morrison karl frederick (13 Ergebnisse)

Paperback. Zustand: Good. A copy that's been read wtih wear and creases.

First Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains well-preserved overall. Physical description; xx, 192p ; 23 cm. Notes; Includes bibliographical references (p. 153-181) and index. Contents; Augustine of Hippo's Confessions -- Herman-Judah's Account -- The Dialogues of Constantine Tsatsos. Subjects; Augustine of Hippo, Saint 354-430. Herman of Scheda active 12th century. Tsatsos, K nstantinos 1899-1987. Herman of Scheda 12th Century. Conversion ; Case studies. Conversion. Christianity. 3 Kg.

gebundene Ausgabe. Zustand: Gut. 297 Seiten; Das Buch befindet sich in einem gut erhaltenen Zustand. Namensvermerk des Vorbesitzers im Vorsatz. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 450.

Hardcover. Zustand: Used-Very Good. Cloth, dj. In acetate. Sunning to jacket spine, extending to top edge of panels. Else fine. A sound copy with clean internals.

Paperback. Zustand: Near Fine. Paperback. 4to. Brown paper wrappers with black title to front wrapper. Light rubbing to front wrapper. Index, 55 pages. PHIL/020711.

Hardcover. Cloth, rubbed dw.

Hardcover. Zustand: Good+. Zustand des Schutzumschlags: No Dust Jacket. 1st Edition (Unstated). 297 pages; Ex-Library copy with usual identifiers. Rubbing (shelf wear) to covers and edges, but minor. No markings on text pages or major defects. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:

Paperback. Zustand: Brand New. 314 pages. 8.00x5.00x0.71 inches. In Stock.

1st edition. Fine cloth copy in a near-fine, very slightly dust-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 246 pp., ill. Subjects; Conversion Christianity. Philosophy & Religion. History To 1500. 3 Kg.

Original publisher's dark-green cloth hardback, gilt title spine, blind-stamped ornamental decoration spine & covers, thick 8vo: [vi], vi, 567pp., [7]pp., 15 lectures Philosophy of Life & 10 lectures Philosophy of Language, table of contents, advertisements publisher [Prospectus of Bohn's Standard Library]. Untrimmed. Volume: Bohn's Standard Library.

orig. cloth. 24x15cm, xxvi,246 pp. Minor wear. Light binding corner bumps. VG., dustwrapper.

orig. cloth. Textual illustrations. (illustrator). 24x16cm, xxvi,262 pp., Name on half-title. Minor wear. Contents: Interpreters of the feast, or a dialogue between ancients and moderns -- History as an art of the imagination -- Cognition and cult -- From one renaissance to the other -- The kingdom of God : a silence of intuition -- The hermeneutic role of women : a silence of comprehension -- Text and time at the court of Eugenius III : a silence of multiplication --Conclusions : a word on "medieval humanism". [" Karl Morrison discusses historical writing at a turning point in European culture: the so-called Renaissance of the twelfth century. Why do texts considered at that time to be masterpieces seem now to be fragmentary and full of contradictions? Morrison maintains that the answer comes from ideas about art. Viewing histories as artifacts made according to the same aesthetic principles as paintings and theater, he shows that twelfth-century authors and audiences found unity not in what the reason read in a text but in what the imagination read into it: they prized visual over verbal imagination and employed a circular, or nuclear, spectator-centered perspective cast aside in the Renaissance of the fourteenth and fifteenth centuries. Twelfth- century writers assimilated and transformed a tradition of the conceptual unity of all the arts and attributed that unity to the fact that art both conceals and discloses. Recovering that tradition, especially the methods and motives of concealment, provides extraordinary insights into twelfth- century ideas about the kingdom of God, the status of women, and the nature of time itself.,." - publisher's description]. Several pages bear lightly-pencilled underlinings. VG., dustwrapper.