moore olive (26 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Very good hardcover. No dust jacket. Text is clean and unmarked. Covers show very minor shelf wear. Bindings tight, hinges strong. Previous owner's name on front and back cover.; 100% Satisfaction Guaranteed! Ships same or next business day!

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. reprint edition. 133 pages. 8.75x5.50x0.50 inches. In Stock.

Zustand: New. In English.

Zustand: New. 1996. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Brand New. 25 pages. 8.50x0.06x8.50 inches. In Stock.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. KlappentextDalkey Archive Press first introduced readers to this best-kept secret of British literature with the hardback Collected Writings of Olive Moore in 1992. Spleen, the best of the author s three novels, tells the disturbing st.

Taschenbuch. Zustand: Neu. Neuware - Dalkey Archive Press first introduced readers to this 'best-kept secret' of British literature with the hardback Collected Writings of Olive Moore in 1992. Spleen, the best of the author's three novels, tells the disturbing story of a woman who goes into self-imposed exile to an island off the coast of Italy after giving birth to a deformed child. Filled with self-reproach and guilt about her son and her life (having yearned to give birth to something 'new and rare', she blames herself for her son's deformity), Ruth broods on what it means to be a woman ('nature's oven for nature's bun') and the inequalities between the sexes. Filled with the colors and beauty of the Italian countryside and in a style similar to Virginia Woolf's, Spleen challenges the assumption that women can't help but be tender and maternal, that their heads are only 'ever-enlarging hearts'.

Zustand: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.

Taschenbuch. Zustand: Neu. Neuware - The book was inspired by a dream I had 30 years ago.

Zustand: New.

Zustand: New. KlappentextrnrnBusiness ethics studies the moral and ethical problems that arise in a professional setting. It also examines the moral values and standards that govern the conduct of individuals and organizations. Its implementation is subject t.

Buch. Zustand: Neu. Neuware - Business ethics studies the moral and ethical problems that arise in a professional setting. It also examines the moral values and standards that govern the conduct of individuals and organizations. Its implementation is subject to the presence of a framework of corporate policies, sustainability initiatives and the appointment of ethics officers. It can be applied in a functional capacity in the domains of finance, human resource management, production, sales and marketing and intellectual property, among others. Organizational ethics refers to the way an organization responds to an external or internal stimulus. A code of organizational ethics serves to guide and unite an organization in all its policies, programs and decisions. The creation of an ethical culture in an organizational space is subject to the drafting of an ethical code of standards, training, availability of ethical counsel and reporting systems that are confidential. This book is a valuable compilation of topics, ranging from the basic to the most complex theories and principles in the field of business and organizational ethics. It explores all the important aspects of this field in the present day scenario. This textbook, with its detailed analyses and data, will prove immensely beneficial to professionals and students involved in this area at various levels.

Hardcover. Zustand: Fine. 1st Edition. 34 Pp. Bound In Thin Wood Boards, Gray Paper Spine Label And Endpapers, Printed In Black On Gray Paperfine In Oversize Clear Glassine Dust Jacket. Per Wikipedia, Miriam Constance Beaumont-Vaughan (1901-1979), Better Known By Her Pseudonym Olive Moore, Was A Modernist English Writer Best Known For Three Well-Esteemed Novels: Celestial Seraglio (1929), Spleen (1930), And Fugue (1932), And For The Acerbic Essay Collection The Apple Is Bitten Again (1934). She Also Produced An Essay On D.H. Lawrence, Entitled Further Reflections On The Death Of A Porcupine, Which Was Privately Printed In 1933 And Included In Her Essay Collection. Her Collected Writings Was Published In 1992. Born In Hereford, Moore Was Acquainted With The Bloomsbury Literary Circles In London During Her Prolific Years, And With The Poet Hugh Mcdiarmid And The Radical London Bookseller And Publisher Charles Lahr. She Briefly Worked For The Daily Sketch. In The Early 1920'S, She Married The Sculptor Sava Botzaris (1894-1965). Otherwise, Little Is Known About Her Life, Beyond A Brief Autobiographic Sketch In 1933. Moore Claimed To Be Working On A Novel Entitled Amazon And Hero: The Drama Of The Greek War For Independence, Which Was Never Published. Due To Her Rapid Disappearance From The London Literary Scene, The Date And Location Of Her Death Remain Unknown, Though She Is Believed To Have Died Around 1970. Moore Has Been Termed "A Cross Between Virginia Woolf And Djuna Barnes, But With A More Biting Wit." Her Novels Make Free Use Of Modernist Techniques Such As Stream Of Consciousness In Their Frank Dealings With Issues Of Sexuality And Disability. Though Considered A Highly Talented Experimental Writer, Moore's Disappearance (And The Rarity Of Published Versions Of Her Texts Until The Mid-1990'S) Has Led To A Relative Critical Neglect Of Her Work, Until Recently.

Hardcover. Zustand: Very Good +. Zustand des Schutzumschlags: Very Good. First American Edition. 314 Pp. Black Cloth. Stated First Edition. Very Good + In Very Good Silvery (Probably Aluminum-Coated) Dj Priced $2.00; Small Name/Address Label And Signature Of Olga Poulsen. Per Wikipedia, Miriam Constance Beaumont-Vaughan (1901-1979), Better Known By Her Pseudonym Olive Moore, Was A Modernist English Writer Best Known For Three Well-Esteemed Novels: Celestial Seraglio (1929), Spleen (1930), And Fugue (1932), And For The Acerbic Essay Collection The Apple Is Bitten Again (1934). She Also Produced An Essay On D.H. Lawrence, Entitled Further Reflections On The Death Of A Porcupine, Which Was Privately Printed In 1933 And Included In Her Essay Collection. Her Collected Writings Was Published In 1992. Born In Hereford, Moore Was Acquainted With The Bloomsbury Literary Circles In London During Her Prolific Years, And With The Poet Hugh Mcdiarmid And The Radical London Bookseller And Publisher Charles Lahr. She Briefly Worked For The Daily Sketch. In The Early 1920'S, She Married The Sculptor Sava Botzaris (1894-1965). Otherwise, Little Is Known About Her Life, Beyond A Brief Autobiographic Sketch In 1933. Moore Claimed To Be Working On A Novel Entitled Amazon And Hero: The Drama Of The Greek War For Independence, Which Was Never Published. Due To Her Rapid Disappearance From The London Literary Scene, The Date And Location Of Her Death Remain Unknown, Though She Is Believed To Have Died Around 1970. Moore Has Been Termed "A Cross Between Virginia Woolf And Djuna Barnes, But With A More Biting Wit." Her Novels Make Free Use Of Modernist Techniques Such As Stream Of Consciousness In Their Frank Dealings With Issues Of Sexuality And Disability. Though Considered A Highly Talented Experimental Writer, Moore's Disappearance (And The Rarity Of Published Versions Of Her Texts Until The Mid-1990'S) Has Led To A Relative Critical Neglect Of Her Work, Until Recently. This Novel Is Quite Scarce; Worldcat Reports Only 10 Institutional Copies. Very Good + In Very Good Silvery (Probably Aluminum-Coated) Dj Priced $2.00; Small Name/Address Label And Signature Of Olga Poulsen.

Hard Cover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Moore, Mona (illustrator). First Edition. 8vo., 128 pp. top edge rouge, foredge lightly browned with a few light foxing spots, very good in original red cloth with black titles, light shelfwear, very good in original price clipped dustwrapper with original publishers price sticker (5/-), light shelf wear, very good Size: 8vo - over 7¾" - 9¾" Tall.

Zustand: Good. Original stapled illustrated souvenir theatre programme 10'' x 7''. 12 printed pages with monochrome photographs of the main characters. In Good condition with a little soiling to the covers and a couple of small tears to the edges. Member of the P.B.F.A. THEATRE PROGRAMMES.

Hardcover. Zustand: Near Very Good. Limited Edition. Limited to 99 numbered signed copies. Book measures 26x20.5.cm. illustrated frontis, 34pp. Bound in original publishers wood-effect patterned paper boards, paper title label. Boards rubbed, wear loss on corners edges. Generally binding in good condition. Internally, pages clean. A good clean copy. Size: Quarto. Signed by Author.

Hardcover. Zustand: Good+. 1st Edition. 207 pages in good condition. Pages are clean and unmarked. Black and white frontispiece. Two slips of paper from the Boots library are attached to the book, an information sheet on the dedication page and a withdrawal sheet on the bpdep. A stain on the bfep. Page edges are darkened and marked. Quarterbound in grey cloth and marbled paper with green titles on the spine. Heavy wear around the edges and corners. 1ST EDITION. SCARCE. G+. Ex-Library.

SIGNED, LIMITED EDITION, no. 14 of 99. 4to, pp. 34, incl. b/w photographic frontis of Sava Botzaris' sculpture, 'Olive Moore', pasted to verso facing title page. Original wood-effect patterned paper boards, printed paper label to upper board. Bottom edge untrimmed. Printed on grey paper in black ink, first initial green. Slight bend to boards, wear to lower extremities, corners bruised, some darkening and cockling. Signed by Moore in black pen, in her minute hand, to limitation page. Else, clean, bright and tight. In the original delicate glassine dust-jacket (preserved by a second brown paper one, fashioned by PO, with hand-written title to spine): worn and torn. Near fine/ good-only Jisc LHD locates 7 copies (5 legal deposit libraries (except NLW/LGC), UoNottingham & Senate House Library). A rather glorious copy of this fragile and oddly attractive edition of Moore's meditation on D H Lawrence, which sold out almost immediately and within a year was "almost impossible to obtain." The elusive British author and journalist Olive Moore (pseud. of Miriam Constance Beaumont Vaughan; 1901-1979), described, variously, as an "enfant terrible of British literature," "a cross between Virginia Woolf and Djuna Barnes, but with a more biting wit," and, aptly for this title, "the female Lawrence," is perhaps best known for her sudden disappearance from the London literary scene from 1934. Recent scholarship, which has significantly swelled knowledge of her later life and work, reveals that "despite her rising success and notoriety as a novelist, Moore was clearly unhappy": "I feel on the verge of collapse; all day; I weep down streets, uncontrolled and unladylike," she wrote to the poet Rex Fairburn in 1932, the year her friends, Charles Lahr and Alec Bristow of the Red Lion Bookshop, published her Lawrence essay (Cavey, 2022). Lahr had known Lawrence well and Blue Moon Press had published the first unexpurgated edition of his final poetry collection Pansies three years earlier. 1932 saw a glut of Lawrence-related publications, the author having died in 1930. A marked departure from her earlier three novels (all published by Jarrolds), Further Reflections proved Moore's penultimate (literary) publication and was included in her final outing, the collection of pensées, The Apple is Bitten Again (Wishart, 1934), as she was "sick and tired of being quoted and plagiarised without acknowledgement". The striking photographic frontis featuring Sava Botzaris' sculpture of the author was also reproduced in The Apple Is Bitten Again (as well as being reused in the Dalkey Archive Press edition of Moore's Collected Writings (1992)). Moore had married the Serbian sculptor in 1924; they separated in the late 1930s and divorced sometime in the following decade. Sophie Cavey (2022) 'Olive Moore: A new biography' in Feminist Modernist Studies, 5:1, pp. 1-20.

Zustand: Fair. No Edition Remarks. 207 pages. No dust jacket. This is an ex-Library book. Marbled green and brown paper covered boards with brown cloth spine and lettering. Black and white illustrated frontispiece. Boots library with associated stickers and markings to pages and boards. Clean pages with light tanning and mild foxing throughout. More pronounced to free endpapers and pastedowns. Pen inscription to front free endpaper. Minor cracking to gutters, with exposed netting. Binding remains firm. Boards have moderate edge wear with bumping to corners and rubbing to surfaces. Moderate tanning to spine and edges with crushing to spine ends. Noticeable scuffing to edges and corners. Lettering is darkened. Visible wear marks to boards.

FIRST EDITION, faint foxing to prelims with the odd recurrence at opening and close of text, pp. 283, crown 8vo, original black cloth, vertical rule blind-stamped to upper board, backstrip lettered in gilt, slight lean to spine, some light wear and fading, free endpapers browned, a couple of pencil notes to rear pastedown, ticket removal at foot of same, good. Inscribed by the author on the half-title, referring to a character from the novel: 'To Mrs Lahr, though she mustn't take too seriously all that Uller has to say on marriage! Olive Moore, 3.4.32'. Also signed by the author to the title-page. The recipient was Esther Lahr (née Argeband), the wife of bookseller and publisher Charles Lahr, whose Blue Moon Press published Moore's work in the year of this gift - his 'Progressive Bookshop' on Red Lion Street was a meeting-point for authors, including Moore. A scarce book (only four locations for the first edition on COPAC) 'Spleen' is perhaps the most powerful statement by this neglected and elusive novelist, the narrative concerning a woman in self-imposed exile on an Italian island following the birth of a child with deformed feet.

FIRST EDITION, frontispiece showing sculpture of author by Sava Botzaris, some very faint spotting to opening leaves, small mark below colophon at rear, pp. [viii], 207, crown 8vo, original quarter green cloth with sides of Cockerell marbled paper in shades of green, black and gold, backstrip lettered in a darker green, dustjacket with a nick at head of front panel and very short closed tear at head of rear panel, crack to surface at margin of front panel and some very faint blotching to backstrip panel, very good. Inscribed by the author on the flyleaf: 'To Arnold Ovenden, Olive Moore'. Presentation copies of her work are rare. Moore is nothing less than forthright - the rear flap offers the term 'pungent'. The volume gathers contents of her notebooks, ranging from the aphoristic to essays on 'Woman as Uncreative Artist' and 'Further Reflections on the Death of a Porcupine' - her meditation on Lawrence (reprinted here because, she asserts in a short Foreword, 'I am sick and tired of being quoted and plagiarised without acknowledgement').