N visscher (40 Ergebnisse)

Paperback. Zustand: Very Good. 1st pbk. ed. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Gebrocheerd. Zustand: Boek goed. 131 pp. Z/w foto's en tekeningen.

Linnen band met stofomslag. 128 pagina's. Als nieuw. Uilenspiegel is ongeveer vijf eeuwen oud. Door de jaren heen hebben heel wat mensen zich met hem beziggehouden: schrijvers, componisten, illustratoren, drukkers, regisseur, lezers en vertellers. De Uilen spiegelverhalen bieden immers uitgelezen vertelstof voor jong en jong. Er werd om gelachen, gegrijnsd en geknarsetand. We kunnen het ons nu niet voorstellen, maar voorstellen, maar in de late middeleeuwen werd Uilenspiegel als opruidend en zelfs als gevaarlijk beschouwd, precies omwille van zijn spottende en kritische toon, zijn gevatheid en listig woordenspel. Uilenspiegel spreekt immers een natuurlijke, volkse taal en neemt geen blad voor de mond. Hij is behendig, sympatiek, brutaal, maar ook weerzinwekkend. Hij gaat vlot om met bisschoppen en pastoors, met koningen, hertogen en graven, met geleerden en kooplieden. Hij is knecht bij bakkers, smeden en kleermakers en hij treedt zelfs op als dokter, schilder en soldaat. Dat ook gewone mensen het mikpunt werden van zijn schelmenstreken, 777g.…

Original publisher's cream plastcic-covered boards, black lettering spine, oblong shaped 9-11-2,8cm: [40]pp., [192]pp., [10]pp., introduction with notes & references, facsimile with illustrations, table of contents. Very fine copy. Facsimile 3rd printing 1620.

Original publisher's gray cloth hardback, silver lettering spine, pictorial dustjacket, 2nd printing [1999], thick large 8vo: 640pp., introduction, 60 contributions, index. Very fine copy.

Paperback. Zustand: Brand New. 64 pages. 7.50x5.75x0.25 inches. In Stock.

(S. A. Plant growth Regulation 1) S. 25 - 30. m. zahlr. Abb.) Sonderabdruck Offprint. 1982. Guter Zustand/Good condition. geklammert/no cover. Sprache: englisch/english.

Amsterdam/Antwerpen, Contact, 2000. 25 x 18 cm. Gebonden. Hardcover. Geen stofomslag Hardcover. 640 pag. - UITSTEKEND EXEMPLAAR [Geschiedenis (History) / Algemeen / General [Algemene Geschiedenis] Filosofie / Philosophy [Filosofie] Sociologie / Sociology Wetenschap / Science ].

Kartengröße 49 x 57 cm. Große Karte der Gegend um Liège, mit den Orten Huy, s'Gravendal Dalem, Verviers, Dur Buy und Linburg. - Mittelfalz hinterlegt, am Rand gering fleckig. Gut erhalten.

46x56cm. The map in full original colour. Excellent condition. Genuine antique old original map.

Amsterdam/Antwerpen, Contact, 1999. 25 x 18 cm. Gebonden met stofomslag. 640 pag. [.

Amsterdam, Nederlandsche Bijbel-Compagnie, J. Brandt en Zoon, en P. Proost, ; Haarlem J. Enschedé en Zonen (drukker), 1862. Formaat, klein in-8°, 15 x 8,5 cm, [1] 8 nn pp + 352 pp, gedrukt in twee kolommen. [2] Idem, gedrukt in 1861, xvi pp + 553 pp, met gedrukte muziek. + 77 pp. Gebonden in volle bruin-lederen band, rug met 4 nerven. Alle sneden verguld. Met witte satijn papieren schutbladen. Met mooi bewaarde vergulde sluitgesp, getekend met de initialen J.C.H. 11 december 1865. Leder iets geschaafd op enkele plaatsen, eerste en laatste pp. met lichte roestvlekjes, verder mooi exemplaar met prachtig bewaarde metalen sluitgesp.…

A highly decorative cartouche with Royal crown and a crest with lions is present in the lower left. Small vignette image of angles is located in the lower right., Size : 480x560 (mm), 18.875x22 (Inches), Original Outline Coloring Good, two small tears along the lower margin have been repaired, lower portion of the central fold reinforced.…

Zustand: Very good. Large decorative cartouche in the upper right. The map depicts the greater area of Amsterdam, Haerlen, Leyden, and Gravenhage., Size : 470x570 (mm), 18.5x22.375 (Inches), Original Hand Coloring.

Hand coloured engraved map with elaborate title cartouche. Some small tears at top skilfully repaired. 57 x 50 cms.

Israel / Palestine."Terra Sancta sive Promissionis, olim Palestina". copperplate engraving published by N. Visscher, 1659. Original hand colouring. With ornamental title-cartouche held by cherubs in a garland of fruits. A plan of the desert camp of the Isrealites in the lower part of the map. There are Moses and Aaron with the Golden Altar on the left and the Golden Table on the right side of the map. 46:56 cm (18.1 x 22 inch.). West-oriented map.…

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF FLANDERS decorated with a large elaborate allegorical cartouche surrounding the coat of arms bottom left, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent map including the important, influential and beautiful city of Bruges, in 1680 part of the Spanish Netherlands, now in Belgium. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992. …

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF EASTERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD, (central horizontal crease, with original mounting guard on verso). A magnificent map of western Flanders, the part of Spanish Netherlands, now Belgium, showing the important and influential cities of Ghent and Antwerp on the Schildt, and Brussels in the south east. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF WESTERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). "The miracle of Dunkirk" (Churchill) A magnificent map including the important town of Dunkirk, in 1680 part of the Spanish Netherlands, now in northern France, and the scene of one of World War II's most heroic endeavours. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF HAINAUT IN BELGIUM, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with a fine allegorical cartouche upper left, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent map including the towns of Douai and Mons. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF THE WESTERSCHELDE ESTUARY, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD, (central horizontal crease, with original mounting guard on verso). A magnificent map of the Westerschelde estuary to the west of Antwerp, showing Ghent to the south. The river Scheldt and particularly its estuary has been of considerable commercial and strategic importance throughout history. On its banks the city of Antwerp (not shown on this map) reached its zenith as the centre of European trade in the mid 16th-century, but after the armies of Philip II of Spain invaded Flanders in 1568, and eventually blockaded the Scheldt, Amsterdam became heir to the wealth of Antwerp.In World War II the estuary once again became a contested area. Despite allied control of Antwerp, in September 1944 German forces still occupied fortified positions throughout the Scheldt estuary west and north, preventing any allied shipping to the port. In the Battle of the Scheldt, the Canadian First Army successfully cleared the area, allowing supply convoys direct access to the port of Antwerp by November 1944. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF SOUTHERN FLANDERS, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, (central vertical crease, with original mounting guard on verso). A magnificent, large scale map including the important, influential and beautiful city of Bruges, in 1680 part of the Spanish Netherlands, now in Belgium. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF BAVARIA, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, decorated with an exceptionally fine allegorical cartouche upper right, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing and to masonry, HEIGHTENED IN GUM ARABIC, GOLD and SILVER(oxidised), (central horizontal crease, with original mounting guard on verso). A magnificent map including the cities of Nurenburg, Regensburg and Munich. Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992. For more information on this map, or a warm welcome to see other maps and books of our collection at 72nd Street NYC, please contact Natalie Zadrozna.…

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP OF SOUTHERN GERMANY, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD AND SILVER (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (24 6/8 x 21 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD, WITH AN INSET addressed to the "Benevole Spectator" of the Kingdom of Burkhusiensis" (central horizontal crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Single sheet (21 x 24 6/8 inches, full margins showing the plate mark). AN EXCEPTIONALLY FINE ENGRAVED MAP, HAND-COLOURED BY THE MASTER COLOURIST, THE CELEBRATED DIRK JANSZ. VAN SANTEN, coloured in outline with cartouches, decorative borders, embellishments, and landmarks fully colored, in rich and exotic colour combinations, with added elements to clothing, marbling to masonry, HEIGHTENED IN GUM ARABIC AND GOLD (central vertical crease, with original mounting guard on verso). Van Santen applied transparent and opaque colours at the same time in both mixed and pure tints. He often painted the whole surface of the map or illustration, transforming the graphic light and dark contrasts into colour. To dark areas representing shadows, clothing pleats or the 'repoussoir', the foreground of a landscape, he applied his characteristic shiny varnish; this had the effect of brightening the colour. He devoted a great deal of attention to skies and horizons, frequently making use of the same colour progression." (Goedings). Atlases and books coloured by van Santen are found in the libraries of the most prominent collectors of the golden age of Dutch cartography ".Bibles and atlases, bound in deluxe bindings by Albert Magnus (1642-1689) and decorated by van Santen were considered gifts worthy of princes. Travellers and poets wrote about this work" (Goedings). This magnificent map is from one of a series of large atlases compiled and sold by the Visscher family of art dealers and cartographers, who were among the leading producers of maps in Amsterdam at the end of the seventeenth and early eighteenth centuries, founded by Nicholas Visscher, whose work is known for the high quality of engraving, exceptionally fine ornament, and accurate geographical information. Colouring authenticated by Truusje Goedings, author of "Dirk Jansz. Van Santen.a survey" 1992.…

Size : 470x570 (mm), 18.5x22.375 (Inches), Original Hand Coloring Good, lower portion of central fold has been reinforced, small tear along lower margin not affecting the image has been repaired.