After completing the installation of his 1996 retrospective at New York's Museum of Modern Art, Jasper Johns retreated to his studio in Connecticut to wipe the slate clean, beginning a body of work that was a dramatic departure from anything he had made before. The first painting in this new series included a string hanging from upper right to lower left, generating a curve called a "catenary," and this curve became the compositional backbone of the entire series. Johns produced a total of 61 paintings, drawings, and prints based on the catenary theme. The work is saturated with autobiographical references, both transparent and opaque, while it simultaneously encourages multiple layers of meaning. Sensual surfaces, fragile constructions, and formal rigor meet allusions to key moments in the history of modern art and motifs from Johns's earlier work. The poetry of Johns's catenary series is explored in an illustrated essay by the young scholar Scott Rothkopf in a catalogue published alongside the exhibition by steidl/mm. The publication reproduces all the works in the entire series.
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After completing the installation of his 1996 retrospective at New York's Museum of Modern Art, Jasper Johns retreated to his studio in Connecticut to wipe the slate clean, beginning a body of work that was a dramatic departure from anything he had made before. The first painting in this new series included a string hanging from upper right to lower left, generating a curve called a "catenary," and this curve became the compositional backbone of the entire series. Johns produced a total of 61 paintings, drawings, and prints based on the catenary theme. The work is saturated with autobiographical references, both transparent and opaque, while it simultaneously encourages multiple layers of meaning. Sensual surfaces, fragile constructions, and formal rigor meet allusions to key moments in the history of modern art and motifs from Johns's earlier work. The poetry of Johns's catenary series is explored in an illustrated essay by the young scholar Scott Rothkopf in a catalogue published alongside the exhibition by steidl/mm. The publication reproduces all the works in the entire series.
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Hardcover. Zustand: Sehr gut. Zustand des Schutzumschlags: Sehr gut. 1. Auflage. Z : 120 pages, 26 x 30 cm, Leinen/clothbound with jacket - After completing the installation of his 1996 retrospective at New York’s Museum of Modern Art, Jasper Johns retreated to his studio in Connecticut to wipe the slate clean, beginning a body of work that was a dramatic departure from anything he had made before. The first painting in this new series included a string hanging from upper right to lower left, generating a curve called a "catenary," and this curve became the compositional backbone of the entire series. Johns produced a total of 61 paintings, drawings, and prints based on the catenary theme. The work is saturated with autobiographical references, both transparent and opaque, while it simultaneously encourages multiple layers of meaning. Sensual surfaces, fragile constructions, and formal rigor meet allusions to key moments in the history of modern art and motifs from Johns’s earlier work. Artikel-Nr. ABE-1717574393750
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Anbieter: Second Story Books, ABAA, Rockville, MD, USA
Hardcover. First Edition. Quarto, unpaginated. In Very Good condition with a Very Good dust jacket. Spine patterned blue with white lettering. Dust jacket protected in mylar covering. Very mild shelfwear and soiling. Textblock clean. Shelved in art monographs. 1381754. Shelved Dupont Bookstore. Artikel-Nr. 1381754
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Anbieter: Ursus Books, Ltd., New York, NY, USA
Rothkopf, Scott. JASPER JOHNS: Catenary. 21 pp., text with 30 color figures, followed by 51 color plates and checklist illustrated in color. 4to, cloth. Gottingen, Steidl, in association with New York, Matthew Marks Gallery, 2005. This book accompanies an exhibition of new work at the Matthew Marks Gallery. Artikel-Nr. 117199
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