Morris william illustrator (19 Ergebnisse)

Paperback. Zustand: Brand New. 40 pages. 10.00x10.00x0.50 inches. In Stock. Morris, William (illustrator).

Paperback. Zustand: Brand New. 40 pages. 10.00x10.00x0.50 inches. In Stock. Morris, William (illustrator).

Paperback. Zustand: Brand New. 30 pages. 6.61x4.80x0.51 inches. In Stock. William Morris (illustrator).

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. Dustjacket has a tiny closed tear at the bottom edge of front cover - see image. ; Both book and dustjacket are in excellent condition. Profusely illustrated with black and white photographs. Tight binding and clean, unmarked interior. ; 4to 11" - 13" tall; 182 pages.…

Softcover. Zustand: Fine. First Edition. Softcover. A charming holiday keepsake sent by printers Kay and Ginny Kramer for the friends of their press. The heartwarming quotation from the great William Morris celebrates the joy of reading and the magic of the season. The wood engraving on the title page was cut by the late wood engraver John DePol in 1988 and is printed here from his original block. This small keepsake has covers in black paper with sparkling gilt and silver "flakes" floating in the night sky. With a cream paper title label to cover. In fine condition. Measures 4.75 x 6.75 inches. 3 pages of text plus title page and colophon. PRI/111523.…

Paperback. Zustand: Brand New. 240 pages. 6.00x0.55x9.00 inches. In Stock. Crane, Walter (illustrator).

175 S., orig. Pappband mit Schutzumschlag ; Text deutsch, englisch und französisch ; zahlreiche Illustrationen ; 31 cm ; sehr guter Zustand .

Hardcover. Zustand: Brand New. 240 pages. 6.00x0.69x9.00 inches. In Stock. Crane, Walter (illustrator).

Softcover. Reprint. Small octavo, 41 pages. In Very Good condition. Bound in brown faux-leather with gilt ornamentation and lettering to the front cover. Covers have mild shelving wear. Textblock uncut, and has mild shelving wear. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #4. 1401564. FP New Rockville Stock. …

gebundene Ausgabe. 175 S. mit Ill. / gutes Exemplar mit Schutzumschlag // Innenarchitektur , Kunsthandwerk, Grafik, angewandte Kunst, Architektur L046 9783822866177 *.* Sprache: Englisch Gewicht in Gramm: 1500.

Leinen. 315 S. Schutzumschlag etw. berieben u. bestaubt // Belletristik SL03 9783424011128 *.* Sprache: Deutsch Gewicht in Gramm: 580.

Pappe. Zustand: Sehr gut. 255 S. : zahlr. Ill. ; 33 cm Zustand: Pappeinband, sehr guter Zustand mit Schutzusmchlg --- Inhalt: Seine eklektische Art machte William Morris (1834-1896) zu einem der eigenwilligsten und einflussreichsten Kunstler des 19. Jahrhunderts. Er war gleichzeitig Maler, Architekt, Dichter, Kunstgewerbler, Ingenieur und Drucker und verstand es, den Federkiel genau so gut handzuhaben wie den Pinsel. Er bruskierte die viktorianische Gesellschaft mit ihrem industriellen Fortschrittsglauben und war keineswegs nur Erneuerer der Kunst und des Handwerks, sondern auch uberzeugter Sozialreformer und Mitbegrunder der sozialistischen Bewegung in England. Sein Lebensstil, seine Zugehorigkeit zu den Praraffaeliten, seine Tapeten- und Stoffentwurfe und seine idealistischen Utopien sind gleichermaen Ausdruck seines Genies. Zusammen mit John Ruskin grundete er die Art-und-Crafts-Bewegung und war damit Wegbereiter fur den Jugendstil- und den Bauhaus-Stil. Arthur Clutton-Brock zeigt uns in diesem meisterhaften Essay ber Morris` knstlerisches und dichterisches Werk die schmale Gratwanderung zwischen Vorstellung und Werk, zwischen Evolution und Revolution. ROT4-35dub ISBN: 9781859956366 Sprache: Deutsch Gewicht in Gramm: 2200. …

Hardcover/Pappeinband. 255 S. Schutzumschlag etw. bestaubt sonst gutes Exemplar // Bildband, Malerei, Grafik, angewandte Kunst L02 9781859956366 *.* Sprache: Deutsch Gewicht in Gramm: 2200.

Zustand: Sehr gut. 128 S. : zahlr. Ill. ; 32 cm Das antiquarische Buch ist wie ungelesen. Der Schutzumschlag weist kaumGebrauchs- oder Lagerspuren auf. Ein Rechnungsbeleg mit ausgew. MwSt. liegt der Lieferung bei. O_5.10 1597640921 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 1010 Pp., mit Original-Schutzumschlag.…

Zustand: Near Fine. First edition hard back binding in publisher's original white vellum over boards, three red silk ties across the front and rear boards blocked in black to the front board, probably designed by Charles Ricketts, top edge gilt. 8vo. 8½'' x 7''. Hand written Number 9 of 50 Limited Edition numbered copies SIGNED by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains 6-(xiv), 60 printed pages of text. In very near Fine condition and housed in red cloth drop front box with clear acrylic glass lid. Light sun fading down the spine of the box. Extremely rare production. Member of the P.B.F.A. POETRY, VERSE & RHYMES.…

Zustand: Very Good. First edition hard back binding in publisher's original ivory cream buckram cloth covers, gilt title and author lettering to the spine, symmetrical Venetian architectural interior design by Charles Ricketts to the upper panel, top edge gilt. Quarto. 9'' x 7''. Hand written Number 12 of 50 Limited Edition Numbered Copies SIGNED by the author to the Limitation Leaf 'Gordon Bottomley'. Produced on Abbey Mills, Greenfield Crown Paper. Contains [xiv] 58 printed pages of text. Superb monochrome relief bookplate belonging to D. R. H. Williams to the front paste down. Light foxing to the end papers and in Very Good condition. Member of the P.B.F.A. POETRY, VERSE & RHYMES.…

Zustand: Near Fine. First Edition. One of 300 paper copies. There were also eight vellum copies. This is one of the most desirable books to be printed at perhaps the most influential and famous of all private presses. A total of 52 books were produced during the several years it was active. In his definitive history of the Kelmscott Press, William Peterson describes this as "the penultimate book printed at the Kelmscott Press and an interesting example of how Cockerell (Sydney, who was the second Secretary of the Press.) was compelled to solve book-design difficulties on his own, as no work had been done before October 1896" (Morris died on October 3 of that year). Peterson continues to write that while the last books printed by the Kelmscott Press did not display a dramatic falling off of quality, they represent a reversion to the simpler of ornamentation of the very earliest Kelmscott books. For this edition, Burne-Jones redrew the full-page woodcut he originally prepared for the earlier print edition about 25 years prior. Frontispiece and full-page woodcut by W. H. Hooper after Edward Burne-Jones, decorative woodcut border to frontispiece and facing first page of contents, further woodcut borders in the text, three-, six-, and eight-line woodcut initials. Text printed in blue, red, and black in Troy type, stage directions mostly in Chaucer type. In the original limp vellum with yapp edges. The spine has title lettered in gilt. All six of the green silk ties are present. Light soiling to spine and covers and covers are a bit splayed. Interior pages are in beautiful condition. Housed in a custom box wiith dark green spine and page edges, with titling and press name in gilt to spine. A near fine copy of this stunning book, one of the two final works to be issued by the press. The other was a A Note by William Morris on his Aims in Founding the Kelmscott Press. Measures 11.5 x 8.25 inches. 90 pages. PRI/041726.…

Zustand: Good. 6 vols. 21 x 27cm.; l., additional vignette titles and 234 wood-engraved plates after A.F.Lydon, all printed in colours by Benjamin Fawcett, tissue guards, some foxing, upper hinge of vol.1 broken, original decorative cloth, gilt, g.e., rubbed.OCLC Number / Unique Identifier:954198864: Title printed in red and blackWith added illustrated t.p.'s printed colorPlates accompanied by guard sheets"B. Fawcett, engraver and printer, Driffield."--Colophon, v. 2-6.Plates engraved on wood and printed by Fawcett after designs by A.F. Lydon. Cf. McLean, p. 19.Date(s) of publication disputed; internal evidence argues against the date range of 1864-1880 provided by Ray for this edition; dates here supplied by McLean.Originally published in parts between ca. 1864 and 1880 under title: The county seats of the noblemen and gentlemen of Great Britain and Ireland. Cf. Morris, M.C.F. Benjamin Fawcett, p. 59.Vol. 1: iv, 90 p., [40] leaves of plates; v. 2: iv, 80 p., [40] leaves of plates; v. 3: iv, 80 p., [40] leaves of plates; v. 4: iv, 82, [40] leaves of plates; v. 5: iv, 80, [40] leaves of plates; v. 6: iv, 88 p., [40] leaves of plates.…

Zustand: Near Fine. Kelmscott Press Edition. Limited edition, one of 300 copies on Perch paper. Bound in publisher's limp vellum with spine lettered in gilt; three brown silk ties. 11.5 x 8.5", 4to. 91pp. 2 full-page illustrations designed by Burne-Jones; ornamental lettering in black and red with blue floriated initials. Near Fine with slight curling, light toning and rubbing to covers, wear at bottom spine end, fraying and wrinkling to silk ties; contents bright. Housed in a custom red cloth slipcase, spine lettered in gilt. An exceptionally beautiful Kelmscott production, this being one of only two books printed by the press in blue. Morris' morality play based on the Welsh Mabinogion was never a commercial success on initial publication in 1873, but regained appeal in the mid-1890's. Lemire A-8.05; A Note by William Morris 52; Franklin, Private Presses p. 193; Peterson A52; Ransom, Kelmscott 52.…