Niccolò jommelli (22 Ergebnisse)

Zustand: New. In English.

Couverture souple. Zustand: Neuf. SCHOTT collection , 1983. 1 volume broché(s) format In-8 neuf 20 pages.

Zustand: NEW.

Zustand: New. In English.

Couverture souple. Zustand: Neuf. Vigormusic collection , 2020. 1 volume broché(s) format In-8 neuf 20 pages.

OBroschur. Zustand: Sehr gut. Alle Texte deutsch, italienisch u. englisch. Aufführung vom 29. Mai 2009. 168 S. mit Stab, Besetzung u. Abb., OBroschur, 8°. Mit zahlr. farb. Bühnenentwürfen u. Figurinen. Vollständige Abdrucke der Libretti auf italienisch u. in der deutschen Ü v. Salka Klos. OBeiträge: Auftakt (W. Dobner). Cesare Lievi im Gespräch über Matastasio u. die Figuren in "Demofoonte". Zu Jommellis "Demofonte" (D. Brandenburg). Dazu ausf. Künstlerbiografien mit Fotos. Lose beiliegen 3 Zeitungsausschnitte (davon 1 in Kopie). Einband gering fleckig, mont. Eintrittskarte auf vord. Innendeckel (ohne Abdeckung). Schönes, sehr gutes Exemplar. Broschüre. …

Zustand: New.

Zustand: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

3 Bl.,/ 13 S., 1 Bl./ 2 Bl., 11 S./ 2 Bl., 7 S. Mit Noten. Folio (34x24 cm). Marmorierte Broschuren in Orig.Schuber, Titelschild. ** Sehr gut erhalten. (Archivum musicum / Flauto traversiere, 18).

Notenblatt. Zustand: Neu. Neuware - Kritisch kommentierte Ausgabe.

Zustand: New.

Zustand: New.

Zustand: Befriedigend. 1. Aufl... 4° 28, 12, 12, 7 Seiten, Noten; Orig.-Broschur; 220g; [Englisch]; Gebrauchsspuren: Ecken geknickt, staubig 1. Auflage; _ xXx_. Noten.

Zustand: new.

Taschenbuch. Zustand: Neu. Missa pro defunctis (Klavierauszug) | Requiem | Niccolò Jommelli | Taschenbuch | 80 S. | Latein | 2020 | Carus-Verlag GmbH & [.] | EAN 9790007240523 | Verantwortliche Person für die EU: Carus-Verlag GmbH & Co. KG, Ester Petri, Sielminger Str. 51, 70771 Leinfelden-Echterdingen, info[at]carus-verlag[dot]com | Anbieter: preigu.…

Zustand: 1800-1830. No 12 : Non mi vedo che larve d'interno Scena ed Aria nell' Asteria Musica del Signor Jommelli Ridotta per il Piano Forte A Paris, chez Henri Début XIXe siècle 10 pages 33.4 x 25.4 cm Très bon état 059291 Extrait.

Zustand: 1850-1900. Armida abbandonata Opéra de Niccolo Jommelli - Scène et Air pour Chant et Piano Réduit par Mme Delsarte Paris, Edition Delsarte F. D. 131 XIXe siècle 11 pages 33.4 x 26.3 cm Très bon état 048098 Extrait.

2 Bde. Folio. LXX, 3 Bl. u. zusammen 836 S. Orig.-Leineneinbände. Concentus Musicus, Veröffentl. d. Musikgeschichtl. Abtlg. d. Deutschen Histor. Instituts in Rom Bd. XII. * Neuwertig. Belegexemplar aus der Bibliothek des Mitherausgebers Prof. Dr. Ch.-H. Mahling.

Paris, Auguste Le Duc et Comp., n.d. [c. 1810]. 5 parts in 1 vol. (4),IV,81;(2),15;(2),15;(2),III,14;(2),26;(2),7 pp. Gilt tooled & blindstamped h.leather. - Spine damaged, with small piece of the upper- and lower-part missing; hinges weak; book-block solid and in good condition. * Rare music score (and first published / printed edition) which includes his famous piece: Missa Pro Defunctis. Niccolò Jommelli (1714-1774) was one of Italy's most important composers for opera's and church-music during the 18th century. Requiem Mass - compositions were often composed for special ocassions. His Missa Pro Defunctis was commissioned by Landgrave Karl Eugen von Württemberg, who's mother passed away on the first of February 1756. Jommelli had to compose this piece whitin eight days, but completed it already after three days. The requiem became very popular untill Mozart composed (an unfinished) version in 1791.…

Oblong folio (217 x 321 mm). Sewn. Notated in black ink on 8-stave rastrum-ruled paper. [i] (title), 52, [i] (blank) pp. Scored for six voices (two sopranos, two altos, tenor, and bass) and figured basso continuo. Minor to moderate staining to title and first page of music; mostly minor and occasionally moderate soiling and staining to blank margins; corners bumped; several minor losses to lower blank margins; occasional showthrough. Other copies located include RISM 850779384, 850009423, 850600577, and 850011551. Jommelli "was important among those who initiated the mid-18th-century modifications to singer-dominated Italian opera. His greatest achievements represent a combination of German complexity, French decorative elements and Italian brio, welded together by an extraordinary gift for dramatic effectiveness. . In the early 1750s Jommelli's work gravitated towards sacred music, beginning with the oratorio La passione di Gesù Cristo, composed in Rome in 1749. The composer dedicated this work to Cardinal Heinrich Benedict, Duke of York, who had been his patron for many years. This gained him entrance to influential papal circles, where he met Cardinal Albani. In the first days of April 1749 the prefect of music in the Vatican, Monsignor Passionei, commissioned Jommelli and another Neapolitan composer, David Perez, to write a Miserere as a demonstration of their capabilities. Backed by Cardinal Albani and Passionei, Jommelli was then elected maestro coadiutore of S Pietro with a decree issued on 20 April. The decree asserted that he must be in Rome for the beginning of the Holy Jubilee Year of 1750 and follow indispensably the year-round service in the basilica." Marita P. McClymonds, Paul Cauthen, Wolfgang Hochstein, and Mauricio Dottori in Grove Music Online.…

Zustand: gut. 2010. Attilio Regolo In deutscher Sprache. pages.

226 x 196 mm. Very slightly soiled and foxed. In very good condition overall. The New Grove, Vol. 9, p. 690 (another version dated 1803, attributed to Giuseppe Fusinati). "[Jommelli] was important among those who initiated the mid-18th-century modifications to singer-dominated Italian opera. His greatest achievements represent a combination of German complexity, French decorative elements and Italian brio, welded together by an extraordinary gift for dramatic effectiveness." Marita P. McClymonds et al. in Grove Music Online.…