Morris robert douglas (22 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In English.

Zustand: New. In English.

Zustand: New. In English.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

audioCD. Zustand: Brand New. 5.75x4.96x1.06 inches. In Stock.

[52] pp.; 21 x 24 cm.; sewn bound; black-and-white; edition size unkown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with two-part show held March 14 ? May 18, 2014 and May 25 ? August 3. "Other Primary Structures revisited the premise of and built upon the Museum''s seminal 1966 exhibition Primary Structures: Younger American and British Sculptors, the first American museum exhibition to survey the style now known as Minimalism. Primary Structures introduced the public to such artists as Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, and others--figures unknown at the time but soon to become synonymous with a radically new approach to sculpture. Nearly 50 years later, Other Primary Structures revisits this formative moment in art history while also reexamining the period from today''s far more global perspective. "Presented in two parts, the first part of the exhibition titled Others 1, examined work created between 1960 and 1967, while Others 2, on view from May 25 ? August 3, presented work created between 1967 and 1970, some of which was directly influenced by the 1966 Primary Structures exhibition at the Jewish Museum." -- publisher''s statement. This publication includes a faithful reprint of the original 1966 catalogue published in conjunction with show held April 27 - June 12, 1966. Essay by exhibition''s curator Kynaston McShine. Includes works by Carl Andre, David Annesley, Richard Artschwager, Larry Bell, Ronald Bladen, Michael Bolus, Anthony Caro, Tony DeLap, Walter de Maria, Tom Doyle, Dan Flavin, Peter Forakis, Paul Frazier, Judy Gerowitz, Daniel Gorski, David Gray, Robert Grosvenor, David Hall, Douglas Huebler, Donald Judd, Ellsworth Kelly, Phillip King, Lyman Kipp, Gerald Laing, Sol LeWitt, John McCracken, Tina Matkovic, Robert Morris, Forrest Myers, Peter Phillips, Peter Pinchbeck, Salvatore Romano, Tim Scott, Anthony Smith, Robert Smithson, Michael Todd, Anne Truitt, William Tucker, Richard Van Buren, David von Schlegell, Isaac Witkin and Derrick Woodham. A seminal exhibition. Catalogue incorporates statements by many of the participating artists along with bibliographies and biographies. Catalogue design by Elaine Lustig Cohen. The second volume includes text by Jens Hoffmann and excerpts from the transcript of a symposium, "The New Sculpture," held May 2, 1966. Artists include Rasheed Araeen, Sérgio de Camargo, Willys de Castro, Saloua Raouda Choucair, Lygia Clark, Noemí Escandel, Gego, Stanislav Kolíbal, Edward Krasinski, David Lamelas, David Medalla, Hélio Oiticica, Lygia Pape, Alejandro Puente, Norberto Puzzolo, Branko Vlahovic, Oscar Bony, Benni Efrat, Yoshida Katsuro, Stanislav Kolíbal, Susumu Koshimizu, Ivan Kozaric, Amir Nour, Juan Pablo Renzi, Nobuo Sekine, Antonieta Sosa, Juro Takamatsu, and Lee Ufan. Also includes artist biographies. Reference : "Primary Structures : Younger American and British Sculptors" by Kynaston McShine. New York, NY : The Jewish Museum, 1966. New. In publisher's plastic wrap as issued.…

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | The Mountains Behind - Book Three, We Win! is the final, incredible update to the personal journey of Robert Douglas Morris. This is the latest book in the series that has empowered, encouraged and motivated its readers to keep the faith, while overcoming every obstacle along the path to victory! This inspiring conclusion shares more victories over life's challenges, and motivates you to excel, conquer and overcome the battles we all face in the race towards the finish line.…

Zustand: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | The Mountains Behind - Book Three, We Win! is the final, incredible update to the personal journey of Robert Douglas Morris. This is the latest book in the series that has empowered, encouraged and motivated its readers to keep the faith, while overcoming every obstacle along the path to victory! This inspiring conclusion shares more victories over life's challenges, and motivates you to excel, conquer and overcome the battles we all face in the race towards the finish line.…

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 296 | Sprache: Englisch | Produktart: Bücher | The Mountains Behind: Second Edition is an incredible update to the personal journey of Robert Douglas Morris. This second edition contains extraordinary new content that will move you to and through many different emotions, as you experience the struggles and trials of a man who overcame many of the world's obstacles while staying true to himself. You will travel with Robert from the streets of Detroit, Michigan, to such exotic locations such as Athens, Greece, while serving in the US Air Force. You will also experience Robert overcoming trials of another kind here at home. You will definitely be inspired, encouraged, and motivated by reading The Mountains Behind: Second Edition.…

Hardcover. Zustand: Very Good. No Jacket. 2nd Edition. 2nd edition, 1st printing ; xxvi, 903 p. : ill. ; 29 cm. ; ISBN: 0721667945; 9780721667942; National Library: 9216266; 072-16679; b94-10460 LCCN: 92-49115 ; LC: RD558; Dewey: 617.5/74 ; OCLC: 27035976 ; "This comprehensive reference on disorders of the elbow with the most current and authoritative information available, provides information related to elbow pathology and emphasizes diagnosis and surgical technique. Unique to this book is coverage of such surgical techniques as ulnohumeral arthroplasty, failed tennis elbow surgery, medical and lateral collateral ligament reconstruction, and prosthetic replacement of the joint." ; Contents: Embryology; Phylogeny; Anatomy of the elbow joint; Biomechanics of the elbow; Physical examination of the elbow; Functional evaluation of the elbow; Diagnostic radiographic techniques of the elbow; Arthroscopy of the elbow; Evaluation of the painful elbow: the problem elbow; Surgical exposures of the elbow; Continuous axillary brachial plexus catheters; Rehabilitation; Imaging of the pediatric elbow; Congenital abnormalities of the elbow; Supracondylar fractures of the elbow in children; Physeal fractures of the elbow; Fractures of the neck of the radius in children; Osteochondritis dissecans.-- Dislocations of the child's elbow; Ischemia from fractures and injuries about the elbow; Fractures of the distal humerus in the adult; Nonunion and delayed union of distal humeral fractures; Radial head fracture; Fractures of the proximal ulna and olecranon; Nonunion of the olecranon and proximal ulna; Elbow dislocations; Classification and spectrum of elbow instability: recurrent instability; Contractures of the elbow; Post-traumatic stiffness: distraction arthroplasty; Tendon injuries about the elbow; Ectopic ossification about the elbow; Soft tissue coverage of the elbow; Replantation of the elbow; Muscle and tendon trauma: tennis elbow.-- Surgical failure of the tennis elbow; Ulnar nerve injury; Diagnosis and treatment of ulnar collateral ligament injuries in athletes; Lateral collateral ligament injury; Articular injuries in the athlete -- Rehabilitation of the athlete's elbow; Overuse syndrome of the elbow; Interposition arthroplasty of the elbow; Custom arthroplasty and hemiarthroplasty of the elbow; Elbow arthroplasty: indications and implant selection; Resurfacing elbow replacement arthroplasty: rationale, technique, and results; Semiconstrained elbow replacement arthroplasty: rationale, technique, and results; Complications of elbow replacement surgery; Revision of failed total elbow arthroplasty.; Nonimplantation salvage of failed reconstructive procedures of the elbow; Arthrodesis; Flaccid dysfunction of the elbow; Spastic dysfunction of the elbow; Amputation; Rheumatoid arthritis; Nonrheumatoid inflammatory arthritis; Primary degenerative arthritis of the elbow: ulnohumeral arthroplasty; Septic arthritis; Hematologic arthritis; Neurotrophic arthritis; Nerve entrapment syndromes; Pain dysfunction syndrome; Neoplasms of the elbow; Loose bodies; Bursitis; Elbow in metabolic disease.; red cloth, ex-lib, stamps, labels, ownership stamp on title page ; "This text is THE source for orthopedists in the study of elbow problems"--Charles Rockwood ; VG. Book.…

Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 296 | Sprache: Englisch | Produktart: Bücher | The Mountains Behind: Second Edition is an incredible update to the personal journey of Robert Douglas Morris. This second edition contains extraordinary new content that will move you to and through many different emotions, as you experience the struggles and trials of a man who overcame many of the world's obstacles while staying true to himself. You will travel with Robert from the streets of Detroit, Michigan, to such exotic locations such as Athens, Greece, while serving in the US Air Force. You will also experience Robert overcoming trials of another kind here at home. You will definitely be inspired, encouraged, and motivated by reading The Mountains Behind: Second Edition.…

597 pp.; 28.7 x 21.5 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca'' Corner della Regina, Venice, Italy, June 1 ? November 3, 2013. Exhibition was based on the original 1969 show--"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"--held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. The 2013 exhibition, curated by Germano Celant, in dialogue with Thomas Demand and Rem Koolhaas, was a physical reconstruction of the original show transported to a palazzo in Venice. This 2023 catalogue includes texts by Germano Celant, Dieter Roelstraete, Claire Bishop, Piere Bal-Blanc, Francesco Stocchi, Boris Groys, Mary Anne Staniszewski, Charles Esche, Christian Rattemeyer, Anne Rorimer, Jens Hoffmann, Benjamin H.D. Buchloh, Gwen L. Allen, Chus Martínez, Terry Smith, Jan Verwoert, and Glenn Phillips. Artists include Carl Andre, Giovanni Anselmo, Richard Artschwager, Thomas Bang, Jared Bark, Robert Barry, Joseph Beuys, Mel Bochner, Alighiero Boetti, Marinus Boezem, Bill Bollinger, Michael Buthe, Pier Paolo Calzolari, Paul Cotton, Hanne Darboven, Walter de Maria, Jan Dibbets, Ger van Elk, Rafael Ferrer, Barry Flanagan, Ted Glass, Hans Haacke, Michael Heizer, Eva Hesse, Douglas Huebler, Paolo Icaro, Alain Jacquet, Neil Jenney, Stephen Kaltenbach, Jo Ann Kaplan, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, Gary B. Kuehn, Sol LeWitt, Bernd Lohaus, Richard Long, Roelof Louw, Bruce McLean, David Medalla, Mario Merz, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Panamarenko, Pino Pascali, Paul Pechter, Michelangelo Pistoletto, Emilio Prini, Markus Raetz, Allen Ruppersberg, Reiner Ruthenbeck, Robert Ryman, Frederick Lane Sandback, Alan Saret, Sarkis, Jean-Frederic Schnyder, Richard Serra, Robert Smithson, Keith Sonnier, Richard Tuttle, Frank Lincoln Viner, Franz Erhard Walther, William Wegman, Lawrence Weiner, William T. Wiley, Gilberto Zorio, and an interview with Germano Celant. Includes a "Register" (list of works, documents, and objects related to both exhibitions) and a selected bibliography. NEW. As issued in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.…

116 pp.; 21.5 x 28 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. Essays by David Antin, Lizzie Borden, Jack Burnham, John McHale, and Suzanne Delehanty. Includes works by Vito Acconci, Sonia Andrade, Ant Farm, Eleanor Antin, David Askevold, John Baldessari, Lynda Benglis, Jim Byrne, Pierpaolo Calzolari, Colin Campbell, Peter Campus, Giuseppe Chiari, Fernando França Cocchiarale, Andrea Daninos, Douglas Davis, Antonio Dias, Juan Downey, Ed Emshwiller, Valie Export, Terry Fox, Howard Fried, Seiichi Fujii, Anna Bella Geiger, Michael Geissler and Video Audio Mediem, General Idea, Frank Gillette, Dan Graham, Sakumi Hagiwara, Martha Haslanger, Michael Hayden, K.H. Hödicke, Nancy Holt, Rebecca Horn, Mako Idemitsu, Taka Iimura, Joan Jonas, Allan Kaprow, Nobuhiro Kawanaka, Hakudo Kobayashi, Masao Komura, Beryl Korot, Paul Kos, Ernie Kovacs, Shigeko Kubota, Richard Landry, Les Levine, Alvin Lucier, Urs Lüthi, Ivens Olinto Machado, Andy Mann, Toshio Matsumoto, Kyoto Michishita, Robert Morris, Philip Morton, Fujiko Nakaya, Bruce Nauman, Dennis Oppenheim, Jean Otth, Nam June Paik, Giulio Paolini, Ulrike Rosenbach, Reiner Ruthenbeck, Daniel Sandin, Ira Schneider, Eric Siegel, Richard Serra, Nina Sobel, Keith Sonnier, Lisa Stelle, Skip Sweeney, Telethon, Top Value Television, Steina and Woody Vasulka, Bill Viola, Wolf Vostell, Morihiro Wada, Andy Warhol, William Wegman, Peter Weibel, Katsuhiro Yamaguchi, Keigo Yamamoto, and twenty-two broadcast commercials. Includes exhibition checklist and a selected bibliography. Good. Light bumping to top and bottom right corners of publication. Rubbing of cover edges. 1 cm. tear to bottom edge of recto with adjacent 6.5 cm. crease. Light yellow foxing to title page with yellowing of inside of recto. 1 mm. mark on the table of contents and on page 116. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.…

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "All Around Esthetes: Jeffrey Slonim Canvases Fear," by Jeffrey Slonim; "American Myths: J. Hoberman on 'Jaws(n),'" by J. Hoberman; "Gadget Love: Vincent Leo on 'Full Disclosure,'" by Vincent Leo; "Books: Robert Farris Thompson on 'Thornton Dial: Image of the Tiger,'" by Robert Farris Thompson; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Sean Sucks. Not: The Très Boring Hours," by Andrew Hultkrans; "Sean Sucks. Not: SWM," by Lorraine O'Grady; "Sean Sucks. Not: Portrait of the Young Artist as a Young Artist," by Jan Avgikos; "Act Out, Turn Off," by Donald Kuspit; "Act Out, Turn On," by Laurence A. Rickels; "Man Trouble: Introduction," by Maurice Berger; "Man Trouble: Aphrodite of the Future," by Simon Watney; ""Man Trouble: His Infinite Variety," by Herbert Sussman; "'My' Masculinity," by Wayne Koestenbaum; "Man Trouble: Lines of Flight," by Todd Haynes; "Man Trouble: Fear of a Black Penis," by Kobena Mercer; "Man Trouble: A Clown's Coat," by Maurice Berger; "James Rosenquist: F-111," by Douglas Coupland; "Golden Memories," W.J.T. Mitchell talks with Robert Morris; "Openings: Keith Mayerson," by Lane Relyea. Reviews by Donald Kuspit, Jan Avgikos, Andrew Perchuk, Joshua Decter, Thomas McEvilley, Thad Ziolkowski, Barry Schwabsky, Keith Seward, Justin Spring, Patricia C. Phillips, Linda Yablonsky, RoseLee Goldberg, Laura U. Marks, Eileen Neff, James Yood, Maria Porges, Rosetta Brooks, Amelia Jones, John K. Grande, Carlos Basualdo, José Luis Brea, Anaxtu Zabalbeascoa, Mario Codognato, Francesca Pasini, Miriam Rosen, Anne Dagbert, Claudia Jolles, Christian Kravagna, Justin Hoffmann, Noemi Smolik, and Michael Archer. Cover: Sean Landers.…

248 pp.; 27.5 x 23 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held November 22, 1989 - February 18, 1990. Preface by Suzanne Pagé. Essays by Claude Gintz, Benjamin H.D. Buchloh, Charles Harrison, Gabriele Guercio, and Seth Siegelaub. Includes bibliography. Illustrated in black-and-white. First edition includes text, in English, by Joseph Kosuth in response to Buchloh's essay printed on sticker and affixed to page 54. Artists include: Art & Language, Michael Asher, John Baldessari, Robert Barry, Mel Bochner, Alighiero e Boetti, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Andre Cadere, Hanne Darboven, Jan Dibbets, Marcel Duchamp, Dan Flavin, Dan Graham, Hans Haacke, Eva Hesse, Douglas Huebler, Jasper Johns, On Kawara, Yves Klein, Joseph Kosuth, Sol LeWitt, Piero Manzoni, Robert Morris, Bruce Nauman, Claes Oldenburg, Roman Opalka, Adrian Piper, Robert Rauschenberg, Edward Ruscha, Robert Smithson, Bernar Venet, Lawrence Weiner, Ian Wilson, and Art & Project. Texts in English and French. Good. Bumping of corners and cover edges with adjacent creasing. Yellowing and dust soiling of covers with additional 4.2 cm. area of soiling to verso. Light bumping of page corners. Contents clean and unmarked. Includes "compliments of" card from the Musée d'Art Moderne de la Ville de Paris, in French. This copy includes the tipped-in text by Joseph Kosuth, "Joseph Kosuth Responds to Benjamin Buchloh" [in English], affixed to page 54. Due to large size and weight additional shipping charges will be required for international orders.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good. 5 mm. tear to spine edge. Four small tears at edges of staple binding. 2 mm. and 1 mm. tear to top edge of recto and chipping along top edge of verso. Light yellowing of covers and pages. Contents clean and unmarked.…

48 pp.; 26 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. Lippard; "The Chorus Line: Role, Style, Media," by Walter Robinson; "Dance: Orderly Pleasures," by John Howell; "Notes on 'Painter/Patient' Performance (Not Realized): Paris, July-August, 1975," by Diego Cortez and "Charlemagne Palestine." Cover: Joseph Beuys. References : No. 372 in "Joseph Beuys : The Multiples" by Jörg Schellmann, Dierk Stemmler, Joan Rothfuss, Peter Nisbet. Munich-New York / Cambride / Minneapolis, Germany / MA / MN : Edition Schellmann / Busch-Reisinger Museum, Harvard University / Walker Art Center, 1997, 2006, pp. 297, 477. "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 239. Very Good / Fine. 5 mm. tear with creasing to top left corner of recto. 2.9 cm. tear to spine edge of recto. 3.6 cm. dog-ear to bottom left corner of verso with light 1 cm. dog-ear to bottom right corner of most pages. Contents clean and unmarked.…

Hardcover. Zustand: Good. No Jacket. 2nd Edition. xi, 356 pages : illustrations ; 29 cm ; LCCN: 41-10057 ; LC: NK2230; Dewey: 749 ; OCLC: 813523 ; "Revised, February, 1941" ; dull orange cloth with brown lettering ; no dustjacket ; Contents: Part I. The development of decoration. Introductory ; Italy ; Spain ; France ; France: after Louis XIV ; England ; England : the age of walnut ; England : the age of mahogany ; England : the age of satinwood ; The nineteenth century ; Early American ; The Federal Period and after ; The twentieth century ; Contemporary design -- Part II. The elements of decoration. Materials of decoration ; Fabrics ; Wall coverings ; Floor coverings ; Decorative objects ; Color ; Lighting ; Windows and window treatment ; Furniture and how to buy it -- Part III. The principles of decoration. Room planning and arrangement ; Rooms ; Seasonal change. ; numerous black and white plates ; drawings ; each architect, designer and photographer is indicated, and includes work by Alexander H Girard, Bassett & Vollum, Ruth Campbell Bigelow, Richard Averill Smith, F S Lincoln, Sarah Hunter Kelly, Hubert Robert, Douglas Sommerville, M Therese Bonney, Nancy McClelland, Mattie Edwards Hewitt, Arthur S Vernay, H Leo Gould, William Helburn, Katherine Park Studdiford, Paul J Woolf, Ralph Steiner, Joseph Mullen, Felix Augenfeld, Richard Garrison, Gilbert Rohde, William Lescaze, Paul Bry, William Muschenheim, Joseph Allen Stein, Calvert Coggeshall, John Funk, Richard Neutra, Alvar Aalto, Edward Stone, Dan Cooper, Roy Barley, Kurt Schelling, Frank Randt, Ida Webster, Lucille Schlimme, Margery Sill Wickware, Edna Kern, Harrie Lindeberg, Tommi Parzinger, William Lescaze, Morris Sanders, James F Eppenstein, Virginia Conner, Gottscho, Paul MacAlister, Harwell Hamilton Harris, Harold Costair, Verna Cook Solomonsky, Ethel A Reeve, Van Anda, Evans Moore, Robsjohn-Gibbings, Sylvia Holt, Paul Laszlo, Fred R Dapprich, and Drix Duryea ; great industrial and interior photography; also features 1930's and 1940's art deco, 1950's populux and madcap designs ; sunned , name on front endpaper ; foxing, spot on cover ; else G. Book. …

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.…

240 pp.; 22.5 x 20.5 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed "This book does not aim at being an objective and general analysis of the phenomenon of art or life, but is rather an attempt to flank (both art and life) as accomplices of the changes and attitudes in the development of their daily becoming. This book does not attempt to be objective since the awareness of objectivity is false consciousness. The book, made up of photographs and written documents, bases its critical and editorial assumptions on the knowledge that criticism and iconographic documents give limited vision and partial perception of artistic work. The book, when it reproduces the documents of artistic work, refutes the linguistic mediation of photography. The book, even though it wants to avoid the logic of consumption, is a consumer's item. . This book produces a collection of already old material. . In this book there is no need to reflect in order to seek a unitary and reassuring value, immediately refuted by the the authors themselves, rather there is the necessity to look into it for the changes, limits, precariousness and instability of artistic work." -- text from Celant's introduction "Stating That." Includes artists Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. Text in Italian. Fair / Good. Two 3 cm. tears to upper spine edge. Moderate rubbing and light yellowing of covers. Moderate Foxing on inside front and back covers and scattered throughout the interior. Name of previous owner in ink on first free inside page. 1 cm. dog ear to corner of folded interior of back cover.…

[350] pp.; 27.8 x 21 cm.; glue bound; black-and-white; edition size 1000; unsigned and unnumbered; offset-printed Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site-specific project for the publication. The resulting projects were among the most important ever printed by these artists Carl Andre, Robert Barry, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, and Lawrence Weiner. When going to press Siegelaub discovered that xeroxes would be more expensive than traditional offset lithography so the xeroxing was forgone for reasons of expense, however, the name of the intended publication lives on. References : "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Book as Artwork 1960 / 1972" by Germano Celant. London, United Kingdom : Nigel Greenwood Inc. Ltd., 1972, pp. 67. "Artists' Books : The Book as a Work of Art, 1963 - 1995" by Stephen Bury. Hants, United Kingdom : Scolar Press, 1995, pp. 47. "Esthétique du Livre d'Artiste 1960 / 1980" by Anne Moeglin-Delcroix. Paris, France : Jean-Michel Place / Bibliothèque Nationale de France, 1997, pp. 171, 240, and 250. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 123, 128. No. V3 in "Robert Morris : Estampes et Multiples, 1952 - 1998, Catalogue Raisonné" by Robert Morris, Christophe Cherix, Rainer Michael Mason, Valérie Mavridorakis, Hans Ulrich Obrist. Geneva, Switzerland : Cabinet des Estampes du Musée d'Art et d'Histoire, 1999, pp. 128. "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 152-153. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 116-123. Good. Yellowing of covers along spine and along top and bottom edges, 9 mm. tear to surface of top right corner of recto, rubbing of spine, and bumping of verso corners. Tears to protective mylar dust jacket. Acidic clear tape used to attach to covers has yellowed: 2.1 cm. stain to inside of recto, 2.7 cm. stains to first page, 1.7 cm. stain to inside of verso, and 2 cm. stain to last page. Light yellowing of page edges. Binding adhesive has yellowed and is visible at top and bottom of spine edge and along edge of first page. Contents otherwise clean and unmarked. Due to size and weight additional shipping charges may be required for international orders.…