n mandelstam (24 Ergebnisse)

in-octavo, VIII-355 pp., br Edition Spéciale de la revue générale de droit international public.Très bon état.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Light foxing. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Good. 1917 Librairie Payot soft cover edition with french text a scarce 1917 publicatiuon.

Zustand: New. In.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:0882330349.

Zustand: NEW.

Hard Cover. Zustand: Poor. No Jacket. Usual ex-library features, some marked through. Pages are darkened and slightly brittle with age, otherwise the interior is clean and tight. Marbled cover with leather spine. Leather is scuffed and flaking off. Top of spine is frayed. Library numbers on spine. Cover is slightly faded and scuffed. Boards showing through at corners and along edges. 355 pages. The text is in French. Ex-Library.

Zustand: New. In.

Envoi. VIII, 352 pp., papier jauni, cachet In-8 - br., couv. et dos un peu défr., petits manques.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: New.

Gebunden. Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Buch. Zustand: Neu. Neuware.

Zustand: good. Broschiert. Sofortversand aus Deutschland. Artikel wiegt maximal 1000g. Vorsatz beschriftet. 352 Seiten. französische Sprache, Einband mit Gebrauchsspuren, verfärbt und beschädigt, Schnitt unregelmäßig, Seiten gebräunt, Vorsatz teils gebrochen.

First (only) edition, 8vo (23 x 17.5 cm); lithographed title, 6 linocuts of which 4 are in colour, ownership inscription in pencil to p1; original purple printed wrappers with mounted illustration by Usenko, reapirs to spine, covers faded, else a very good copy. The first collection of poems from the Imagists printed in a tiny edition in the Penza provincial printing house. 'Exodus' refers to leaving Penza, where Mariengof lived as a student. In the spring of 1918, the poet's father died from a stray bullet during the rebellion of the Czech legionnaires. After this tragic event, Mariengof left Penza forever and moved to Moscow, where he organised a group of four poet friends: Esenin, Mariengof, Shershenevich and Ivnev, which became the backbone of a new literary movement. Mariengof later said, 'Imagism was born in the city of Penza on Kazanskaya Street'. The collection of poetry also includes the notable first appearance of Osip Mandel'shtam's Dekabrist' from 1917, a striking anomaly (it would be first published officially in Tristia in 1922). Not much is known about the artist Vitaliy Usenko but his illustrations are incredibly striking.

Paris, Pedone, 1926 ; grand in-8, 355 pp., demi-basane brune à coins, dos muet à nerfs (reliure moderne). 1926.

L?Isle-sur-la-Sorgue, directeurs: Christian Guilleau et François Thierry. 4 fascicules 16,2x21,5cm, demi basane à coins, dos lisse, titre et tomaison au dos, couvertures conservées, illustrées d?une gravure sur bois par Boyan. Impression sur papier vergé d?Ingres. Chaque numéro compte une cinquantaine de pages illustrées de partitions (Beethoven, Bach, Brahms, Mahler, Webern.) de gravures originales et photographies, avec feuillet libre sur beau papier cartonné, imprimé. Belle revue imprimée à la main, tirée à 330 exemplaires numérotés qui comptera 12 livraisons parues entre le printemps 1979 et l?hiver 1981. Livres.

L?Isle-sur-la-Sorgue, directeurs: Christian Guilleau et François Thierry. 12 fascicules 16,2x21,5cm, brochés au moyen d?un cordon, sous couvertures illustrées d?une gravure sur bois par Boyan. Impression sur papier vergé d?Ingres. 12 numéros en 12 livraisons d?une cinquantaine de pages illustrées de partitions (Beethoven, Bach, Brahms, Mahler, Webern.) de gravures originales et photographies, avec feuillet libre sur beau papier cartonné, imprimé. Collection complète de cette belle revue imprimée à la main, tirée à 350 puis à 330 exemplaires numérotés. Une couverture légèrement insolée sinon bon état. Livres.

L?Isle-sur-la-Sorgue, directeurs: Christian Guilleau et François Thierry. 12 fascicules 16,2x21,5cm, brochés au moyen d?un cordon, sous couvertures illustrées d?une gravure sur bois par Boyan. Impression sur papier vergé d?Ingres. 12 numéros en 12 livraisons d?une cinquantaine de pages illustrées de partitions (Beethoven, Bach, Brahms, Mahler, Webern.) de gravures originales et photographies, avec feuillet libre sur beau papier cartonné, imprimé. Collection complète de cette belle revue imprimée à la main, tirée à 350 puis à 330 exemplaires numérotés. Avec une carte autographe signée de François Thierry et une enveloppe d?expédition adressée à Roger Munier. Livres.

Moscow: Vol'nitsa; Izdanie Assotsiatsii vol'nodumtsev (Association of Freethinkers), 1922-1924. Quartos (34.4 × 25.5 cm). Original staple-stitched pictorial wrappers; 16-20 pp. per issue. Illustrated throughout with works by V. Chekrygin and G. Iakulov, as well as set design by K. Medunetskii and the Stenberg Brothers. Bookstore stamp to rear wrappers of nos. 2 and 4. Nos. 1 and 3 marked to wrapper in blue pencil "O Esenine". Professional restoration to spine and some individual leaves; foxing and discoloration to wrappers; still good or better. Four issues (all published) of this main journal of the Russian "Imaginists" (Imazhinisty), one of the leading avant-garde literary movements, which included the poets Sergei Esenin, Anatolii Mariengof, Vadim Shershenevich, Nikolai Erdman, Riurik Ivnev, and others. Of special note are the first publication in Russia of Osip Mandelstam's poem "Senoval" ("Hayloft", 1922), the first printing of Sergei Esenin's "Proshchanie s Mariengofom" ("A farewell to Mariengof", 1922), and "Moskva kabatskaia" ("The Backstreets of Moscow", 1924), and illustrations by the avant-garde painter and set designer Georgii Iakulov. Most closely associated with the Symbolists and Futurists (and involved in heated polemic with the latter), the Imaginists were especially active in Moscow 1919-1924 and were popular with the audiences for the anarchic and sensationalist tendencies in their poetry. Vadim Shershenevich was in continuous competition with the Futurist Vladimir Mayakovsky; the two poets both wrote texts for the ROSTA (Russian Telegraph Agency) window displays during the Russian Civil War (1918-1922). The third issue of the journal includes "Eight Points", a kind of late Imaginist manifesto which contains a polemic with the LEF group connected with Mayakovsky, and closes with the words: "Imaginism is fighting for the abolition of the serfdom of the soul and consciousness". The final two issues also contain rare lifetime publications of Sigizmund Krzhizhanovsky, an author who obtained cult status for his Kafkakesque prose posthumously, after his rediscovery in the 1980s. The third issue contains an article by Fernand Léger about his costume designs for the ballet "Sotvorenie mira" (Creation of the world). Each issue published in 1500-2000 copies. The attractive modernist wrapper design is unattributed. MoMA 439. Getty 215. As of April 2026, KVK, OCLC show seven complete runs in North America.

1929. Paris Imprimerie Massis 1929 - Broché 16 cm x 24 cm 95 pages - Consultation de M. M. Gilbert Gidel Albert de Lapradelle Louis Le Fur et André N. Mandelstam - Bon état. Bon état.