moore jean michael (8 Ergebnisse)

Hardcover. Zustand: Very Good. Hardcover; includes 2 microfiche and 6 folded plates in rear pocket; ex-library; minor edgewear w/ w/ several small dents on lower boards; a couple of light stains on one plate where glue from library card on rear pocket "bled through"; o/w in very condition. This is a heavy volume; extra shipping may be required for priority mail or international orders. Book.

Hardcover. Zustand: Good. Hardcover; owner's stamp; front hinge cracked (reinforced with tape); light foxing of endpages and edges; o/w in good condition. This is a heavy volume; extra shipping may be required for priority mail or international orders. Book.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. [1st edition, 1st printing; trade edition ] ; ix, 214 p. : ill. (chiefly col.) ; 31 cm. ; ISBN 9780934601764, 9780934601771, 0934601763, 0934601771 ; OCLC 20012286 ; LCCN 89016100 ; LC SB466.U65 G46 1989 ; Dewey 712/.09758 ; sand-colored cloth in color photographic dustjacket ; Contents: Savannah and the Coast --- Coastal Georgia -- The Piedmont plateau -- South Georgia -- Atlanta and North Georgia -- Index of Gardens -- Sources for quoted material -- Bibliography ; Graced with one of the longest growing seasons in North America, Georgia has a rich and interesting tradition of gardens and gardening. That tradition is vividly portrayed in Gardens of Georgia, commissioned by the Garden Club of Georgia, Inc., to commemorate its sixtieth anniversary and to celebrate the heritage and beauty of Georgia's gardens.As noted by Georgia founder James Oglethorpe in 1732, Georgia has a happy climate. From the broad-shouldered mountains of the Blue Ridge, through the red clay of the rolling piedmont, across the sprawling piney coastal plain, and on to the subtropical islands on the Atlantic, Georgia is blessed with four regions of gardening opportunities, distinctly defined by differences in elevation, climate, soil, and natural vegetation.Writer William Mitchell and photographer Richard Moore have portrayed the wonders of gardens historic and contemporary, public and private, and urban, suburban, and rural from each of these regions. Whether illustrating overall gardenscapes or capturing intimate vignettes and individual blossoms, Richard Moore's photographs have a depth of color and clarity of detail that immerse the reader into a world of delightful splendor. The text by Willaim Mitchell not only describes the settings as they are today, but also spins a rich background of history in the context of the botanical Eden observed by early explorers.The richest legacy of each generation is to preserve and protect an always vulnerable natural environment and help nature bring forth its green and glowing cycles of rebirth. Gardens of Georgia celebrates that legacy, sharing the ongoing dream of paradise--a new Eden--whether it is in a grand formal garden from an earlier era or a small plot of perennials in a Georgia yard. ; FINE/FINE. Book.

Edition originale sans grand papier. [6690].

Single Issue Magazine. Zustand: Good. Illustrated by Beitz, Les (illustrator). First Edition. 96 pages. Loaded with black and white reproductions of archival photos. Features: Reprint of the book 'Three Months with Wild Indians" by Ole T. Nystel, who was held captive by the Comanches; "Tex" Banta, Mountain Man of the 1880s; Silver Creek Reminiscences - Idaho; The Sadie Bloomer Affair; The Mayor of Old Los Angeles - Stephen C. Foster; Warrior's Pledge - Chief Crow Dog; Railroading by Smoke - great early rail tales; Secret Sorrows of a Sheepherder; Behind the Donner Monument; I still dig for buried treasure; Devil's Grin; Wash Barker and the Rock Pens; Beef on the Move - roundup on the Powder River in 1895!; They stole the Parson's Pants; Buffalo Roundup at Sea - Catalina Island; Heap good Medicine - mustard plaster; Doughbelly's Doin's; Hell-for-leather (Jim) Pike; He didn't want to smoke - a tale involving James Bowie and his famous knife; The Bronc-buster from Texas; The town of Rough and Ready's 100 year war in California; Outlaws never die; Gentleman Jackass. Chip from fore-edge of page 48 (with no loss of content). Clean and unmarked with moderate wear. A sound vintage copy.; 4to - over 9¾" - 12" tall; Old West Magazine - Spring 1966 reprint of the book 'Three Months with Wild Indians" by Ole T. Nystel; "Tex" Banta, Mountain Man of the 1880s; Silver Creek Reminiscences - Idaho; The Sadie Bloomer Affair; The Mayor of Old Los Angeles - Stephen C. Foster;

Single Issue Magazine. Zustand: Good. First Edition. Features: Lost loot of Monterrey - also known as the Davis Mountain Tresure and Skeleton Canyon Treasure; The Lone Ranger - an introduction to what went on behind the microphone of the radio show which introduced several generations to the Old West; A Prairie Town's Nameless Grave - little boy died of a broken heart in Elrod, South Dakota; I packed Al Morrow out of the Superstitions - the Lost Dutchman won again; The Philosophy of a Pioneer Lawman - certain rules of jurisdiction had to be bent a little; Last of the Burromen - Seldom Seen Slim; Gallows on the Treeless Plains - rail bridges used for hangings; Hawikuh - Coronado's city of gold turned out to be just an Indian village of stone - and arrows!; Slummukh's Lost Mine, 60 miles northeast of Vancouver, B.C.; Wolf Bait!; Crazy Klondike Business Schemes; Walking the Wall at the Idaho Penitentiary; Wild Old Days!; Did They Share the Goller Treasure? - Old Randsburg, California. Unmarked with average wear. Contents partially yellowed with age. A sound copy.

387 pp.; 28.5 x 22.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self-critical of the failures [and limited success] of the program. Full documentation of each of the invited artists in narrative, blow-by-blow detail. Includes sections on Stephen Antonakos, Avigdor Arikha, Michael Asher, John Baldessari, Iain Baxter, Larry Bell, Max Bill, Ronald Bladen, George Brecht, James Byars, Greg Card, Anthony Caro, John Chamberlain, Christo, Ron Cooper, François Dallegret, Channa Davis, Ron Davis, Walter de Maria, Mark di Suvero, Jean Dubuffet, Jean Dupuy, frederick Eversley, Oyvind Fahlstrom, Dan Flavin, Sam Francis, Hans Haacke, Newton Harrison, Erich Hartmann, Robert Irwin, Donald Judd, Aleksandra Kasuba, Ellsworth Kelly, Philip King, R.B. Kitaj, Piotr Kowalski, Rockne Krebs, Wesley Duke Lee, Les Levine, Roy Lichtenstein, Len Lye, Jackson MacLow, Robert Mallary, Charles Mattox, John McCracken, Glenn McKay, Boyd Mefferd, Michael Moore, Robert Morris, Bruce Nauman, Claes Oldenburg, Jules Olitski, Eduardo Paolozzi, Otto Piene, Pulsa, Jeff Raskin, Robert Rauschenberg, Jess Reichek, Vjencenslav Richter, James Rosenquist, James Seawright, Richard Serra, Tony Smith, Robert Smithson, Karlheinz Stockhausen, Takis, Gerhard Trommer, James Turrell, Victor Vasarely, Stephan Von Huene, Peter Voulkos, Andy Warhol, Robert Watts, Martial Westburg, Robert Whitman, and William T. Wiley. Black-and-white illustrations throughout. Fair / Good. 1.6 cm. tear to top edge of recto. Significant rubbing of cover edges. 18 cm. scratch to recto. 7.5 cm., 17.6 cm., 6.5 cm., 7 cm., and 2.5 cm. creases to verso. Light soiling of text block edge. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.