Natalie ferris (11 Ergebnisse)
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Bricks from the Kiln #4: On Translation, Transmission & Transposition
Ferris Quinn Stuart Walsh-Lister, Natalie Bryony Matthew Andrew (Editor)
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Paperback. Zustand: Brand New. 288 pages. In Stock.
Sprache: Englisch
Verlag: Royal Academy of Arts, United Kingdom, London, 2014
- Softcover
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Paperback. Zustand: Very Good. Entertaining and provocative in equal measure, Allen Jones RA was at the forefront of the British Pop Art movement in the early 1960s, alongside Royal College of Art contemporaries David Hockney RA, Derek Boshier and Peter Phillips. Despite, somewhat extraordinarily, being expelled from the RCA aft…er a year, as 'an example' to similarly independent-minded students, Jones has been hugely influential, not just in the art world but across fashion, graphic design, film and music. This book explores the range of Jones's 50-year career, focusing not just on his sculptures but also on his works in watercolour, lithography and painting. While best-known for his highly sexualised imagery, particularly his 'women as furniture' series, this volume reveals an artist deeply influenced by European Modernism, whose works possess an innate sense of humour and exuberant use of colour. Alongside engaging analyses of Jones's place in the canon of twentieth-century art, this volume seeks to reappraise feminist reactions to Jones from a contemporary perspective, exploring his continuous preoccupation with androgynous and transgender forms. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Bricks from the Kiln #4: On Translation, Transmission & Transposition
Natalie, Bryony, Matthew, Andrew Ferris, Quinn, Stuart, Walsh-Lister (Ed.)
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Zustand: New. 2020. paperback. . . . . . Books ship from the US and Ireland.
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Royal Academy of Arts, 2014. 26,5 x 21 cm. Hardcover. Richly illustrated in color. 144 pages. AS NEW [Art / international artist [Buitenlandse Kunstenaars] ].
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- Hardcover
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Hardcover. Zustand: Brand New. 226 pages. 9.25x6.25x0.75 inches. In Stock.
- Hardcover
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Hardcover. Zustand: Brand New. 226 pages. 9.25x6.25x0.75 inches. In Stock.
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Buch. Zustand: Neu. Neuware - In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but 'abstract poetry' can only exist in inverted commas'. Language…may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly 'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literature continued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction across cultural, institutional, and literary contexts.
