Neil blackadder (20 Ergebnisse)

1st edn 1st printing. 8vo. Original gilt lettered blue cloth (Fine), dustwrapper (Fine). Pp. 236 (no inscriptions).

Hardcover. Zustand: Brand New. 192 pages. 7.75x5.00x0.79 inches. In Stock.

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Hardcover. Zustand: Brand New. 192 pages. 7.75x5.00x0.79 inches. In Stock.

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Zustand: New. Examines the protests of scandalized audience members against the first plays by such writers as Jarry, Synge, and Brecht, illuminating a multifaceted and largely overlooked aspect of modern theater history. Num Pages: 248 pages, bibliographical references , index. BIC Classification: DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 237 x 155 x 24. Weight in Grams: 484. . 2003. Hardcover. . . . . …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. xvii + 228.

Hardback. Zustand: New. Modern theater history is punctuated by instances of scandalized audience members disrupting and in some cases suspending the first production of a new play. Such incidents are usually dismissed as riots, as self-evident displays of philistinism. Neil Blackadder's intriguing new study reveals them in fact to be multifaceted conflicts, showing the ways in which these protesters-acting against plays by such notables as Jarry, Synge, and Brecht-creatively devised and enacted resistance through verbal rejoinders, physical gestures, and organized group demonstrations.Performing Opposition draws on reviews, memoirs, interviews, and court records to present engaging and insightful accounts of these clashes-clashes that Blackadder proposes as a unique and distinct category of event in a time when unprecedentedly restrained norms of auditorium behavior coincided with a regeneration of writing for the stage. Offering the first detailed examination of affronted theatergoers' counter-performances, the volume represents an intriguing illumination of a largely overlooked aspect of performed drama and its history.…

Zustand: New. Examines the protests of scandalized audience members against the first plays by such writers as Jarry, Synge, and Brecht, illuminating a multifaceted and largely overlooked aspect of modern theater history. Num Pages: 248 pages, bibliographical references , index. BIC Classification: DSG. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 237 x 155 x 24. Weight in Grams: 484. . 2003. Hardcover. . . . . Books ship from the US and Ireland. …

Hardcover. Zustand: Brand New. 228 pages. 9.25x6.50x1.00 inches. In Stock.

Zustand: New. pp. xvii + 228 Acknowledgements.

Zustand: New. KlappentextModern theater history is punctuated by instances of scandalized audience members disrupting and in some cases suspending the first production of a new play. Such incidents are usually dismissed as riots, as self-evident displ.

Buch. Zustand: Neu. Neuware - Modern theater history is punctuated by instances of scandalized audience members disrupting and in some cases suspending the first production of a new play. Such incidents are usually dismissed as riots, as self-evident displays of philistinism. Neil Blackadder's intriguing new study reveals them in fact to be multifaceted conflicts, showing the ways in which these protesters--acting against plays by such notables as Jarry, Synge, and Brecht--creatively devised and enacted resistance through verbal rejoinders, physical gestures, and organized group demonstrations. Offering the first detailed examination of affronted theatergoers' 'counter-performances,' Performing Opposition represents an intriguing illumination of a largely overlooked aspect of performed drama and its history.…

Hardback. Zustand: New. Modern theater history is punctuated by instances of scandalized audience members disrupting and in some cases suspending the first production of a new play. Such incidents are usually dismissed as riots, as self-evident displays of philistinism. Neil Blackadder's intriguing new study reveals them in fact to be multifaceted conflicts, showing the ways in which these protesters-acting against plays by such notables as Jarry, Synge, and Brecht-creatively devised and enacted resistance through verbal rejoinders, physical gestures, and organized group demonstrations.Performing Opposition draws on reviews, memoirs, interviews, and court records to present engaging and insightful accounts of these clashes-clashes that Blackadder proposes as a unique and distinct category of event in a time when unprecedentedly restrained norms of auditorium behavior coincided with a regeneration of writing for the stage. Offering the first detailed examination of affronted theatergoers' counter-performances, the volume represents an intriguing illumination of a largely overlooked aspect of performed drama and its history.…