Naylor liz (12 Ergebnisse)

Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Zustand: Very Good. Zustand des Schutzumschlags: 20120645. 1781769561. 6/18/2026 7:59:21 AM.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Zustand: Brand New. 72 pages. 10.16x8.19x0.39 inches. In Stock.

Zustand: Very good minus. First edition. Early issue (December 7th, 1979) of this hugely influential Manchester-centric post-punk zine. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene to the larger cultural landscape after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll. Contributors to this issue include Zero, Jeff Williams, Paul Barrowford, and a variety of anonymous and pseudonymous reviewers on The Fall, Ed Banger, The Cure (already in "danceable" "accessible" decline at the late date of 1979), The Jam, Madness, The Specials, and others. P.S., "Margaret Thatcher is an insane failure." 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. [8] pages. Moderate edgewear and creasing, some light staining and small closed edge tears.…

Zustand: Very good plus/. First edition. Early issue (March 6, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene alone after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll, to cover a wider cultural landscape. Contributors to this issue include Dave Ward, Ray Lowry, Brian Mills, Ian Todd, Steven Wilkinson and Catherine S. Miles; contents include a fair review of The Frantic Elevators, an unfair review of Bow Wow Wow, and "Arthur Bigot's Handy Guide to Science Fiction," full of wise advice ("Several authors are best avoided for a variety of reasons."). 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. 15, [1] pages. Soil to pages 10-11. Mild edgewear.…

Zustand: Very good plus. First edition. Early issue (April 17, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene to the larger cultural landscape after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll. Contributors to this issue include Andy Zero, Brian Mills, Catherine Miles, Martin X, Bob Dickinson, Julie Butterford, Eddie Koran, Dave Baguley, Ray Lowry, and Dave Ward. Contents include news and reviews of The Fall, Joy Division, and New Order, with a grand editorial pleading for "Art that is not separated, deodorised, sanitised and carefully presented to cause no offense." 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. [16] pages. Moderate edgewear, minor creasing.…

Zustand: Very good. First edition. Early issue (May 29, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene to the larger cultural landscape after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll.Of this issue's cover and its discontents, David Wilkinson writes: "The cover makes me laugh, but I think its tone is an indication of different times and expectations. When a city has produced bands like Buzzcocks and Magazine, The Fall, Joy Division and New Order [.] yet the scene is described as apathetic, you get the feeling they really didn't realise how good they had it musically." 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. 19, [1] pages. Moderate edgewear, a few small stains to front wrapper.…

Zustand: Very good plus. First edition. Early issue (January 23, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene alone after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll, to cover a wider cultural landscape of film, arts, politics, and sexuality. Among the contributors to this issue are Brian Mills, Steve Wilkinson, Ray Lowry, Janet MacEvoy, Chris Brierly, Neil Hargreaves, and Catherine S. Miles. Includes reviews of a bootleg recording of Joy Division's "Warsaw" followed by an account of a New Order live show: "New Order remain compassionate. New Order remain depressive [.] It was sad, but immensely enjoyable." 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. 15, [1] pages. Mild edgewear, creasing.…

Zustand: Very good plus. First edition. Early issue (June 25, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene to the larger cultural landscape after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll. Contributors include Ray Lowry, Bob Dickinson, Brian Mills, Ruth Cowley, Catherine Miles, James Martland, Ian Todd, Mick Dando, and Gill Bradley; among the issue's highlights is a painstakingly critical letter to the editors: "Perhaps it hasn't yet got through to the youth of Manchester that sarcasm is the lowest form of wit: City Fun certainly reeks of the stuff." 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. 19, [1] pages. Moderate edgewear, faint soil to wrappers.…

Zustand: Very good plus. First edition. Early issue (May 15, 1981) of this hugely influential Manchester-centric post-punk zine, under the editorial tenure of Carroll and Naylor. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Founded by Andy Zero and Martin X in 1978, CITY FUN increasingly expanded its reach beyond the local music scene alone after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll, covering film, politics, feminism, and "covering Manchester's gay scene long before it featured in the mainstream media" (Anderton). This issue's highlight is a tirade against A Certain Ratio, a "soulless, humourless, shallow elitist bunch of tortured poseurs." Contributors include Brian Mills, Bob Dickinson, Catherine S. Miles, Elizabeth Intolerable, Andy Zero, Bob Braham, Ian Todd, Ray Lowry, Mike Harrison, and others. 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. [16] pages. Moderate edgewear and creasing, slight edge toning.…

Zustand: Very good plus. First edition. Early issue (January 18th, 1980) under the tenure of Naylor and Carroll of this hugely influential Manchester-centric post-punk zine. John Peel called CITY FUN the most important zine of the period. It is an indispensable reference for the Manchester scene and the bands and labels that grew around it: Joy Division and New Order, The Smiths and The Fall, Factory Records and the Hacienda nightclub, etc. Among the pseudonymous contributors to City Fun (but sadly apparently not this issue) was a just-barely-pre-Smiths Steven Patrick Morrissey, writing reviews under the name "Sheridan Whiteside." Founded by Andy Zero and Martin X in 1978, it increasingly moved its gaze away from the local music scene towards the larger cultural landscape after its takeover by "classic feminist children of punk" (Fletcher) Naylor and Carroll. Contributors include Andy Zero, Mick Middles, and Jeff Williams on Dislocation Dance, Distractions, John Cooper Clarke, The Fall, Abdominal Pain, and more. 12'' x 8.5''. Original pictorial self-wrappers. Offset in black-and-white throughout. [8] pages. Moderate edgewear and creasing.…