norman leaf (9 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good.

Zustand: New. In.

Zustand: New. In.

Paperback. Zustand: Very Good. Signed. Inscribed by the author.

Gebunden. Zustand: New. KlappentextrnrnAmericans have long been fascinated by then personal lives of Hollywood celebrities and the over-hypedn magic of plastic surgery. In this entertaining memoir, Dr.n Norman Leaf, a highly respected p.

Buch. Zustand: Neu. Neuware - Americans have long been fascinated by thepersonal lives of Hollywood celebrities and the over-hypedmagic of plastic surgery. In this entertaining memoir, Dr.Norman Leaf, a highly respected plastic surgeon, reveals thecomplex and all-too-human connection that exists betweenthese two worlds. In his thirty-five years practicing inBeverly Hills, California, Leaf has encountered the greatand those aspiring to be great, seeing them in a differentlight than the general public. This unique perspectivecontributes to a touching, inspiring, humorous, andeye-opening journey into a world few have the opportunity tosee close-up, while debunking the myths and clearing up themisconceptions about plastic surgery. Are Those Real is nota kiss-and-tell memoir. With the exception of a few iconicfigures, Leaf is careful to protect the identities of hispatients. Sometimes hilarious, sometimes heartbreakingAre Those Real paints an intimate portrait of a mastersurgeon, while shining a light into a little-known corner ofmodern culture. In this memoir, Leaf appeals to biographybuffs and illustrates the good, bad, happy, and just plainfunny aspects of plastic surgery.

490 x 325 mm. (19 1/4 x 13"). viii, 23, [1] pp., [1] leaf. Publisher's quarter vellum over gray paper boards, covers with device in gilt, smooth spine lettered in gilt. In (just slightly chafed) black buckram slipcase. WITH A MAP FROM THE ORIGINAL 1619 ATLAS bound in, with period hand coloring. (Map 293, "Tarvisina Marchia Et Tirolis Comitatus"). De Hamel & Silver, "Disbound and Dispersed" 186. One corner a bit bumped, otherwise the main volume flawless; the map edges a bit browned and just slightly frayed, a few light spots, but still excellent, with good color and strong general appeal. This attractive oversized production includes an original map of an important region of northeastern Italy, taken from the 1619 edition of the Mercator-Hondius atlas. A pioneer in commercial cartography and a founder of the Netherlandish school of cartography and geography, Mercator (1512-94) produced maps used around the world that were informed by his brilliant "Mercator Projection," which allowed the round Earth to be accurately depicted on a flat map. Near the end of his life, he began work on an ambitious cosmography that would contain an account of the creation of the world, a description of the universe, descriptions of the countries and oceans of the world, genealogies and political histories of the several countries, and a chronology of the cosmos. Only the account of creation, the chronology, and maps of the known regions of the world came to fruition. Mercator having died before the work came to press, it was completed by his heirs and published in 1595 with 107 maps. Leading Amsterdam map publisher Jodocus Hondius (1563-1612) acquired the plates in 1604 and issued the first Mercator-Hondius "Atlas" in 1606, with 37 maps he had engraved added to the original 107. Teacher and Hondius' brother-in-law Pieter van den Berg wrote the introduction and the descriptive text that appears on the versos of the maps. A 1611 edition increased the number of maps to 150, and another six were added in 1619. The hand-colored map included in our copy depicts the South Tyrol and Veneto regions, including Lake Garda, Verona, Padua, and Venice. It is accompanied with an essay by Norman J. W. Thrower (1919-2020), UCLA geography professor and cartographer, describing the historical background of the atlas. Joel Silver, in "Disbound and Dispersed," tells us that "the physical production of this leaf book is superb, from the design by Vance Gerry to the presswork of Patrick Reagh.". ONE OF 89 COPIES in quarter vellum (of a total edition of 115).

390 x 255 mm. (15 1/2 x 10"). 49, [1] pp., [3] leaves (last blank). Publisher's vellum-backed marbled paper boards, gilt titling on spine. Mounted photo of Emery Walker and Cobden-Sanderson laid in at front. Text printed in sanguine, blue, and black. Tidcombe, pp. ix, 144, 154; Cave, p. 264. ?In mint condition. This handsomely printed book is a study of Thomas James Cobden-Sanderson (1840-1922), founder of the Doves Press and the foremost figure in the late 19th and early 20th century among those who straddled the fields of English fine press publishing and artistic binding. The first section, by Norman H. Strouse, gives an overview of the life, character, and aims of Cobden-Sanderson. The second section, by John Dreyfus, studies the troubled relationship of Cobden-Sanderson with his original partner in the press, Emery Walker, based on the discovery of new documents. Our copy of this study includes two leaves from Doves Press books, one from Goethe's "Iphigenie auf Tauris" and the other from the English Bible, the former with a fine burnished gold manuscript initial by Edward Johnston. The published copies are divided among 242 regular copies with two leaves on paper, 75 copies with a Bible leaf on paper and a different leaf on vellum, and the other 12 with two vellum leaves (10 of those with the gold Johnston initial). While copies with one or two leaves on paper are readily available, those copies like the present example--with two gilt-decorated vellum leaves--are very hard to come by. Cave calls our work an "important study" and "the most substantial" product of the Adagio Press, which was founded in 1956 in Grosse Pointe Park, Michigan, by Leonard F. Bahr and later moved to Harper Woods, Michigan. ONE OF 12 COPIES WITH TWO ORIGINAL LEAVES PRINTED ON VELLUM (and, of these, one of 10 with a gilt initial) from a total edition of 329 copies. SIGNED BY THE PRINTER.