Nicholas marston (30 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Trade Paperback. Zustand: Very Good - Cash. Light reader wear and rubbing to the edges, corners, covers, and pages. The book is in great condition! Previous owner's name(s) inside. Stock photos may not look exactly like the book.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: No Jacket, As Issued. 1st. First edition. Trade softcover. Published Ann Arbor: Borders, 1991, first printing. Large 8vo. wrappers, 7" x 10", 351pp., illustrated. Near fine.

Zustand: New. In English.

Zustand: New. In English.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:9780521392846.…

Zustand: Good. 3rd. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. Cover a little rubbed. Books are sent promptly by First Class Mail.

Soft cover. Zustand: Fine. No Jacket. 1st Edition. 1st ed. 1st printing ; 351 p. illus 25 cm. OCLC 1292060019 ISBN 9780681075580, 0681075589 ; stiff paper wrappers ; This book, written by four leading Beethoven scholars in the light of the latest research into this perennially fascinating figure, is the key to a full understanding of Beethoven: his character, his social life, his religious beliefs, his politics, his times, and above all, his music. ; Offers a chronology of Beethoven's life, identifies important contemporaries, discusses the historical background of the period, and looks at Beethoven's philosophy, influences, and music ; FINE. Book.…

Zustand: New.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Schumann's Fantasie, Op. 17 is one of the finest examples of Romantic piano music. In a rounded picture of this major keyboard work, Nicholas Marston traces the fascinating history of its composition, drawing on many of Schumann's letters to Clara Wieck and to his publisher. Examining the few surviving sketches: to whom was the work really dedicated Was the celebrated opening movement perhaps intended as an independent composition Schumann's own critical writings provide vital insights into his ideas on genre and the relationship between the Fantasie and the many generic and descriptive titles which the composer gave the work before publication. Dr Marston also considers the role of allusion and quotation in the work, preparing the way for an analytical study of each of the movements. The book concludes with an overview of the reception and performance of the Fantasie from 1839 onwards. Every aspect of the work is covered, providing the performer, the listener or the student with an understanding not only of the Fantasie, but of Schumann himself as a composer.…

Royal Musical Association Monographs, 23. Size: 8vo. xvii, 165pp. + CD. Publisher's hardback. Illustrations, music examples.

Paperback. Zustand: Brand New. 186 pages. 5.91x0.42x8.82 inches. In Stock.

Taschenbuch. Zustand: Neu. Neuware - In 1912 Heinrich Schenker contracted with the Viennese publisher Universal Edition to provide an 'elucidatory edition' (Erlÿuterungsausgabe) of Beethoven's last five piano sonatas. Each publication would comprise a score, newly edited by Schenker and using the composer's autograph manuscript as principal source, together with a substantial commentary combining analytical, text-critical and performance-related matter. Four of the five editions appeared between 1913 and 1921, but that of the 'Hammerklavier' Sonata, op. 106, was never published. It has generally been assumed that this was simply because Schenker was unable to locate the autograph manuscript, which remains missing to this day. But as Nicholas Marston shows in a detailed history of the Erlÿuterungsausgabe project, other factors were involved also, including financial considerations, Schenker's health concerns, and his broader theoretical ambitions. Moreover, despite the missing autograph he nevertheless developed a voice-leading analysis of the complete sonata during the years 1924-1926, a crucial period in the development of his mature theory of tonal music. Marston's book provides the first in-depth study of this rich analysis, which is reproduced in full in high-quality digital images. The book draws on hundreds of letters and documents from Schenker's NachlaÃ; it both adds to our biographical knowledge of Schenker and illuminates for the first time the response of this giant of music theory to one of the most significant masterworks in all music.…

Zustand: New. Nicholas Marston is University Reader in Music Theory and Analysis in the Faculty of Music, University of Cambridge he is also a Fellow of King s College. His work on Beethoven s sketches, the music of Schumann and Schenkerian theory has appeared in major .

Zustand: Gut. Zustand: Gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Zustand: New. pp. 212 5 Illus.

Zustand: New. xxix 907 8 of lates Illus.

Gebunden. Zustand: New. Nicholas Marston is University Reader in Music Theory and Analysis in the Faculty of Music, University of Cambridge he is also a Fellow of King s College. His work on Beethoven s sketches, the music of Schumann and Schenkerian theory has appeared in major .

Zustand: New. In this study of the sources for Beethoven's Piano Sonata Op. 109, Nicholas Marston suggests a unique way of understanding this major composition. Using letters, sketchbooks and other contemporary material, he builds up a detailed picture of Beethoven's compositional progress on the sonata, using many music examples. Series: Studies in Musical Genesis, Structure, and Interpretation. Num Pages: 286 pages, 8 pp plates, music examples. BIC Classification: AVGC4; AVH; AVRG. Category: (P) Professional & Vocational. Dimension: 241 x 161 x 23. Weight in Grams: 620. . 1995. Hardback. . . . . Books ship from the US and Ireland.…

Buch. Zustand: Neu. Neuware - In 1912 Heinrich Schenker contracted with the publisher Universal Edition to provide an 'elucidatory edition' (Erlauterungsausgabe) of Beethoven's last five piano sonatas. But that of the 'Hammerklavier' Sonata, op. 106, was never published. As Nicholas Marston shows in a detailed history of the Erlauterungsausgabe.…

Zustand: New. In English.

Second impression. Hardcover. Publisher's original black cloth with gilt titles to the spine, in dustwrapper. Illustrated with photographic plates. A fine copy, the binding square and tight, bright and fresh. The contents are clean throughout and without inscriptions or stamps. Complete with the very lightly creased dustwrapper that is without fading, loss or tears. Nicholas Marston combines source studies and a Schenkerian analytical approach to produce one of the most extensive and detailed studies of a Beethoven piano sonata ever published. The study is based on a complete transcription of all the surviving autograph musical sources: the sketches, a fragmentary Urschrift, and the autograph score. Early printed editions and manuscript copies are also discussed, and the text is handsomely supported by extensive transcription from the sources. Further details and images for any of the items listed are available on request. All items are catalogued by humans. Lucius Books welcomes direct contact with our customers.…