moore michael edward (18 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: New. Series: Birth & Childhood Disorders S. Num Pages: 160 pages, illustrations. BIC Classification: VFJB. Category: (G) General (US: Trade). Dimension: 234 x 156 x 19. Weight in Grams: 470. . 1993. Hardback. . . . . Books ship from the US and Ireland.

Zustand: New. 2016. paperback. . . . . . Books ship from the US and Ireland.

Softcover. Zustand: Fine. First edition. Blue wrappers. cvi, 309-468pp. Fine. Poetry by Neal Bowers, Frank Gaspar, Richard Gillman, Robert Bernard Hass, Frederick Morgan, Michael Mott, Dan Masterson. Fiction by Sarah Rossiter. Essays by George Watson, Lionel Basney, Christopher Clausen, Daniel Hoffman. Arts and Letters by J.T. Barbarese, Sam Pickering, John Rees Moore, Stuart Wright, J.A. Bryant, Jr., Edward L. Galligan. The State of Letters by D.W. Faulkner, Louis D. Rubin, Jr., and Russell Kirk.

Zustand: New.

Zustand: New. A Parent s Guide to Kidney Disorders explains the basic anatomical and functional characteristics of the kidney, and relates these characteristics to many of the kidney diseases that may occur in childhood.KlappentextrnrnThe fifth volume i.

Zustand: New. &Uumlber den AutorMichael Edward Moore is associate professor of medieval and European history at the University of IowaKlappentextMichael Edward Moore is assistant professor of medieval and European history .

Zustand: New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Zustand: New.

Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Fred Lynch (Front jacket illustration) and Michael (illustrator). Presumed First Edition, First printing. [6], 307, [7] pages. Signed by the author on the title page. DJ is price clipped. Ribbon page marker. Edward Kelsey Moore is a professional cellist and author from Chicago. During his high school years, and onward into college, Edward Kelsey Moore experimented with writing short stories. As he finished his education he set writing aside and focused on building a career in music. Many years later, as a member of a string quartet, Edward was hired to perform at a reception for the winners of a local writing contest. As he played background music Edward considered: "I could have sent in a story." It was an inspiring event and within a few weeks Edward Kelsey Moore began writing again. His short fiction has been published in many literary magazines including: Indiana Review, African American Review, and Inkwell. His short story Grandma and the Elusive Fifth Crucifix was selected as an audience favorite from the Stories on Stage series produced by WBEZ in Chicago. It was broadcast locally, and over National Public Radio. The Supremes at Earl's All-You-Can-Eat is Edward Kelsey Moore's debut novel. Meet Odette, Clarice, and Barbara Jean in the New York Times best-selling novel. Earl's All-You-Can-Eat is home away from home for this inseparable Plainview, Indiana, trio. Dubbed the Supremes by high school pals in the tumultuous 1960s, they weather life's storms together for the next four decades. Now, during their most challenging year yet, dutiful, proud, and talented Clarice must struggle to keep up appearances as she deals with her husband's humiliating infidelities. Beautiful, fragile Barbara Jean is rocked by the tragic reverberations of a youthful love affair. And fearless Odette engages in the most terrifying battle of her life while contending with the idea that she has inherited more than her broad frame from her notorious pot-smoking mother, Dora. Through marriage, children, happiness, and the blues, these strong, funny women gather each Sunday at the same table at Earl's diner for delicious food, juicy gossip, occasional tears, and uproarious banter. With wit and love, style and sublime talent, Edward Kelsey Moore brings together four intertwined love stories, three devoted allies, and two sprightly earthbound spirits in a big-hearted debut novel that embraces the lives of people you will never forget. Derived from a Kirkus review: Well, not Florence, Mary and Diana, but rather three close friends from Plainview, Ind., who, from their adolescence to their maturity, meet to gossip and consolidate their friendship at a local eatery. Odette, Clarice and Barbara Jean have been inseparable since the late 1960s, when they met in high school. Although Barbara Jean was at first an outsider, she quickly bonded with the other two, and they began calling themselvesâ"and being called by othersâ"the Supremes. The novel opens some 40 years after their salad days, when Odette hears of the death of Big Earl, founder of the eponymous black-owned-and-operated restaurant. Through both Odette's narrative and a more neutral third-person perspective, we learn of the trio's personal problems and the rise and fall of their relationships. Odette, for example, is married to the patient and long-suffering James, and recently, she's discovered she has cancer. Clarice has long been married to Richmond, a charming cad who's serially and terminally unfaithfulâ"and she needs to decide whether to leave him or not. And Barbara Jean, who married her husband, 42-year-old Lester, the day after she graduated from high school, is now dealing with his death and confronting the alcoholism that struck unforgivingly with the earlier death of her young son. Throughout the Supremes' intertwined stories is one constantâ"meeting and eating at Earl's All-You-Can-Eat, now run by his son Little Earl, a place where relationships are forged, scandals are aired and copious amounts of chicken are consumed. A novel of strong women, evocative memories and deep friendship.

Zustand: Muy bueno. : Este libro recopila varios escritos dedicados al evento del 11 de septiembre de 2001. Incluye contribuciones de autores como Noam Chomsky, Marc Ferro, Seymour M. Hersh, Christopher Hitchens, Naomi Klein, Ian McEwan, Michael Moore, Antonio Muñoz Molina, Edward W. Said y Tom Wolfe, entre otros. Publicado por Indice Internazionale, ofrece una perspectiva diversa sobre los acontecimientos y sus implicaciones. EAN: 9771122283312 Tipo: Libros Categoría: Historia Título: 11 settembre 2001 Autor: Noam Chomsky| Marc Ferro| Seymour M. Hersh| Christopher Hitchens| Naomi Klein| Ian McEwan| Michael Moore| Antonio Muñoz Molina| Edward W. Said| Tom Wolfe Editorial: Indice Internazionale, Milano Idioma: it Páginas: 94 Formato: tapa blanda.

Taschenbuch. Zustand: Neu. Neuware - Over a period of some five centuries, Europe was transformed by the emergence of barbarian kingdoms in the regions of the former Roman Empire. In the turbulent post-Roman world, the Christian church and its bishops had considerable sway, as these kingdoms developed new institutions such as Christian kingship. Warlike kingdoms competed with each other and took on projects of political consolidation, religious accommodation, and conversion. Religious imperatives shaped the understanding of political culture, alongside aristocratic consensus and cooperation. The Franks ultimately dominated Europe and built a great empire, pursuing a doctrine of missionary warfare. Carolingian kings and nobles were mobilized by a religiously saturated ideology and by the appeal of an aggressive and expansionist political order.Throughout these changes, bishops played a guiding role. Their special garments, liturgies, and hairstyle indicated their character as a priestly brotherhood, set apart from the rest of society, whose task was to regulate the affairs of men and ensure the benevolence of God. The function of bishops as a cohesive religious order, and their collaboration with kings, meant that their ideas had a special prestige. By their blessings bishops could protect crops, houses, and even the kingdom and its warriors. By their mastery of laws--canon, Roman, and barbarian--the bishops grasped the right nature of the social order and indicated to others God's plan for the world.Drawing on the records of nearly 100 bishops' councils spanning the centuries, alongside royal law, edicts, and capitularies of the same period, this study details how royal law and the very character of kingship among the Franks were profoundly affected by episcopal traditions of law and social order.

Zustand: New. In.

Zustand: New.

Hardcover. Zustand: Brand New. 352 pages. 9.19x6.13x9.21 inches. In Stock.

Zustand: New.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.