Mr michael anderson (6 Ergebnisse)

Paperback. Zustand: Brand New. 131 pages. 8.00x5.00x0.30 inches. In Stock. Bennallack Hart, Mr Michael (illustrator).

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 398 pages. 8.00x5.00x0.90 inches. In Stock.

Zustand: New. Alan Baddeley is Professor of Psychology at the University of York, UK. He was awarded a CBE for his contributions to the study of memory and is a Fellow of the Royal Society, the British Academy, the Academy of Medical Sciences, and the.

Zustand: New. Alan Baddeley is Professor of Psychology at the University of York, UK. He was awarded a CBE for his contributions to the study of memory and is a Fellow of the Royal Society, the British Academy, the Academy of Medical Sciences, and the.

[1] pp.; 28 x 21.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Flyer / announcement published to promote events held between 13th and 14th Streets and 6th and 5th Avenues, New York City, on April 18, 1969. Participating artists included Vito Hannibal Acconci, Terence Anderson, Arakawa, Gregory Battcock, Matthew Benedict, Michael Brownstein, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Larry Fagin, Madeline Gins, John Giorno, Bobbi Gormley, Tom Gormley, Dan Graham, Katherine Greef, Stephen Kaltenbach, Joseph Kosuth, Leandro Katz, Alcides Lanzy, Lucy Lippard, Rosemary Mayer, Ben Patterson, John Perreault, Lil Picard, Adrian Piper, H Alexander Roberts, Marjorie Strider, Mr. T., Bernar Venet, Frank Lincoln Viner, Anne Waldman, Lewis Warsh, Luis Wells, Hannah Weiner and Lawrence Weiner. These organized street works can be understood as extensions of both the Pop art Happenings of the earlier 1960s and the street protests taking place in New York City and throughout the country during the 1968 elections, the Civil Rights Movement, and the Vietnam War. Whereas the Pop happenings usually took place in galleries and performance spaces, the street works were unconfined by physically walled-in spaces. Enacted in open environments, comingled with the natural flow of pedestrians, these performances created unlimited possibilities for happenstance with the sidewalk as the stage and the city as backdrop, the inhabitants of New York became active participants with the artists, willingly or not. Fair / Good. Folded in three and two tape stains. Name of recipient on verso in ink. …