moore daniel edward (17 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Zustand: New. In.

Paperback. Zustand: Brand New. 116 pages. 9.00x6.00x0.28 inches. In Stock.

Zustand: New. In.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorrnrnDaniel Edward Moore is an award-winning poet whose works have appeared in many literary journals. He is also the author of the chapbooks, CONFESSIONS OF A PENTECOSTAL BUDDHIST and BOYS.His poems have appeared at SP.

Softcover. Zustand: Fine. First edition. Blue wrappers. cvi, 309-468pp. Fine. Poetry by Neal Bowers, Frank Gaspar, Richard Gillman, Robert Bernard Hass, Frederick Morgan, Michael Mott, Dan Masterson. Fiction by Sarah Rossiter. Essays by George Watson, Lionel Basney, Christopher Clausen, Daniel Hoffman. Arts and Letters by J.T. Barbarese, Sam Pickering, John Rees Moore, Stuart Wright, J.A. Bryant, Jr., Edward L. Galligan. The State of Letters by D.W. Faulkner, Louis D. Rubin, Jr., and Russell Kirk.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | "Waxing the Dents is less like reading a book and more like sitting in the audience for a performance of Beethoven's 9th. It begins with a handful of lovely romantic musings, then builds in intensity until it's raging furiously, shaking its lyrical fist at the sky." -Ace Boggess, author of THE PRISONERS.

Hardcover. Zustand: Good. No Jacket. 314 pages ; OCLC 927145016 (online version); art nouveau design with sunflowers and in green and brown on brown cloth ; no dustjacket ; "Reading with appreciation is a fine art. This volume contains some of the gems of literature which the race has learned to love. Some of the 'old fashioned selections' and some of the most charming new short classics, are offered as a basis for study and appreciation. The average pupil will study his reading lesson with zest if he is given some definite work to do. In these studies, the brief introduction to each selection is intended to whet the pupil's appetite.The exercises following each study make his study definite and to the point. Helpful notes are added wherever necessary, and additional readings are given. ; Selections include: The American Boy -- The Light That Is Felt -- The Tiger The Brahman, And The Jackal -- A Kind Word -- Little Brown Hands -- The Lame Man And The Blind Man -- The Owl And The Pussy-cat -- September -- The Arab And His Camel -- The Shepherd Boy And The Wolf -- Needless Pain -- Because He Loves Us -- Marjorie's Almanac -- The Brown Thrush -- Truth -- God Bless Our Flag -- The Quails -- The Discontented Stonecutter -- The Cloud -- All Things Beautiful -- Labor -- The Matsuyama Mirror -- Work While You Work -- The Pen -- The Quest -- God Bless The Commonplace -- A Bright Chinese Boy -- The Grapevine Swing -- Beautiful Joe -- Forget-me-not -- October's Bright Blue Weather -- Daisies -- So Much Of Goodness -- The Breaking In Of Black Beauty -- The Children's Hour -- The Magic Mill -- The Corn Song -- Daniel Webster's First Case -- The Day Is Done -- The Image And The Treasure -- Somebody's Mother -- Look For Goodness -- The Code Barbarian -- The Discontented Pendulum -- True Success -- Which Loved Best? -- Hope -- The Story Of King Midas -- T Is The Last Rose Of Summer -- Home, Sweet Home -- The Fight -- A Simple Recipe -- The Angels Song -- A Visit From St, Nicholas -- Ring Out, Wild Bells! -- Beauty In Common Things -- Letters Of Recommendation -- A Song For Flag Day -- The Stone In The Road -- Answer To A Child's Question -- Paul Revere's Ride -- The Dream Of Home -- The Choice Of Hercules -- Thomas Jefferson's Ten Rules -- After The Shipwreck -- The Lost Camel -- The Planting Of The Apple Tree -- We Should Smile -- The Humbug -- Sky-born Music -- The Pebble And The Acorn -- The Tree -- Service -- The Sleeping Beauty -- A Wholesome Tongue -- The Village Blacksmith -- Genuine Heroism -- The Legend Of Indian Corn -- Robert E. Lee -- The City Mouse And The Country Mouse -- Our Birth--The First Roses -- A Little Sermon -- Four-leaf Clover -- Love's Nobility -- A Prayer -- Casabianca -- Be What Thou Seemest -- Thor And The Giants -- The Spider And The Fly -- The Mouse And The Moonbeam -- The Schoolhouse And The Flag -- The Snow-image -- Index Of Authors ; Numerous Biblical references appear in Searson's Studies in Reading (1923), but the movement is toward secular stories with a moral emphasizing social values. This reader, published after World War I, begins with a poem, "The American Boy." It is a dialogue between a father and son about patriotism. According to the author of this reader, the influence of the story "The Poor Little Match Girl" "founded many an orphan home and organized hundreds of societies for relief of the worthy poor," which indicates an emphasis on philanthropy and social work during the era of the Social Gospel.80% of selections taught traditional values."-- Sharon Vincz Andrews ; signature of a youthful Gerald Grout, later a Kansas Ophthalmologist ; GOOD. Book.

3 vol. : [unpaginated] ; [unpaginated] ; [unpaginated]; 3 vol. : 13.5 x 16.9 cm. (each); glue bound; black-and-white; edition size 700; unsigned and unnumbered; offset-printed; Three volume publication documenting the exhibition Sonsbeek ''71 held in and around Park Sonsbeek. Book produced as graduation projects by Paul Bonger and Rick Vermeulen at art school in Rotterdam, now know as Willem de Kooning Academy. Introduction by Bonger and Vermeulen. Artists include Vito Acconci, Bas Jan Ader, Carl Andre, Ben d''Armagnac, Richard Artschwager, Bruce Baillie, Douwe Jan Bakker, Joseph Beuys, Ronald Bladen, Marinus Boezem, Stanley Brouwn, Daniel Buren, Javacheff Christo, Tony Conrad, Hanne Darboven, Walter de Maria, Ad Dekkers, Ger Dekkers, Jan Dibbets, Ger van Elk, Pieter Engels, Groep Enschede, E.R.G., Hans Eykelboom, Barry Flanagan, Fluxus, Hollis Frampton, Ernie Gehr, Dan Graham, Robert Grosvenor, Michael Heizer, Douglas Huebler, Ken Jacobs, joepat, Donald Judd, On Kawara, W (Imi) Knoebel, Hans Koetsier, Axel van der Kraan, Peter Kubelka, George Landow, Standish Dyer Lawder, Sol LeWitt, Richard Long, Mass Moving, Yutaka Matsuzawa, Mario Merz, Jack Moore, Robert Morris, Bruce Nauman, Robert Nelson, Groep Noord-Brabant, Claes Oldenburg, Dennis Oppenheim, Nam June Paik, Panamarenko, Egbert Philips, Emilio Prini, Klaus Rinke, Peter Roehr, Ulrich Rückriem, Edward Ruscha, Fred Sandback, Jean-Michel Sanejouand, Wim T. Schippers, Richard Serra, Paul Sharits, Eric Siegel, Tony Smith, Robert Smithson, Kenneth Snelson, Michael Snow, Koert Stuyf, Ellen Edinoff, Shinkichi Tajiri, Sajiki Tenjo, Yokoyama, Carel Visser, André Volten, Hans de Vries, Lex Wechgelaar, Lawrence Weiner, Joyce Wieland, Annemiek Backer, Marijke Boon, Cor Blok, Pieter Brattinga, K. Schippers, B. van Garrel, Ton Haak, Les Levine, Titia Tybout, Odufré Joes and Wim Crouwel. Texts in English and Dutch. "The tripartite catalogue Sonskeek [sp] ''72 arose from the notes and photos we made of a project that we executed during the period November ''71 - June ''72. What was the starting point of the project? Of all the Sonsbeek exhibitions in ''49- ''52- ''55- ''59 and ''66 one could or one can find back all the sculptures; although not in the original place, in the park, they are to be seen somewhere. Yet the transiency of the projects and objects as exposed during the manifestation ''Sonsbeek buiten de perken'' for us was a reason to trace back what happened to these projects and objects. Doing this we considered ourselves as visitors who came after the closing of the manifestation. We visited the original place of the object/project, made photographs and described it and did so with the present place as well. E.g. from the gigantic wedge by Ronald Bladen at the place in park Sonsbeek hardly anything could be found, except a slight difference in colour of the pavement. The wedge itself we discovered in pieces against the wall of a shed of a firm in Arnhem. Most of the projects and objects we also found back in totally different state: at rubbish dumps, on heaps of scrap- iron, dismantled and packed in boxes, in peoples homes on the cupboard. In some cases nothing was to be found back. We sent a stencil to the 35 filmmakers asking them to send a photo and a description of the present place of their films. Description and photo were their part in our project, the original place always being the place at the lawn where in a tent the films have been shown, during the manifestation. From some filmers we didn?t get an answer within a certain period, then the second card is dropped out. Some artists played a part by the publication they got in one of both Sonsbeek cataloques. When their project had a relation with a location, we visited it and made a photo, if not, we reproduced the concerning pages out of the cataloques. The definite form of the three booklets as they now appear, is the result of collecting and combining the 360 cards on one side a photo, on the other side the description. We thank everyone who helped us to realize this project." -- Paul Bonger and Rick Vermeulen from book''s English introduction. Good. Curl to bottom right quadrant of the three volumes. Rubbing, scratching and light edge wear to covers. Volume 1 has 6.2 cm., 1 cm. and 1 mm. areas of surface tearing to verso. Volume 2 has 10 cm. area of surface tearing to recto. Contents of all volumes are clean and unmarked.