Anbieter: Housing Works Online Bookstore, New York, NY, USA
Zustand: Very Good. Minimal wear to cover. Pages clean and binding tight. shelf wear. bumped edges. Paperback.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 31,12
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 280 pages. 8.00x6.50x0.87 inches. In Stock.
Verlag: Flash Art New York, NY, 1981
Anbieter: Specific Object / David Platzker, New York, NY, USA
70 pp.; 26.9 x 20.4 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; January / February 1981 issue of Flash Art, edited by Giancarlo Politi and Helena Kontova. Contents include: "Warhol: Backwards and Forwards," by Charles F. Stuckey; "Violet Painting," by Ernst Busche; "André Masson," by Carmine Benincasa; "Realism between Revolution and Reaction," by Jean Clair; "The Art Sanctuary," by Jeffrey Deitch; "Flash Art New York," reviews by Valentine Tatransky, Kim Levin, Lynn Zelevansky, Jesse Murry, Douglas Blau, Judd Tully, Attanasio Di Felice; "Books," reviews by John Robinson, Henry Marin, Helena Kontova; "Flash Art Australia," reviews by Bernice Murphy, Jennifer Phipps; "Flash Art France," reviews by Bernard Blistene, Xavier Girard, Catherine Strasser, Michel Nuridsany and "Flash Art Israel: Tel-Hai '80," by Amnon Barzel. Cover: Andy Warhol Very Good. Yellowing of cover and page edges with light foxing along to edge of pages. Two 2 cm. pricing stickers on recto (see image). Light edge wear. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.
Verlag: , Hopper & Fuchs, 2025, 2025
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
SOFTCOVER 96 pages, 21x 13cm Illustrated. ISBN 9789464002201. Ilse D?Hollander studied art in Antwerp and Ghent. The influence of French painter Nicolas de Sta l can still be discerned in her early work, as evidenced by several large gouaches in which greens and reds dominate. Impressions she absorbed on long walks would provide material for her paintings, which can be seen as after- images of her wanderings. The abstract images record her memories of the rolling hills, the still water of the canal, the fruit trees in the orchard. Sketchy, incomplete, not entirely accurate and with few details ? just like memories themselves. Her work can be found in collections such as FRAC Auvergne (Clermont-Ferrand), Museum M (Leuven), Museum Dhondt Dhaene (Sint-Martens-Latem),and M HKA Museum of Contemporary Art (Antwerp). 0 g.