Nash susie (35 Ergebnisse)

Paperback. Zustand: Good. This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.…

Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. This book offers a wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, it examines everything from panel paintings to carved altarpieces. While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception. Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

Paperback. Zustand: Good.

Paperback. Zustand: Very Good.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Near Fine. Zustand des Schutzumschlags: N/A. 354pp, numerous colour illustrations throughout. Pictorial laminated light card covers. 8vo. Area of loss on last page, likely printing defect. Internally, neat, clean, bright and tight.

Zustand: New.

Zustand: New. 2007. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Very Good. Reading content is in clean and readable condition. Slight shelfwear to book.

Paperback. Zustand: Brand New. illustrated edition. 192 pages. 10.25x8.50x0.75 inches. In Stock.

Zustand: New. pp. 298 Illus.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 368 pages. 9.25x6.50x1.00 inches. In Stock.

Zustand: New. 2011. Paperback. Num Pages: 298 pages, 250 colour illustrations. BIC Classification: ACK; AFC. Category: (G) General (US: Trade). Dimension: 298 x 245 x 22. Weight in Grams: 1688. Materials, Methods, Meanings. 298 pages, 250 colour illustrations. Cateogry: (G) General (US: Trade). BIC Classification: ACK; AFC. Dimension: 298 x 245 x 22. Weight: 1688. . . . . . Books ship from the US and Ireland.…

Paperback. Zustand: Brand New. 298 pages. 11.73x9.69x0.87 inches. In Stock.

Zustand: New. In English.

Zustand: Neuf.

Paperback. Zustand: Brand New. 352 pages. 11.50x9.50x1.00 inches. In Stock.

Soft cover. Zustand: Near Fine. First Edition. 1996. x, 214pp, xv colour plate section. B&W and colour illustrations. Contents: I. Examining Campin: Technical Studies. II. Copying Campin. III. Campin's Imagery: Sources, Interpretation and Influence. "Most of the essays in this volume were delivered as papers at the Robert Campin Symposium held at the National Gallery on 12-13 March 1993, with generous support from the late Edward Speelman and the Kress Foundation. The symposium coincided with a 'Brief Encounters' exhibition, in which the National Gallery's Virgin and Child in an Interior was juxtaposed with the diptych from the Hermitage Museum, St. Petersburg, The Virgin and Child and The Trinity. Two essays have been added: one by Jeltje Dijkstra, who was unable to speak at the symposium, and one by Catherine Reynolds, who gave a version of this paper as a public lecture at the National Gallery." PLEASE NOTE: Heavyish book so a little extra may be needed for shipping to non-UK customers. Robert Campin (illustrator).…

hardcover. Zustand: Very Good. 74th ed. Binding tight.Barcode sticker on back cover.Minor wear to page edges and corners. Hardcover.Dust jacket included and in fair condition.No writing, highlighting, or marks in text.Heavy book.Expedited shipping may come with a small fee.

Zustand: Neuf.

Paperback. Zustand: Very Good. Not present. 1. Mark of ownership. Eigenaarsstempel. English This scholarly volume brings together nineteen contributions from leading international experts presented at the Robert Campin Symposium held at the National Gallery, London, in March 1993. The essays offer fresh perspectives on Robert Campin's oeuvre, examining attribution, iconography, workshop practice, technical analyses, and historical context. Key themes include the identification of Campin?s hand, the function and meaning of his altarpieces, and the use of underdrawing and panel construction revealed through technical research. Several essays focus on major works such as the Mérode Altarpiece and the Virgin and Child Before a Firescreen, providing insight into their composition and symbolism. Others explore connections between Campin?s workshop and manuscript illumination or broader stylistic trends in early Netherlandish painting. Collectively, the volume reframes Campin?s artistic legacy and offers new methodological approaches to understanding one of the foundational figures of Northern Renaissance art.…

Londres, E ditions Paul Holberton, 2007. 216 pp. Col. ills & b./w. ills. Softcover. Published on the occasion of the exposition "L'Aube de l'ère bourguignonne: André Beauneveu, artiste des cours de France et de Flandre", in Musée Groeninge, Bruges, 14 September 2007 - 6 January 2008. - French text.

Zustand: gut. Andre Beauneveu, "No Equal in Any Land", Artist to the Courts of France and Flanders In englischer Sprache. pages.

Softcover. Zustand: Very Good. Volume 1 only. Pages clean, no markings, wear to edges. Complete with numerous illustrations. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.…

near fine dust-jacket, very good blue cloth, attractive book in all respects. NASH, SUSIE. Between France and Flanders: manuscript illumination in Amiens. London : Toronto: The British Library ; University of Toronto Press, 1999, 421pp., . British Library studies in medieval culture"Susie Nash examines manuscript illumination in Amiens in its historical and socio-economic context, discussing evidence of artistic interchange between France and Flanders, and reassessing the artistic identity of Simon Marmion. She identifies twenty-seven illuminated manuscripts and two single leaves as Amiens production, and establishes the production of manuscripts in earlier decades of the century for the first time, relating them to the later, more abundant and better known work." "Extensively illustrated in colour and black and white from manuscripts, some of which have never before been reproduced, Between France and Flanders is an innovative work for all historians of art, codicology, liturgy and popular devotion in France and the Low Countries." - CONTENTS: Ch. 1. Book Production and the Arts in Amiens in the 15th Century. I. The Historical Context. II. The Arts and Artists in Amiens in the 15th Century. III. The Demand for Manuscripts in Amiens in the 15th Century. IV. Bookproducers and Booksellers in Amiens: The Organization of the Booktrade -- Ch. 2. Localization and Dating. I. Liturgical Evidence. II. Orthographic Dialect (Scripta). III. Marks of Ownership. IV. Parallels with Local Art in Other Media -- Ch. 3. The d'Ailly Master and Associates. The Local Style c.1430-50. I. The Master of Raul d'Ailly and Associates: The 'Core Group'. II. Routine Speculative Productions. III. The Luxembourg Master and Associates -- Ch. 4. The d'Ailly Master and Associates. Evidence for a Workshop. I. Preparation of the Page. II. Structure, Organization and Production of the Text. III. Subsidiary Decoration. IV. Production and Market -- Ch. 5. Precursors of the d'Ailly Workshop, c.1400-30. I. Provincial Production and Imported Miniatures, c.1400-15. II. The Master of Fitzwilliam 65 and Related Artists. III. Relationships with the d'Ailly Workshop -- Ch. 6. Immigrant Artists c.1420-70. I. Parisians. II. Flemings: The Master of Jacques de Rambures. III. Normans -- Ch. 7. Emigrant Artists c.1440-70. I. Bruges: The Master of the Collins Hours. II. Lyons: The Artists of the McNear Hours. III. Tournai and Paris: Andre d'Ypres. IV. Valenciennes: Simon Marmion. 9780712304856 ISBN 0712304851.…