muchnic suzanne (32 Ergebnisse)

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Signed. SIGNED by author. Some age/reading wear. Pages clean.

Zustand: Good.

First Edition. First edition. Softcover. 36 pages. Exhibition catalog for a show that ran July 10 through August 25, 1986. Introduction by Julie Courtney. Essay by Suzanne Muchnic. Interview of Lere by Elaine A King. Includes 7 black and white illustrations and a laid in checklist. A near fine copy in stapled die-cut wrappers.

First Edition. First edition. Softcover. 48 pages. Exhibition catalog for a show that ran September 21 through November 14, 1982 in Palm Springs and then traveled for additional dates. Foreword by Katherine Plake Hough. Essay by Suzanne Muchnic. Includes numerous color and black and white illustrations. A near fine copy in wrappers.

Hardcover. Zustand: Very Good. From the Library of John Russell Taylor.

Zustand: very good. Berkeley: University of California Press. 1998. Orig. cloth binding. Dustjacket.xv, 313 p., [32] p. pl. Ills. Condition : very good copy. ISBN 9780520206434. Keywords : ART, art.

Zustand: Good. 8vo. Hard covers. 313 pp. Very Good, like new with some scuffing on dust jacket.

Soft cover. Zustand: Fine. 1st Edition. Catalog of an exhibition presented at the Los Angeles County Museum of Natural History, Los Angeles, Calif., Feb. 1-Nov. 15, 1986; Baltimore Museum of Art, Baltimore, Md., June 1-Sept. 6, 1987; Hood Museum of Art, Dartmouth College, Hanover, N.H., Oct. 5, 1987-Jan. 3, 1988, and at other locations. Itinerary laid in. Description: 79 pages : illustrations (some color), map ; 31 cm Contents: The eye of the beholder / Valerie Franklin -- Expressions of Cameroon art -- the Franklin collection / Tamara Northern -- The Bangwa queen as documented by Man Ray / Suzanne Muchnic -- Bangwa Royal Society skin-covered helmet mask ; Reaka figures / Jill Salmons.

Wrappers. Zustand: Fine Condition. 144 pages color illustrations throughout. Illustrated wraps. Oblong. Armory Center for the Arts, Pasadena CA Published on the occasion of the exhibition from February 7-April 11, 1999. Artists Biographies. Chronology.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Fine in fine dustwrapper. Illustrated with photographs, color and black and white.

Gebundene Ausgabe. Zustand: Wie neu. 339 Seiten TOPZUSTAND, ungelesen, ohne Gebrauchsspuren Sprache: Englisch Gewicht in Gramm: 726.

Cloth. Zustand: Fine Condition. 144 pages color illustrations throughout. Stiff boards. Published on the occasion of the exhibition from the Louis Stern Fine Arts, West Hollywood, California September 24-December 24, 2011. Exhibition Checklist. Book.

Illustrated Boards. Zustand: Fine. First Edition. 144pp, profusely illustrated in color and b&w. With an exhibition history and collections listing. This is this the beautifully designed and illustrated hardbound catalogue published in conjunction with the 2011 gallery exhibition of abstract works by Karl Benjamin spanning the years 1950 to 1980. The noted late Los Angeles artist was along with John McLaughlin, Frederick Hammersley, and Lorser Feitelson one of the "Four Abstract Classicists" featured in the ground-breaking 1959 Los Angeles County Museum of Art exhibition of the same name. A brand new, most handsome example still in the publisher's shrinkwrap. Artist Monograph.

Berkeley, University of California Press, 1998. 24 x 16 cm. Hardcover with dustjacket. XV, 313 pages. With illustrations in color and b/w. FINE COPY [Art Art / International general [Algemene Internationale Kunst] ].

Zustand: Good. 4to. 36p. Glossy softcover. Good, very minor tearing on front cover corner, very slight creasing around spine. Color prints throughout. From the Collection of the Art Historian Peter Selz (1919-2019).

Hardcover. Zustand: Brand New. 1st edition. 313 pages. 10.00x6.75x1.25 inches. In Stock.

56 pp.; 27.3 x 21.1 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; June/July 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Ed Moses," by Susan C. Larsen; "Monographs on: 'John Eden,' by Frances Colpitt; 'Tom Engel,' by Howard Singerman; 'Dennis Farber,' by Merle Schipper; 'Joe Fay,' by Constance Mallinson; 'Kyoko Asano Foley,' by Constance Mallinson; 'Kathy Halbower,' by Fred Hoffman; 'Gary Hal,' by Suzanne Muchnic; 'Kathy Hall,' by Melinda Wortz; 'Steve Heino,' by Al Aguilar; 'Marc Pally,' by Constance Mallinson; 'Jay Phillips,' by Merle Schipper; 'Jeff Price,' by David S. Rubin; 'Bill Quinn,' by Susan C. Larsen; and 'Don Suggs,' by David S. Rubin;" "Images That Understand Us: A Conversation with David Salle and James Welling," by David Salle; "Paintings by Plagens," by Howard Singerman; "At Last Real Movies: Super-8 Cinema from New York," by Tony Conrad; "Style Is Feeling: Pat O'Neill's Selections," by Norman Yonemoto and "Washington Portraits Sold," by Dr. Lawn Mower. Cover by Ed Moses. Very Good. Dust soiling and yellowing of covers with light foxing and fingerprint soiling. Light handling wear and edge-wear. 4.2 cm. dog-ear totop left corner of verso. Contents clean and unmarked.

55 pp.; 27.6 x 21.2 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; January/February 1979 issue of the periodical "Journal." Edited by Jim Moisan, Debra S. Burchett, and Bridget Reak-Johnson. Contents include: "Why Is That Photographer Working in the Graveyard?" by Dody W. Thompson; "A Conversation with Ed Ruscha," by Trina Mitchum; "Cronies," by Sandra McKee and Karen Jossel; "Mickey," by Norman Klein; "Independent Film," by Sandra Matthews; "On Interviewing," by Susan C. Larsen; "A Critic's Critics," by Suzanne Muchnic; "On the Nature of Abstraction," by James Hayward; "Paul McCarthy," by Barbara Smith and "Rachel Rosenthal," by Jim Moisan. Cover by JoAnn Callis. Fair / Good. Mailed copy with mailing marks and mailing wear and printed address sticker. Yellowing of covers and pages. 3.8 cm. tear to bottom edge of recto with 8.5 cm. area of creasing. 2.2 cm. loss to top right corner of recto and 5 mm. tear to top edge. 2.6 cm. loss to top right corner of first page. Additional light wear to edges and corners of publication, contents otherwise clean and unmarked.

Zustand: Good. 4to. Pages 210-285. Soft Cover. Black and white plates. Very Good, minor rubs to covers.Provenance: Collection of Richard Lorenz (1952-2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.

Zustand: Good. 4to. [24] pp. Soft Cover. Stapled binding. Black and white plates. Very Good, minor rubs to covers.Provenance: Collection of Richard Lorenz (1952-2001), author, art conservator, curator and director of the San Francisco Regional Art Conservation Center. As a trustee of The Imogen Cunningham Trust, Mr. Lorenz organized and curated exhibitions of Cunningham's photographs and authored four major books on the photographer.

Zustand: Good. 8vo. 8 pp. Very Good. Soft Cover. Illustrated paper wraps. Some shelf wear, and rubbing along spine. Stapled binding. Color plates throughout. Extremely Scarce.From the Collection of the Art Historian Peter Selz.

72 pp.; 27.5 x 21.3 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; September/October 1983 issue of Journal. Edited by Cindy Berry. Contents include:"Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T.V. Window?," by Beverly O'Neill; "The Rocket Ship Tree," by John Beach; "Gordon Wagner: Magician and Mythmaker," by Judith Hoffberg "Vortex," by unattributed artists. Cover: William Brice. Reference : "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 271. Very Good / Fine. Very light bumping of top and bottom edges of publication. Additional very light edgewear. Contents clean and unmarked.