New renaissance (14 Ergebnisse)

Staple Bound. Zustand: Good - Cash. General use wear, surface and edges rubbed. Corners bumped and show wear. Pages show reader wear. Cover has creases. Stock photos may not look exactly like the book.

First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright, clean and sharp cornered. ; 195 pages; Description: 8vo. Xv, 195 p. : ill. ; 24 cm. Subjects: Women--History--Middle Ages, 500-1500--Congresses. Social history--Medieval - Women--Social conditions - Women in literature. 1 Kg. …

First Edition. Fine cloth copy in an equally fine dw. Particularly well preserved; tight, bright, clean and sharp cornered. ; 195 pages; Description: 8vo. Xv, 195 p. : ill. ; 24 cm. Subjects: Women--History--Middle Ages, 500-1500--Congresses. Social history--Medieval - Women--Social conditions - Women in literature. 1 Kg. …

Hardcover. Zustand: Very Good. No Jacket. xiii, 293 pages [16] leaves of plates : illustrations ; 24 cm. "Papers of the fourth and fifth annual conference of the Center for Medieval and Early Renaissance Studies, State University of New York at Binghamton, 2-3 May 1970, 1-2 May 1971.".

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 293 pages; Description: xiii, 293 p. : 16 leaves of plates : ill ; 24 cm. Subject: Heroes in literature --Congresses. 2 Kg. …

First Edition. An exceptional copy; fine in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. ; 293 pages; Description: xiii, 293 p. : 16 leaves of plates : ill ; 24 cm. Subject: Heroes in literature --Congresses. 2 Kg. …

Zustand: Very Good. First edition hard back binding in publisher's original blue cloth covers, gilt title and author lettering to the spine. 8vo. 9'' x 6''. Contains [x] 180 page play. Very Good condition book in Good condition dust wrapper with chips and short closed tears to the spine ends and edges, not price clipped, 15/-. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. PLAYS (Theatre Performance).…

Zustand: Good. First edition hard back binding in publisher's original scarlet paper covered boards, gilt title lettering to the red cloth spine and to the front cover. Folio 14'' x 10¼''. Contains 64 printed pages of text with 46 reproductions, including 12 in full colour. Spotting to the end papers and in Good condition, no dust wrapper. Member of the P.B.F.A. ART [Spanish].…

Buch. Zustand: Neu. Neuware - 'Examines Michelangelo's understanding of internal anatomy and demonstrates its effect on the artist's representations of the body in painting, sculpture, poetry, and architecture'--.

Buch. Zustand: Neu. Neuware - Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction.…

First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description: 499 p. : ill. ; 31 cm. Notes: Catalogue of the exhibition held at the Metropolitan Museum of Art, New York, April 8-June 22, 1986, and at the Germanisches Nationalmuseum, Nuremberg, July 24-September 28, 1986. Includes bibliography. Subject: Art, German - Art, Gothic - Art, Renaissance - Art, Medieval - Germany - Nuremberg - Exhibitions. Germany (West). Nuremberg. Other names: Kahsnitz, Rainer. Wixom, William D. Germanisches Nationalmuseum Nürnberg. Metropolitan Museum of Art (New York, N.Y.) Genre: Illustrated, text. 1 Kg. Profusely Illustrated (illustrator).…

First Edition. Fine cloth copy in a near-fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description: 499 p. : ill. ; 31 cm. Notes: Catalogue of the exhibition held at the Metropolitan Museum of Art, New York, April 8-June 22, 1986, and at the Germanisches Nationalmuseum, Nuremberg, July 24-September 28, 1986. Includes bibliography. Subject: Art, German - Art, Gothic - Art, Renaissance - Art, Medieval - Germany - Nuremberg - Exhibitions. Germany (West). Nuremberg. Other names: Kahsnitz, Rainer. Wixom, William D. Germanisches Nationalmuseum Nürnberg. Metropolitan Museum of Art (New York, N.Y.) Genre: Illustrated, text. 1 Kg. Profusely Illustrated (illustrator).…

299 / 329 / 210 Seiten mit wenigen Abbildungen und Tafeln. Bedruckte Original-Broschur. Jg. 1961 mit Lagerspuren und Aufkleber (unfrisch); die beiden anderen Jahrgänge ordentlich (etwas muffig).

Fine. Size 31.75 x 24 Inches. This is a 2003 pictorial map of the Harlem neighborhood in Manhattan, New York City, drawn by Tony Millionaire. It highlights the many facets of the Harlem Renaissance (1920s - 30s). A Closer Look The figures drawn on the map are a veritable who's-who of 20th-century African-American culture, from political leaders like Marcus Garvey and Adam Clayton Powell, to civil rights activists (Zora Neale Hurston), judges (Thurgood Marshall), religious leaders (Frederick Cullen), scientists and explorers (Matthew Henson), musicians and composers (Duke Ellington, Marian Anderson, Billie Holiday, Ella Fitzgerald), writers and poets (Countee Cullen, Claude McKay), artists of various stripes (Alvin Ailey, William H. Johnson, Augusta Savage), athletes (Joe Louis, Althea Gibson), and individuals like W.E.B. DuBois and Paul Robeson who transcended several of these categories. A banner at bottom and bottom-right discusses African-American life elsewhere in Manhattan, other Jazz Age writers and composers who were influenced by the Harlem Renaissance (including George Gershwin), and important figures (James Baldwin, Malcolm X) born too late to properly be part of the Harlem Renaissance but who were heavily influenced by it. Famous buildings, organizations, and institutions are also labeled, including churches, hotels, parks, brownstone apartment buildings that were home to the individuals depicted, and famous venues for theater and music, including the Apollo Theater, Cotton Club, and Savoy Ballroom. Other clubs appear, perhaps less famous to history but no less significant. In particular, a group of clubs between 131st and 134th St. are noted, including Smalls Paradise and Barron's Exclusive Club (also known as Barron Wilkin's Club), which were notable for being Black-owned and having an integrated clinetele (unlike the Cotton Club, which catered to a White clientele). Minton's Playhouse on 118th St. is something of a Mecca for jazz music, where jam sessions including the likes of Thelonious Monk and Charlie Parker pioneered the bebop genre. Some contemporary buildings (the Schomburg Center for Research in Black Culture with its modern extension) and placenames (Adam Clayton Powell Blvd., Malcolm X Blvd., Marcus Garvey Park) appear, but the street grid and most of the buildings in Harlem from the era of the Harlem Renaissance remain today, allowing a user of this map to retrace the steps of those illustrated on it. The Harlem Renaissance The Harlem Renaissance, known at the time as the 'New Negro Movement,' was a cultural, social, and artistic movement that took place primarily during the 1920s and early 1930s, centered in the Harlem neighborhood of New York City. It marked a period of prolific creativity among African American artists, writers, musicians, and intellectuals, who used their work to express pride in Black identity and culture, challenge racial stereotypes, and advocate for civil rights. Many leading figures of the Harlem Renaissance had been born in the Deep South and moved to New York City as part of the Great Migration to seek opportunities and escape racism. Other contemporary developments, especially Prohibition and the Great Depression, also had an important impact on the course of the Harlem Renaissance, as did the unique cosmopolitan environment of New York City, drawing in artists, writers, and activists from throughout the African Diaspora. In sum, the Harlem Renaissance marked a cultural flowering and coalescing of social-political consciousness that reverberated for decades afterward, even down to the present. Publication History and Census This map was drawn by illustrator Tony Millionaire and published in 2003 by Ephemera Press. The original 2001 edition of the map was designed by Kevin Hein, an Art Director at Ephemera Press, with the text done by Marc H. Miller, the founder of the press. The primary differences between the present map and the 2001 edition are the printing, verso content.…