morellet charles (11 Ergebnisse)

Couverture souple. Zustand: Moyen. Ermite, 1949. 1 volume broché(s) format In-12 acceptable couverture état d'usage, papier jauni.

Brochure de M. Morier (14 pages) en photocopie. Préface de C. Jamet. Avant-propos de C. Chautemps. Dessins de F. Morellet. Broché. 219 + 14 pages.

Paris, Les Editions de l'Ermite, 1949. Coll. "Témoins et Témoignages". In-12 broché, 219 p. Avant-propos de Camille Chautemps. Préface de Claude Jamet. Dessins de François Morellet, fils de l'auteur. 4 p. de lettres en fac-similé in fine. Procès-verbal. Bon état.Exemplaire Service de presse.

Couverture souple. Zustand: Assez bon. Chalons . Imp. de l'Union Républicaine . Vers 1916 . Broché in-8 de 65 pages . SANS la couverture .

Couverture souple. Zustand: bon. R240148567: 1949. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos plié, Papier jauni. 217 pages augmentées de quelques illustrations en noir et blanc hors texte. Coiffes abîmées. Couverture légèrement pliée et déchirée. . . . Classification Dewey : 235-Les saints.

Couverture souple. Zustand: bon. ROD0031256: 1959. In-12. Broché. Etat d'usage, Couv. convenable, Dos frotté, Intérieur bon état. 217p. Nombreuses planches de gravures hors texte. Envoi de l'auteur. Bords frottés. . . . Classification Dewey : 97.2-Dédicace, envoi.

Couverture souple. Zustand: bon. RO20269007: 1949. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Papier jauni. environ 217 pages - Pages non coupées - quelques planches illustrées en noir/blanc (dessins, photos, fac simile) - 2 bandeaux d'editeurs (abîmés) inclus. . . . Classification Dewey : 840.091-XX ème siècle.

Couverture souple. Zustand: bon. R240133431: 1949. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Non coupé. 217 pages - quelques dessins en noir et blanc dans et hors texte. . . . Classification Dewey : 235-Les saints.

Bon état. Paris. 12 cm x 18 5 cm. 1949. Brochés. 217 pages. Paris Éditions de l'Ermite 1949 . Broché 12 cm x 18 5 cm 217 pages illustrations noir & blanc in et hors-texte photos noir & blanc hors-texte. Texte de Charles Morellet avant-propos de Camille Chautemps préface de Claude Jamet illustrations de François Morelet bel envoi de l'auteur. Bon état. Bon état.

Hardcover. Zustand: Fine. Book. 421 x 303mm. A complete set of six volumes (1988-1991) of this richly illustrated, portfolio periodical with each issue's title letterpress printed on the front cover, together with different coloured end papers. The colophon is printed in a grey, red and black constructivist design on white stock across all volumes. Each volume was published in a limited edition of one hundred and fifty copies, except for Number 2, which was produced in an edition of 120 numbered copies, and Number 3 is not numbered. Blank Page was a biannual portfolio publication, designed and edited by Philip Dobree, with Adrian Self acting as literary editor. It is notable for its display of original works of pure abstraction (many signed and numbered), with critical texts interspersed throughout by significant theorists, writers and designers - these essays have been designed with a strict red and black constructivist aesthetic in mind, continuing the graphic style that unites all volumes. For example, in Volume 4, a cut-out black and white image by Douglas Allsop has been embedded with Geoff Bennington's text, "Not One". Presented as original multiples, the works featured include: lithographs; screen prints; relief prints; woodcuts; collages, etc. Volume 6, the final publication, is particularly rich in its gathering of many leading practitioners of pure abstraction, such as Charles Biederman, Cesar Domela, Anthony Hill, Michael Kidner, Francois Morellet and George Rickey. Taken individually, and as a collective series, Blank Page provides an impressive and extensive survey of the plastic arts and European constructivist design made during the period of its publication. Each portfolio performs like a mini, self-contained exhibition, with contributions by: Number One (unnumbered on cover, gold on green): Selima Hill, Michael Symmons Roberts, David Powell, Alan Bold, Patricia Conolly, Nicholas Rawson, A. R. Lamb, Norman MacAffee, Douglas Allsop, Matthew Tyson, Teal Trigs, Francesca Lowery, Childe Roland, Volker Strater, Matteo Adinolfi, Marco Bettoni, and Josephine Pryde. Number Two (red gilt on black): Jean Jacques Bauweraerts, Andrej Dluzniewski, Dre Devens, Ernest Edmonds, Heinz Gappmayr, Heinz Gruchot, Jean Pierre Husquinet, Michel Jouet, Fre Ligen, Jean Pierre Maury, Peter Meyer, Martine Meunier, Manfred Mohr, Tadeusz Myslowski, Nausica Pastra, Sigurd Rompza, Stefan Themerson, Dirk Verhaegen, and Steven Wheeler. Number Three (blue on light grey) : Juan Agudelo, Nubia Arcia, Bosco Centeno, Jonny Chavarria, Elvis Chavarria, Ivan Guevara, Donald Guevara, Pedro Pablo Meneses, Felipe Pena, Olivia Silva, Charles Bezie, John Carter, Gottfried Honneger, James Juszczyk, Claude Pasquer, Yves Popet, Nico W. Pot, Perry Roberts, David Saunders, Francisco Soto Mesa, Jaak Vuylsteke, and Elizabeth Willmoth. Number Four (black on brown): Andrew Benjamin, Geoff Bennington, Jean-Francois Lyotard, Stephen Melville, Timothy Murray, Peter Osborne, Douglas Allsop, Richard Bell, Marian Bruce, Tam Giles, John Goodyear, Rity Jansen Heijtmeijer, James Hugonin, Ray Masters, Dora Maurer, David Rubello, Albert Rubens, Clifford Singer, G. R. Thomson, Ian Tyson, and Opy Zouni. Number Five (red on orange): Dietrich Mahlow, Mirella Bentivolgio, Peter Downsborough, Heinz Gappmayer, Pierre Garnier, Ilse Garnier, Bohumila Grogerova, Josef Hirsal, Wilfred Huet, Angelika Janz, Arrigo Lora- Totino, Ann Noel, Mari Orensanz, Andrzej Partum, Jadwiga Przbylak & Janusz Bakowsky, Eino Ruutsalo, Takahashi Shohachiro, Yves de Smet, Grzegorz Sztabinski, Bernar Villiers, and Emmett Williams. Number Six (yellow on red): Stephen Bann, Andrew Benjamin, Andrew Wilson, Marcel Baugniet, Charles Biederman, Cesar Domela, Marcel Floris, Anthony Hill, Gottfried Honegger, Michael Kidner, Max Mahlmann, Francois Morellet, Aurelie NemNemours, Gudrun Piper, George Rickey, Michel Seuphor, and Anton Stankowski.

Chez l'Auteur 1956. In-12 cartonnage éditeur de 154 pages au format 11 x 14. Couverture décorée avec titre imprimé. Dos rond. Plats et intérieur frais. Préface d'Alexandre Breffort. Savoureux pastiches des Fables de La Fontaine. Superbe état de fraicheur. Rare édition originale.