N rossetti (30 Ergebnisse)

Spiral-bound. Zustand: Fair. 8th. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Spiral-bound. Zustand: Very Good. 8th. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Zustand: Good. 0th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardback. Zustand: Good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: New. Idioma/Language: Español. PUNTO UMBRIO vino para explicarnos que ese "estar dispuestos a todo" incluía transitar por el desierto y caer en las sombras, porque vivir el amor es también experimentar el punto umbrío. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Couverture rigide. Zustand: Bon.

Zustand: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla. Gabán, Jesús (illustrator).

Paperback. Zustand: Brand New. 380 pages. 11.00x8.50x0.96 inches. In Stock. Rossetti, Dante Gabriel (illustrator).

Hardcover. Zustand: Fine. THE BOARDS & SPINE ARE ONLY LIGHTLY BUMPED, THEY'RE RUBBED, DISCOLOURED & FADED BUT FIRM & THE ATTRACTIVE GILT LETTERING & DESIGN ARE BRIGHT. THE BEAUTIFUL GILT EDGING TO THE PAGES IS EXTREMELY BRIGHT & CLEAN. THERE'S A PENNED DEDICATION TO THE FFEP. INSIDE THE PAGES ARE EXCEPTIONALLY CLEAN AND CREASE FREE. ALL IN ALL A SUPERB EXAMPLE OF THIS BOOK.…

Zustand: New. 2017. paperback. . . . . . Books ship from the US and Ireland.

Zustand: NEW. Rossetti, Eva (illustrator).

Phoenix Paperbacks, 2005. Paperback / Softcover. With illustrations in b/w. XIII, 592 pages - Very good/near fine copy [Art / international artist [Buitenlandse Kunstenaars] Biography / international [(Auto)Biografieën] ].

Cartoné. Zustand: Como nuevo. 24x16 149 Cartoné Español Jun/18/6.

Cartoné. Zustand: Como nuevo. 24x16 194 Cartoné Español Jun/18/6. Camacho, Valle (illustrator).

Zustand: New. Zustand des Schutzumschlags: NUEVO.

Gebunden. Zustand: New. NAZZARENO ROSSETTI is Director of Corporate Strategy for Computing at Fairchild Semiconductor. Dr. Rossetti has more than twenty-five years of experience in design, applications, and marketing in the analog and mixed signal semiconductor industries. He hold.

Zustand: leido. Jarazmín, Cuadernos de Poesía, Otoño, 1982 Nº6 Rústica. 15.

Hardcover. Zustand: Very Good. viii, [2], 322 pages frontispiece, illustrations, plates 22 cm OCLC 3053789 ; red worn cloth with gold lettering and designs; top edge gilt ; untrimmed ; slight knock ; Contents: From Darkness To Dawn - The Gods And Their Makers - The Earliest Greek Temples -- Archaic Reliefs -- Sculpture Of The Transition Period -- The Parthenon -- The Successors Of Pheidiasattic Reliefs -- The Apotheosis Of Beauty -- Praxiteles -- Contemporaries Of Scopas -- Lysippus -- The Twilight Of The Gods -- Schools Of Pergamum And Rhodes -- Last Years Before The Christian Era -- Table Of Sculptures ; Title within ornamental border, List of sculptures: p. 307-312, List of sculptors: p. 313-314 ; Albinia Lucy Wherry was a British nurse and author, known for her works on biography, art, and folklore. She was the oldest daughter of Robert Needham Cust and his wife Maria Hobart, and was born at Langdown House, Hampshire, the Hobart family home from 1849. Two months later her barrister father set off for British India, then torn by rebellion, where he would make a reputation as a colonial administrator and linguist. She had two sisters and two brothers; her mother died in 1864 a week after giving birth to a daughter. Her father returned from India; when back there in a senior administrative position, he took another wife, Emma Carlyon, who died in childbirth in 1867. He left India, and married again in 1868. Wherry's relationship with her father was intense, difficult and marred by grudges held. There was a serious break after her marriage. In 1881, Wherry married the surgeon George Edward Wherry. Wherry also trained as a nurse at Leicester Infirmary. During World War I, Wherry was stationed in Paris in the Women's Emergency Canteen at the Gare du Nord where she supported Allied forces from 1915 to 1918. Wherry is buried in St John the Baptist Churchyard. Her collected correspondence is archived by the University of Florida. --Wikipedia ; poem excerpt from "prince Lucifer", by Alfred Austin, then Poet Laureate; includes the poems "In the Golden Age" and "The Apotheosis of Beauty" by Percy Bysshe Shelley, and a selection from the poem, "Medea in Athens", by Augusta Davies Webster; excerpt from the poem, "The Earthly Paradise" by William Morris ; "The Twilight of the Gods - The Dead Pan" by Elizabeth Barrett Browning, selections of poems by Matthew Arnold, Christina Rossetti, Peake, Shirley, Fletcher, Keats, Milton, Robert Browning, William Shakespeare, Thomas Haywood, Rowley, Longfellow, R. N. Cust, Byron, Lyly ; black and white photos by Strand Co. ; numerous line illustrations by Meisenbach Riffart. "Riffarth & Cie. Meisenbach was a German photographic printing company operating in the late 19th and early 20th centuries. They specialized in printing high-quality illustrations for newspapers, magazines, and books, using advanced techniques like photogravure and halftone. Their work is characterized by sharp detail and a focus on capturing the beauty of the built environment, as seen in their images of factories, cityscapes, and landscapes. The company's work is considered a significant example of the development of photographic reproduction in the late 19th and early 20th centuries." ; sculptors discussed include Agasias, Ageladas, Agesander, Agoracritus, Alcamenes, Alxenor, Amphicrates, Androsthenes, Antenor, Angelion, Antigonus, Apelles, Arcesilius, Archelaus, Archermus, Aristander, Aristocles of Sicyon, Athenodorus, Bathycles of Magnesia, Boedas, Boethus, Bryaxis, Butades, Calamis, Callimachus, Callon, Canachus, Cephisodotus elder and younger, Chaerestratus, Chares of Lindus, Cherisphron, Clearchus, Colotes, Cresilas, Critius, Daedalus, Daedalus of Bythynia, Daedalus son of Patrocles, Daippus, Damophon of Messene, Demetrius of Alopece, Dipoenus, Dorycleidas, Endoeus, Epigones, Euphranor, Eupolemus, Eutychides, Hagias, Ictinus, Isogones, Leochares, Libon, Lycius, Lysippus, Lysistratus, Menaichmus, Menelaus, Metagenes, Micciades, Myron, Naucydes, etc; VG. Book.…

hardcover. Zustand: very good(+). Limited. Two volumes. Volume II illustrated in black and white. Unpaginated; 65 pages. 4to, tan paper-covered boards with vellum spines and gilt lettering housed in a double board red leatherette slipcase with toned paper label. Boston: The Bibliophile Society, 1905. Limited edition of 447 copies on white Italian paper, pages uncut. An attractive set in a worn slipcase. Very good(+). Volume One reproduces Rossetti's manuscript and is not paginated. Volume Two has 65 pages of Rossetti's translation, in Gothic type, with a frontis portrait by Bicknell. …

Couverture souple. Zustand: Bon état. In-4 30 x 21 cm. Broché, couverture blanche, dos muet, premier plat illustré avec report auteur & titre en sépia, 98 pp., illustrations en couleurs et en noir & blanc dans et hors texte; sommaire, glossaire, bibliographie. Exemplaire en bon état.

hardcover. Zustand: Very Good. First Edition. Publication: London and Cambridge, Macmillan and Co., 1867. Formatting: 8vo, pp. xx, 392. Condition Report: Very Good. The book is bound in its original publisher's red cloth, which remains remarkably bright and well-preserved. The gilt titling and ruled borders on the spine and boards are sharp and unoxidised, maintaining their original luster. There is only minimal rubbing to the spine ends and corners, with no significant fraying or structural bumping. The binding itself remains impressively tight, square, and structurally sound. Internally, the text block is highly legible; while the uncut page edges and some margins exhibit the expected mild age-toning of Victorian paper stock, the leaves are entirely free of heavy foxing or moisture damage. Aside from historic signatures on the endpapers, the internal text remains clean and unmarred. Overall, an exceptionally solid and aesthetically pleasing copy. Catalogue Note: First edition of William Michael Rossetti's foundational collection of art criticism. While issued without illustrations, the volume is defined by its strong textual presence and compelling historical provenance. Most notably, the title and preliminary pages bear the striking oval ink stamp of "W.W. Sampson & Son, The British Galleries, 13 Air St., Regent St., London, W.". This associates the copy with a notable Victorian art dealer, perfectly complementing the book's subject matter. The front free endpaper features a clear Victorian ownership inscription in ink, reading "Louisa Charlotte Gray, 1869," alongside a subsequent penciled signature of "Mem Sampson," likely connecting the book's ownership directly back to the gallery family. First editions of Rossettiâs critical works in their original cloth, especially those avoiding the heavy handling wear typical of nineteenth-century reference volumes, are increasingly uncommon on the open market, making this gallery-associated copy particularly desirable. Fine Art, Chiefly Contemporary is a definitive collection of art criticism by William Michael Rossetti, a founding member of the Pre-Raphaelite Brotherhood and one of the most influential cultural critics of the Victorian era. The work synthesizes Rossetti's penetrating essays on the evolving landscape of nineteenth-century art, exploring the nuances of style, technique, and philosophy that defined the period. It stands as a vital primary source for understanding the Pre-Raphaelite movement and the broader shifts in Victorian aesthetic sensibilities, offering readers a direct window into the minds that shaped British art. N/A (illustrator).…

Zustand: Como nuevo.