Nanni paolo (21 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: NEW.

Zustand: MOLTO BUONO. Firenze, Accad. Dei Georgofili cm.17x24, pp.VI-148, 4 tavole bn.e a colori fuori testo, brossura Quaderni della Rivista di Storia dell'Agricoltura.

Zustand: COME NUOVO. Pisa, Pacini Ed. cm.14,5x22, pp.XII,351, brossura con copertina figurata a colori. Collana Dentro il Medioevo,5.

Zustand: OTTIMO USATO. Da revisionare ITALIANO Brossura commerciale dalla copertina illustrata con solo piccola piega da scaffale angolo di testa in prima, interno dalle pagine tono avorio come mai sfogliate. N. pag.160.

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Zustand: New. In English.

Hardcover. Zustand: Brand New. 240 pages. 10.00x7.00x10.24 inches. In Stock.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book constitutes the proceedings of the 8th International Conference on Intelligent Transport Systems, INTSYS 2024, held in Pisa, Italy, duirng December 5-6, 2024.The 25 full papers presented in this book were carefully reviewed and selected from 60 submissions. The papers are organized in the following topical sections: smart technologies; traceability; tra ic forecasting and control; road safety; regulations and policies; autonomous vehicles; model-based analysis for cooperative transportation under uncertainty and threats.…

Taschenbuch. Zustand: Neu. Intelligent Transport Systems | 8th International Conference, INTSYS 2024, Pisa, Italy, December 5-6, 2024, Revised Selected Papers | Alexander Kocian (u. a.) | Taschenbuch | Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering | xiv | Englisch | 2025 | Springer | EAN 9783031863691 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

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Paperback. Zustand: Brand New. 440 pages. 9.25x6.10x9.21 inches. In Stock.

Revue trimestrielle. Paris, rédacteur en chef : Henri Deluy. Comité de rédaction : Elisabeth Roudinesco, Bernard Vargaftig, Paul Louis Rossi, Charles Dobzynski, Pierre Lartigue, Mitsou Ronat, Jacques Roubaud, Alain Lance, etc. Un volume 13x21cm broché de 202 pages. Bon état. Numéro consacré à la poésie contemporaine italienne. Fondée au début des années 1950 à Marseille par Gérald Neveu, Action poétique est une des revues de poésie de la seconde moitié du XXème siècle en France qui connut la plus grande longévité. Animée par Henri Deluy, de 1958 jusqu'à sa dernière livraison en 2012 (210 numéros), Action poétique inscrit la poésie dans le champ théorique de la création française : désir de changer le monde, de s?ouvrir à lui, à travers des traductions défricheuses, et d?interroger la langue qui permet de lui donner forme. "Une des plus vastes encyclopédies de la poésie, couvrant tous les âges, tous les pays, de Gilgamesh à la poésie multimédia." (Jean-Yves Lacroix, Catalogue Revues, janvier 2019, p.4). Livres.…

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Marseille, comité de rédaction: Henri Deluy, Jean-Charles Depaule (jusqu?au n°14), puis Liliane Giraudon et Jean-Jacques Viton. 36 fascicules brochés 16x24cm sous couvertures illustrées en couleurs. Le numéro 28 est numéroté 27+1. Édition originale. 36 numéros en 36 livraisons. Tête de série. Importante revue de poésie qui prend la suite de Banana Split. La publication continue et atteint à ce jour 54 numéros. Textes de Anna Akhmatova, Gérard Arseguel, Jean-Christophe Bailly, Nanni Balestrini, Charles Bernstein, Hélène Bessette, Julien Blaine, Jean-François Bory, Trisha Brown, Augusto de Campos, Merce Cunningham,Jean Daive, Henri Deluy, Oliviers Devers, Emily Dickinson, André Gaillard, Christian Garcin, Isabelle Ginot, Joseph Guglielmi, Sylvain Itkine, Serge Gavronsky, Liliane Giraudon, Michelle Grangaud, Bernard Heidsieck, Emmanuel Hocquard, Susan Howe, Ernst Jandl, Jacques Jouet, Roger Laporte, Emmanuel Levinas, Mina Loy, Hubert Lucot, Harry Mathews, Pier Paolo Pasolini, Boris Pasternak, Anne Portugal, Nathalie Quintane, Charles Reznikoff, Jacques Roubaud, Edoardo Sanguineti, Jude Stéfan, Gertrude Stein, Jean Todrani, Jean Tortel, Marina Tsvetaieva, Alain Veinstein, Jean-Jacques Viton, Catherine Weinzaepflen, Ludwig Wittgenstein, Fabienne Yvert, Annie Zadek, Louis Zukofsky, etc. Bon état - Livres. …

Milan: Multhipla edizioni (from 1981 publishing by Intrapresa), 1979-1988. Folios (43.5 × 32 cm). Original printed self-wrappers; between 16 and 48 pp.; mostly between 32 and 40 pp. with numerous reproduced photographs and illustrations. All issues with the customary horizontal trace of the fold; a few issues with a small number of underlinings; a few leaves somewhat toned; else very good. Complete run of the important cultural journal in which the Italian intelligentsia turned away from Marxism towards post-structuralism and post-modernism. One of the founders was Nanni Ballestrini, whose idea was to provide a forum for the heterogeneous currents of contemporary Italian culture and the humanities. Ballestrini was one of the leading figures of the "Gruppo 63", which experimented early on with visual components and electronic media in poetry. After the group disbanded, Ballestrini became involved in the Italian New Left as a publicist, among other things. Not long after founding "alfabeta", he was accused of alleged involvement in Italian left-wing terrorism. Ballestrini went into hiding in France and Germany. Many years later, the accusations turned out to be false. The Ballestrini case was also the subject of numerous appeals and expressions of solidarity in the early issues. The name of the journal has its origins in the Fluxus movement. Gino di Maggio, one of the initiators of "alfabeta", founded the periodical "a-beta" a few years earlier together with George Brecht, one of the main representatives of Fluxus, which saw itself decidedly as a dissemination medium for Fluxus. A total of eight issues were published by the Milan publishing house "Multipla", which was managed by Gino di Maggio and which began to publish the culturally much broader periodical "alfabeta" every month around two years after the Fluxus journal was discontinued. In 1981, Gianni Sassi, who was already responsible for the journal as designer and art director, took over the publishing duties. One of the periodical's main genres was the comprehensive review, primarily of fiction, essays, and theory, but also of newspapers and periodicals. One of the journal's self-imposed tasks was already stated in the first issue: "to read or re-read what has been said and what still needs to be said." In the 1980s, "alfabeta" was one of the few journals in Italy that repeatedly succeeded in stimulating cultural debates and promoting literary trends. The photographs and illustrations printed in the issues were each dedicated to a specific theme and often appeared as a preview of and insight into current exhibitions and book publications. They were therefore not subordinate to the texts, but led their own discourse alongside the texts, as it were. Political topics include feminism, the environmental movement, media and spectacle. The disintegration of Marxist theories and the resulting increase in post-structuralist thinking (Derrida, Barthes, Lyotard, Baudrillard) had a significant impact on the journal, as can be seen, for example, in its engagement with psychoanalysis (Deleuze and Guattari). In doing so, "alfabeta" did not take the side of "postmodern thinking", but also allowed its critics to have their say, such as Jürgen Habermas, who believed he recognized a shift to the right in the reception of Heidegger, for example by Derrida. Even the post-modern critic Maurizio Ferraris, later one of the initiators of a new realism, speaks out extensively against Lyotard. Not insignificant for this change in the debate is the technical development, especially the increasing importance of the computer in the 1980s (Paul Virilio, Niklas Luhmann). An entire issue was published under the title "lo scimpanze lo scriba e il computer" (the chimpanzee, the writer, and the computer). The origins of the journal in Fluxus are also noticeable in its great interest in all aesthetic developments, such as the visual arts, theater, cinema, pop and rock music, etc. Even comics are the subject of theoretical examinations (Roberto Giovannoli, "Postmodern comix"). Interest in the avant-gardes and neo-avant-gardes is also a continuity of the journal, with a particular historical interest in Italian Futurism. (Cf. Giovanna Lo Monaco, Alfabeta, in: Alle due sponde della cortina di ferro. Le culture del dissenso e la definizione dell'identità europea nel secondo Novecento tra Italia, Francia e URSS 1956-1991, Florence 2019.).…