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In den WarenkorbZustand: New. Über den AutorMatthew Dwight Moore is associate professor of humanities at the Roberts Wesleyan College in Rochester, New York and recipient of a 2020 National Endowment for the Humanities grant. He has written in Silence and the Si.
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In den WarenkorbZustand: New. Über den AutorMatthew Dwight Moore is associate professor of humanities at the Roberts Wesleyan College in Rochester, New York and recipient of a 2020 National Endowment for the Humanities grant. He has written in Silence and the.
Sprache: Englisch
Verlag: Wipf & Stock Publishers Okt 2022, 2022
ISBN 10: 1666732621 ISBN 13: 9781666732627
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - How do the suspense films of Alfred Hitchcock, Orson Welles, and Carol Reed allow us special insight into the popular mentality of their contemporaries--contemporaries who went to war against the forces of Adolf Hitler How did midcentury films that fetishized clocks and time-keeping devices as diverse as Peter Pan, High Noon, Rear Window, Shadow of a Doubt, The Stranger, and Odd Man Out produce unique experiences that invited audiences to literally watch cosmic time What role did cinema audiences play in perpetuating the presumption that order exists in the universe--and how have the polyvalent institutions of church and state implicated human agency in such perpetuation This full-length academic treatment of the topic employs formal film analysis that is situated squarely within historical studies and addresses these cinematic and phenomenological questions--and more.
Sprache: Englisch
Verlag: Wipf & Stock Publishers Okt 2022, 2022
ISBN 10: 1666726532 ISBN 13: 9781666726534
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - How do the suspense films of Alfred Hitchcock, Orson Welles, and Carol Reed allow us special insight into the popular mentality of their contemporaries--contemporaries who went to war against the forces of Adolf Hitler How did midcentury films that fetishized clocks and time-keeping devices as diverse as Peter Pan, High Noon, Rear Window, Shadow of a Doubt, The Stranger, and Odd Man Out produce unique experiences that invited audiences to literally watch cosmic time What role did cinema audiences play in perpetuating the presumption that order exists in the universe--and how have the polyvalent institutions of church and state implicated human agency in such perpetuation This full-length academic treatment of the topic employs formal film analysis that is situated squarely within historical studies and addresses these cinematic and phenomenological questions--and more.