, and aesthetics as represented in the contested space of the art gallery, the author raises the question of how artists must construe their work in relation to the g.

Zustand: New. 2018. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: Gut. 1. Auflage. 96 Seiten Zustand: Gebrauchtes Buch mit üblichen Gebrauchsspuren. Diese können sein: leichte Randläsuren, Buchblock leicht schiefgelesen, Papier oder Schnitt leicht gebräunt, als Mängelexemplar gekennzeichnet u.ä. Geprüfter Artikel. Spart Ressourcen gegenüber Neuware. Gebrauchte Bücher schonen die Umwelt. /// Versand gratis Innerhalb Deutschlands - Portofrei in Deutschland- ab 20 Euro mit Post ID - Gratisversand deutschlandweit innerhalb Deutschlands gratis Versand -Versandkostenfrei innerhalb Deutschlands /// Sprache: Deutsch Gewicht in Gramm: 150 17,0 x 12,0 cm, Softcover/Paperback. …

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Muy bien. Issue edited by Tim Griffin. Essays "Passages: Ann Temkin on Walter Hopps," by Ann Temkin; "Books: Richard Meyer on 'Art Since 1900,'" by Richard Meyer; "On Site: Rachel Harrison on Paul McCarthy," by Rachel Harrison; "Film: Geoffrey O'Brien on Alexander Mackendrick," by Geoffrey O'Brien; "Film: Jonathan Romney on Lodge Kerrigan," by Jonathan Romney; "Slant: Robert Storr on Ron Gorchov," by Robert Storr; "Slant: Svetlana Alpers on the Life of Painting," by Svetlana Alpers; "Top Ten," by Donald Urquhart; "Fall 2005 Exhibitions: 50 Shows Worldwide"; "US News: Elizabeth Schambelan on PERFORMA05," by Elizabeth Schambelan; "From the Vault: Stephen J. Campbell on Fra Angelico," by Stephen J. Campbell; "On the Road: Traveling Exhibitions"; "International News: Miriam Rosen on the Cinémathèque Française," by Miriam Rosen; "The Curse of Empire," by Benjamin H.D. Buchloh; "Palazzo Intrigue," by Scott Rothkopf; "Candide Cameras," by Elisabeth Sussman; "Dawn 'til Dusk," by Daniel Birnbaum; "Stealing the Show," by Alison M. Gingeras; "Debt Collectors," by Anne Pontégnie; "On 'The Matter of Time': Richard Serra at Bilbao," by Hal Foster; "1000 Words: Christoph Büchel & Giovanni Carmine," by Marc Spiegler; "From the Critique of Institutions to an Institution of Critique," by Andrea Fraser; "Frames of Mind: The Films of Robert Beavers," by Henriette Huldisch and Chrissie Iles; "Openings: Dave McKenzie," by Glenn Ligon. Reviews by Elizabeth Schambelan, Carol Armstrong, Brigid Doherty, Carroll Dunham, Ryan Holmberg, Lisa Pasquariello, Johanna Burton, Nico Israel, Jan Avgikos, David Frankel, Frances Richard, Martha Schwendener, Donald Kuspit, Nell McClister, Suzanne Hudson, Margaret Sundell, Michael Wilson, Brian Sholis, Emily Hall, Larissa Harris, David Carrier, James Yood, Julie Caniglia, Michael Odom, Glen Helfand, Bruce Hainley, Jan Tumlir, Christopher Miles, Michael Ned Holte, Maria Gainza, Filippo Romeo, Giorgio Verzotti, Alessandra Pioselli, Barry Schwabsky, Hans Rudolf Reust, Felicity Lunn, Sabine B. Vogel, Gregory Williams, Jennifer Allen, Noemi Smolik, Liutauras Psibilskis. Cover: Ed Ruscha.…