Mroz matilda (23 Ergebnisse)

Soft cover. Zustand: As New. 1st Edition. 185 Pagers Illus.

Zustand: New. In English.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp. 272.

Zustand: New. pp. 240.

Zustand: New. 2013. Paperback. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of duration the central tenet in an understanding of cinema and spectatorship. Num Pages: 240 pages. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 233 x 156 x 11. Weight in Grams: 322. . . . . . Books ship from the US and Ireland.…

Zustand: New. 2018. Reprint. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 240 pages. 6.10x9.30x0.60 inches. In Stock.

Paperback. Zustand: Brand New. reprint edition. 272 pages. 9.13x6.06x0.63 inches. In Stock.

Zustand: Very Good.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Neuware - A critical exploration of the human body in Eastern European and Russian filmBringing together a range of theoretical and critical approaches, this edited collection is the first book to examine representations of the body in Eastern European and Russian cinema after the Second World War. Drawing on the history of the region, as well as Western and Eastern scholarship on the body, the book focuses on three areas: the traumatized body, the body as a site of erotic pleasure, and the relationship between the body and history. Critically dissecting the different ideological and aesthetic ways human bodies are framed, The Cinematic Bodies of Eastern Europe and Russia also demonstrates how bodily discourses oscillate between complicity and subversion, and how they shaped individuals and societies both during and after the period of state socialism.Case studies include:- Andrzej Wajda's War Trilogy- Béla Tarr's Satantango- Wiktor Grodecki- Ilya Khrzhanovsky's 4- Györgi Pálfi's Taxidermia- Czechoslovak New Wave- Yugoslav Socialist RealismContributors:- Malgorzata Bugaj, University of Edinburgh and the University of Stirling- Helena Goscilo, Ohio State University- Neboja Jovanovic, Central European University- Hajnal Király, Eötvös Lóránd University- Ewa Mazierska, University of Central Lancashire- Alexandar Mihailovic, Hofstra University- Matilda Mroz, University of Sussex- Dorota Ostrowska, Birkbeck College, University of London- Elzbieta Ostrowska, University of Alberta- Ágnes Petho, Sapientia Hungarian University of Transylvania- David Sorfa, University of Edinburgh- Calum Watt, King's College London- Bruce Williams, William Paterson University.…

Zustand: New. &Uumlber den AutorEwa Mazierska is Professor of Film Studies, at the School of Humanities and Social Sciences, University of Central Lancashire Matilda Mroz is Lecturer in Film Studies at the University of Sussex. She held a Briti.

Zustand: New. The process of aesthetic imaging in time is a unique and fascinating characteristic of cinema. Why, then, has temporality, and specifically duration, received so little attention in theoretical accounts of film experience? This book makes the concept of dur.

Taschenbuch. Zustand: Neu. Neuware - Matilda Mroz argues that cinema provides an ideal opportunity to engage with ideas of temporal flow and change. Temporality, however, remains an underexplored area of film analysis, which frequently discusses images as though they were still rather than moving. This book traces the operation of duration in cinema, and argues that temporality should be a central concern of film scholarship. In close readings of Michelangelo Antonioni's L'Avventura, Andrei Tarkovsky's Mirror, and the ten short films that make up Krzysztof Kieslowski's Decalogue series, Mroz highlights how film analysis must consider both particular moments in cinema which are critically significant, and the way in which such moments interrelate in temporal flux. She explores the concepts of duration and rhythm, resonance and uncertainty, affect, sense and texture, to bring a fresh perspective to film analysis and criticism.Essential reading for students and scholars in Film Studies, this engaging study will also be a valuable resource for critical theorists. …

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This is the first book-length study on the relationship between cinema and the classical elements. It centres on earth, fire, water and air to offer new perspectives on the intersection of film and the nonhuman in a time of climate emergency. Mobilising a range of analytical frameworks, including early film theory, Indigenous epistemologies and environmental sciences, the essays in this collection trace the complex agencies of the elements as they intersect with the material properties of the cinematic image across fiction, animation, documentary and experimental film. In doing so, the book positions elemental cinema as a multifaceted process and experience that might encompass attempts to think with, alongside or even 'like' the elemental, all the while recognising the limitations of our anthropocentric systems of meaning.…

Zustand: New. In English.

Hardcover. Zustand: Brand New. 298 pages. 8.25x5.75x0.75 inches. In Stock.

Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 1st edition. 288 pages. 9.25x6.25x0.75 inches. In Stock.