new york matthew marks gallery (21 Ergebnisse)

(52)pp. Prof. illus. Lrg. 8vo. Wraps. D.j.

(54)pp. 20 plates, text illus. Oblong 4to. Boards. D.j. (slightly chipped at head).

(22)pp., 31 plates (5 tipped-in color). 4to. Wraps.

96pp. 38 plates. 4to. Cloth.

New York. Matthew Marks Gallery. RICHARD SERRA: Weight and Measure Etchings. Unpaginated, illustrated in b&w. 8vo, wraps. 1996.

Burton, Johanna. ELLSWORTH KELLY: Diagonal. Unpaginated, roughly 25 color plates. 4to, cloth. New York, Matthew Marks Gallery, 2009.

Storr, Robert (essay) and Jack Shear (photographs). ELLSWORTH KELLY: Reliefs 2009-2010. 46 pages, including 14 color plates, including several gatefolds, and 11 color figures. 4to, cloth. New York, Matthew Marks Gallery, 2011. Exhibition catalogue.

(68)pp. Prof. illus. Lrg. 4to. Cloth. D.j.

Crow, Thomas. JASPER JOHNS: Drawings, 1997-2007. Unpaginated text, 11 color figures, followed by 45 color plates. 4to, cloth. New York, Matthew Marks Gallery, 2008. Accompanies an exhibition.

Rothkopf, Scott. JASPER JOHNS: Catenary. 21 pp., text with 30 color figures, followed by 51 color plates and checklist illustrated in color. 4to, cloth. Gottingen, Steidl, in association with New York, Matthew Marks Gallery, 2005. This book accompanies an exhibition of new work at the Matthew Marks Gallery.

Winters, Terry (artist interview). JASPER JOHNS: New Sculpture and Works on Paper. 160 pages, illustrated throughout in color. 4to, cloth. New York, Matthew Marks Gallery, 2011. Accompanied an exhibition.

Weiss, Jeffrey (essay). BRICE MARDEN Letters. 48 pages, 5 color figures, 41 color plates. Oblong 4to, cloth. New York, Matthew Marks Gallery, 2010. Accompanies an exhibition.

New York. Mattew Marks Gallery/Mitchell-Innes & Nash. WILLEM DE KOONING. Drawings and Sculpture. 120 pp., with a brief essay by Peter Schjeldahl, and roughly 100 colour and b&w illustrations. Small 4to, wraps. 1998.

New York, Matthew Marks Gallery. BRICE MARDEN Recent Drawings and Etchings. Unpaginated catalog with an interview by Pat Steir, includes 10 color, and 50 b&w plates. 4to, wraps. 1991.

(118)pp. Frontis., 68 illus., 9 text figs. Sm. oblong folio. Wraps. Slipcase (cloth).

0. Katalog. New York 2004. Essay von Boris Groys. Werkkommentare von Martin Honert. 4to. 120 S. mit 157 (143 farb., teils ganzseit.) Abb., Ausst'verz., Bibliographie, brosch. - Text in dt. & engl. Sprache. Es sind Bilder aus der eigenen Vergangenheit, aus der Kindheit, die Martin Honert Szenarien schaffen läßt, die den Betrachter fesseln: Raumfüllende Bilder, die eine Geschichte erzählen und die Frage nach der Erinnerung und dem Zustandekommen von Erinnerung aufwerfen. So zeigte Martin Honert - 1953 in Bottrop geboren, seit 1998 Professor an der Dresdner Kunsthochschule - 1995 auf der Biennale in Venedig sein "Fliegendes Klassenzimmer", ein szenisches Modell in Erinnerung an Erich Kästner. Sein "Kinderkreuzzug" (1985-87) berichtet von einer Legende, nach der im Jahre 1212 ein Kreuzzug mit Kindern stattgefunden hat. Das Buch zeigt chronologisch das vollständige Werk des Künstlers von 1983 bis 2003, stets versehen mit einem Künstlerkommentar. ***** Martin Honert takes pictures from the past and from his childhood and creates gripping scenarios, narratives which question the nature and origine of our memories. At the Venice Biennale in 1995 for example, Honert presented a scenic model called "The Flying Classroom" based on a story by Erich Kaestner. His "Children`s Crusade" (1985 / 87) tells of a legend dating back to the year 1212. The book presents the artists work in chronological order and accompanied by his own commentary. 6.3.2004 - 24.4.2004.

New York. Matthew Marks Gallery. ELLSWORTH KELLY: New Paintings/Sculpture For a Large Wall, 1957. 2 volumes; New Paintings: essay by Dave Hickey, 9 pp. text, followed by 7 color plates; Sculpture for a Large Wall, 1957: essay by James Meyer; 40 pp.,1 fold-out color plate, 23 color and b&w figures. 4to's, wraps in a slipcase. 1998.

Hardcover. Zustand: Very Good. Dust Jacket Included. 8vo. unpaginated. profusely illus. in colour & b/w. cloth. dw. Exhibition catalogue.

0. Lucien Freud - Drawings 1940. Matthew Marks Gallery New York 2003. Einl. von Sebastian Smee. 15 x 23 cm. 234 Seiten, 168 teils farb. Abb., Bibliographie. Gebunden. In engl. Sprache. Das Faksimile eines Skizzenbuchs von Lucien Freud aus dem Jahre 1940 macht mit 168 Zeichnungen bekannt. Sie entstanden im Winter 1940/1941, als sich der Künstler, damals siebzehn Jahre alt, unter anderem mit dem Dichter Stephen Spender in einem Landhaus in Wales wohnte. Die teils farbigen Zeichnungen, in Originalgröße wiedergegeben, sind ein frühes Zeugnis von Freuds späterer Formensprache.

0. Jasper Johns - Drawings 1997-2007. Catalogue. New York 2008. Essay von Thomas Crow. 23 x 29 cm. 100 S. mit 45 farb. ganzseit. Abb. & 11 farb. Textabb. Leinen. In engl. Sprache. In this stunning collection of works on paper made between 1997 and 2007, most of which have never been reproduced before, Jasper Johns "preempts the tendency of commentators to cite his productions of decades past by doing the job himself," according to essayist Thomas Crow. The works are filled with autobiographical references and allusions to art-historical precursors. They often combine early motifs like flags, maps, numerals or cross-hatchings with newer ones like the Harlequin's costume, pieces of string or flagstones. Says Crow, "This recursivity is habitual. There is virtually no motif or device that Johns has ever used that can be regarded as safely forgotten or discarded. When asked about the longevity of certain of these motifs, Johns replies half-seriously that he would like to get rid of them, but they will not go away. In his gradually expanding network of emblems and objects, any one of them, it seems, can strike up a relationship with any other, such that the outcome almost never prompts thoughts of exhaustion or absence of invention. A single addition, like the bits of string suspended in catenary curves that made their appearance around 1996, has a way of regalvanizing the entire existing repertory.".

Criqui, Jean-Pierre. BRICE MARDEN: Attendants, Bears, and Rocks (Special Edition). Unpaginated, 68 color plates and 12 color and b&w figures. 4to, wraps, loose in specially designed cloth sleeve signed by Marden. New York. Matthew Marks Gallery, 2002. Signed by the artist. Edition of 300.