Morgan fleming (13 Ergebnisse)

Zustand: New. In English. Fleming, Morgan (illustrator).

Hardback. Zustand: Good. Building Performance Research Unit - School of Architecture, University of Strathclyde. DJ; Heavy; Owner's Name inside.

Taschenbuch. Zustand: Neu. Neuware - Hailing from Frederick, Maryland is child author Frederick 'Morgan' Fleming!From his mind he created an amazing comic using the stick figure style.His drive to create his own books is something inspiring to young children to know that they too can be an author!Check out his comic now and support children making their dreams come true. Fleming, Morgan (illustrator).…

Paperback. Zustand: Brand New. 1st edition. 64 pages. 10.40x8.20x0.40 inches. In Stock.

Audio CD. Zustand: Sehr gut. Hülle mit kleinen Gebrauchspuren , CD wie neu OM202F2 Sprache: Englisch Gewicht in Gramm: 505.

Paperback. Zustand: Brand New. 370 pages. 10.00x7.00x0.79 inches. In Stock.

Sheet Music. Zustand: Good. First Edition. Nice cover photo of Sylvia. 4 pages. Moderate wear. A sound vintage copy. Size: 4to - over 9¾" - 12" tall.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden. …

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. Reviews by Richard Flood, Thomas Lawson, Ronny H. Cohen, Carrie Rickey, Colin L. Westerbeck, Jr., Shelley Rice, Jayne Merkel, Martha Fleming, Stuart Morgan, Annelie Pohlen, Mickey Piller, Paul Groot. Cover: Raimund Abraham. …

Two vintage reference photograph from the 1942 film. Annotations in manuscript ink and pencil on the versos, and one with a MGM stamp to same. Based on John Steinbeck's 1935 novel, about a poor Mexican American who unexpectedly inherits two homes in California, leading to tension and resentment among his impoverished friends. 10 x 8 inches. Near Fine.…

Two vintage reference photograph from the 1942 film. Annotations in manuscript ink and pencil on the versos. Based on John Steinbeck's 1935 novel, about a poor Mexican American who unexpectedly inherits two homes in California, leading to tension and resentment among his impoverished friends. 10 x 8 inches. Very Good plus.…

First edition, first printing of this classic work in L. Frank Baumâs celebrated Oz series, the last of the series to appear during Baumâs lifetime, as he passed away shortly before its release in 1919. First printing with the verso of the ownership page listing Baum titles through The Tin Woodman of Oz. Octavo, original publisher's full lime green cloth with pictorial label affixed to front board, spine stamped in black with "Reilly" of the publisher's imprint measuring 7/8 in., black-and-white pictorial endpapers, illustrated with frontispiece and 9 colored plates by John R. Neill. Signed by seven leading cast members from The Wizard of Oz (1939) film Judy Garland (1922-1969), Billie Burke (1884-1970), Ray Bolger (1904-1987), Frank Morgan (1890-1949), Bert Lahr (1895-1967), Margaret Hamilton (1902-1985), Jack Haley (1897-1979), and director Victor Fleming (1889-1949), additionally inscribed by Fleming on frontispiece verso. The 1939 film adaptation The Wizard of Oz, directed by Victor Fleming and produced by Metro-Goldwyn-Mayer, was revolutionary in its visual and technical achievements. While it was not the first color film, it was among the earliest and most influential to use Technicolor as a deliberate artistic device rather than a novelty. The dramatic shift from the sepia-toned realism of Kansas to the vibrant, multicolored world of Oz symbolized Dorothyâs passage from ordinary life into the realm of imagination and self-discovery. This use of color served both aesthetic and thematic purposes, illustrating the emotional and psychological contrasts between confinement and freedom. The filmâs combination of groundbreaking visuals, memorable music, and universal moral lessons elevated it beyond a childrenâs fantasy, turning it into a defining moment in cinematic history. The Wizard of Oz thus demonstrated how emerging technologies could be harnessed to deepen narrative meaning and create enduring cultural myths. In very good condition, lacking plates opposite pp. 48 & 236 (though it seems they were never inserted to begin with). Housed in a custom full morocco clamshell box by Asprey with pictorial morocco onlays. An exceptional example, rare and desirable signed by seven members of the groundbreaking cinematic masterpiece including Judy Garland. The Magic of Oz held a crucial place in the development of Baumâs imaginative universe, as it extended the themes and moral lessons that had characterized his earlier works. The novel portrayed a maturing vision of Oz, where the balance between innocence and corruption, power and responsibility, became increasingly complex. The story followed the young boy Kiki Aru, who discovered a magical word capable of transforming beings, and whose misuse of that power threatened the harmony of the Emerald City. Through the intervention of established figures such as Dorothy, Glinda, and the Wizard, Baum emphasized the redemptive power of community, empathy, and moral integrity. Written in lucid yet symbolically rich prose, the book reflected Baumâs persistent idealismâ"the belief that wisdom and cooperation could preserve a just society. Thus, The Magic of Oz functioned not only as a continuation of his fantasy world but also as a meditation on human nature and ethical order within a utopian framework.…

Three vintage contact sheets from the 1958 film, each containing twelve images. Two contact sheets with layout annotations in blue manuscript wax pencil to five images. Based on the unpublished story "Queen of the Universe" by Ben Hecht. Sci-fi comedy portraying an epic battle of the sexes. Talleah (Zsa Zsa Gabor) is from the planet Venus, assigned to destroy four Earth men at the behest of her queen, Yilana (Laurie Mitchell), who secretly yearns for interstellar peace. Sets, costumes, and special effects borrowed from "Forbidden Planet" (1956), "Flight to Mars" (1951), and "World Without End" (1956). 8 x 10 inches. Light edgewear, else Near Fine.…