montal robert (18 Ergebnisse)

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture souple. Zustand: Bon. Un volume in-12, broché , (11,3 x 17,5 cm), 124 pages. Couverture illustrée , mors très légèrement frotté . .

Broché. 125 pages. Format de poche.

Paperback. Zustand: Brand New. 245 pages. French language. 8.58x5.51x0.79 inches. In Stock.

Couverture souple. Zustand: Bon. Collection "Durendal, n°155", 132 pages.

Couverture Souple Muette. Zustand: Bon. Zustand des Schutzumschlags: Bon. Fovel Colette (illustrator).

Zustand: Very Good. Envoi rapide Très Bon Etat. 22x14x2cm. 1994. Broché. 232 pages. 17. Very Good.

Couverture souple. Zustand: bon. R320075665: 1968. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 124 pages. . . . Classification Dewey : 840.091-XX ème siècle.

1 vol. grand in-12° étroit, couv. illustrée, 124 p. + prière d'insérer. très bel état.

Zustand: fine. 1968, 124 blz. Pocket, vergeeld, naam voorin geschreven.

Couverture souple. Zustand: Très bon. Zustand des Schutzumschlags: Très bon. Livre Tres bon etat general. Envoi soigne [en Stock]. Livre.

Zustand: Bon. 1969. In-8 broché, couverture rempliée. 240 p.

Couverture souple. Zustand: bon. RO40228830: 1950. In-16. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. 67 pages. Envoi manuscrit de l'auteur au dos de la page de faux-titre, et sur un petit feuillet volant. Quelques annotations au crayon. . . . Classification Dewey : 97.2-Dédicace, envoi.

Zustand: Good. Envoi rapide Bon état couveture défraîchie bords un peu frottés avec son bandeau commercial pages non-coupées. in8. 1965. Broché. Good.

Zustand: 3. PHOTOS SUR DEMANDE.

Zustand: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .