Monk lewis (24 Ergebnisse)

Soft cover. Zustand: Very Good. A good copy, spine slightly sunned, 343 pages mostly uncut. Broch , 343 pages le plupart non coup es, bon tat, dos l g rement insol .

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

audio-cd. Zustand: Sehr gut. kleine Gebrauchsspuren OM213F9 Sprache: Englisch Gewicht in Gramm: 808.

Illustr by Auguste Leroy, 9 x 6, 3/4 red leather, cloth, teg, 400pp, covers a bit worn, extremities bumped and fraying, outer hinges tender, small black spot near bottom of front hinge, spine slightly cocked, hinges loose, contents a bit toned else a nicely bound, handsome copy of this fairly scarce novel.…

Last few pages sl. stained in margin. Untrimmed in orig. purple moiré cloth with printed paper label on front board; sl. faded. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 176 of 250 copies.

Untrimmed in orig. purple moiré cloth with printed paper label on front board. Later booklabel. v.g. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 129 of 250 copies.

Last few pages sl. stained in margin. Untrimmed in orig. purple moiré cloth with printed paper label on front board; a little damp affected. Reprinting the poem written by Lewis in 1816 'on his last voyage to Jamaica', and privately printed there in 1827. No. 5 of 250 copies.

Zustand: Fair. Envoi rapide Etat Correct. in8. 1934. Broché. Fair.

. In-12 br. Version racontée et préfacée par Antonin Artaud. Petite tache sur le premier plat. Année de l'E.O. de cette adaptation.

Bound into later marbled wrappers. This edition has 'undergone the ordeal of compression'. The version as acted at the Theatre-Royal, Covent-Garden, with Macready in the lead role.

Couverture souple. Zustand: bon. R150204866: NON DATE. In-8. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur frais. 345 pages- page de garde complètement annotée à l'encre et au crayon de couleur. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Hardback (No Dust Wrapper.). Zustand: Good. Condition Notes: Binding is faded at the margins and spine. The contents deeply age-toned; Hardback. Quarter-bound Orange on Green boards with blue titles to the spine; Measures 7" x 4¾" (0.7 kg); pp (vi) 320; No publishing date stated, estimated from references. || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #194061 ||.…

Ad. on verso of final leaf; title a little browned. Disbound. ESTC T32397. Published the same year as the first edition. In his Preface Lewis states 'The plot of this comedy, as far as regards Rivers's visits to Modish and Mrs. Ormond, was taken from the Novel of Sidney Biddulph.' ESTC further observes, 'Based partly on A. F. von Kotzebue's Die Indianer in England'. The final four pages (pp73-76) of an altogether different work, identified as G.D. Harley's Biographical Sketch of the Life of. Young Roscius (1804), have been bound in after A4.…

Hardcover. Zustand: Very Good. Introduction by Max Maury. Illustrated by Auguste Leroy. 400pp. Illustrated with engravings. Custom bound without the original wrappers in half blue morocco decorative paperboards, spine with raised bands furrowed in gilt creating five compartments, the middle compartment with a gilt device, the compartments above and below with "Rosario" and "Monk Lewis" in gilt respectively, pages with deckled edges, and decorative endpapers matching the boards. Bound at the Haverhill Bindery with their ticket on the front pastedown, "Chase Bros., Prop. 15 Washington St." Boards and spine worn, spine slightly cocked, the paper on the front board with a small abrasion, and some edgewear to the pages, overall still a very good copy with the binding sound and tight. A worn but nonetheless charmingly bound copy of Matthew Gregory Lewis' disturbing and controversial novel originally published in 1796.…

FIRST EDITION. Initial ad. leaf; the odd spot. Orig. purple fine-diaper cloth, paper spine label; spine faded to tan, but overall a v.g. clean copy. Sabin 40821. Although not published until 1834, Lewis's journal was written between November 1815 and May 1818. The last entry, dated May 2nd, was entered just two weeks before he succumbed to yellow fever while crossing the Atlantic en route to England. It covers two extended periods in Jamaica, where Lewis owned two estates. His observations cover all aspects of life on the plantation, from 'Plans for teaching the negroes', 'Happiness of the negro', and 'Capture of an alligator', to 'Impatience of the negro to be free', 'Insubordination' and 'Code of penalties'. The tone is certainly outdated from a modern perspective, but the author betrays a degree of enlightenment, referring to his 'negroes' and not his 'slaves', and it has latterly come to light that Lewis communicated with the abolitionist William Wilberforce in the months preceding his death, exploring the means by which emancipation might be achieved. In his last entry he states, 'What other negroes may be, I will not pretend to guess; but I'm certain that there cannot be more tractable or better disposed persons. than my negroes of Cornwall. I only wish, that in my future dealings with white persons, whether in Jamaica or out of it, I could not meet with half so much gratitude, affection, and good will'.…

Half titles, final ad. leaf vol. I, errata leaf & 4pp ads vol. IV. Neatly bound in near contemp. drab boards, tan calf spines, ruled & with devices in blind, dark blue leather labels; light rubbing. With monogram booklabels on leading pastedown in all four vols, & the armorial bookplate of Methyr Guest in vol. I, & on following pastedown in vols II-IV. Additionally, each vol. is blind-stamped (most unusually) directly on to the front & back board with an armorial device, bearing the legend 'Honi soit qui mal y pense' (the motto of the chivalric Order of the Garter). A lovely copy. Summers pp 96 & 324. Copac lists Copies at the BL & Cambridge only. A very nice copy in contemporary binding of Lewis's free translation of Madame de Naubert's celebrated gothic novel, first published in German in 1789 as Elisabeth, Erbin von Toggenburg, oder Geschichte der Frauen von Sargans in der Schweiz. Lewis's rendition was not well received; the Critical Review (July 1807), in particular, singling it out for opprobrium: 'ghosts, bones, chains, dungeons, castles, forests, murders, and rapine pass before us in long order, till sated with horrors and habituated to their view we regard them all with as much composure as an undertaker contemplates the last melancholy rites of his mortal brethren'. But the public evidently had not grown weary of 'ghosts, bones and murders', a third edition being announced in the summer of 1807. A particularly scarce title.…

Softcover. Zustand: Near Fine. Magazine. Edited by Vito Acconci and Bernadette Mayer. Quarto. About near fine with crease to rear corner, miniscule chip to front corner and a hint of toning. The seventh and final issue of Vito Acconci and Bernadette Mayer experimental and uncommon magazine. Contributors include Anne Waldman, John Giorno, Hannah Weiner, Lewis Warsh, Marjorie Strider, Adrian Piper, Lil Picard, Arakawa, Bobbi Gormley, Matthew Klein, Deborah Hollingworth, Keith Hollinger, Gregory Battcock, Scott Burton, James Lee Byars, Rosemarie Castoro, Eduardo Costa, Bill Creston, Stephen Kaltenbach, Les Levine, Lucy Lippard, Meridith Monk, Ben Patterson, and John Perreault. …

FIRST EDITION. 2 vols in 1. Continuously paginated. Final ad. leaf vol. II. 2 vols in 1 in contemp. half calf, marbled boards, spine gilt, black morocco label; spine & hinges rubbed. Armorial bookplate of Sir William Earle Welby; neat ink signature of W. Welby on titlepage. A nice copy. See Montague Summer pp525-527 & p.529. Todd & Bowden (Scott Bibliography) 7Aa. Originally conceived in 1798, Tales of Wonder, a collection of 60 ballads with a vaguely supernatural theme, was published in 1801. It had been delayed to such an extent that in 1799 one of its contributors, a then largely unknown Walter Scott, published, out of frustration, a short work entitled An Apology for The Tales of Terror, referring to the present work by its unused working title. Confusingly, another very similar work, a volume of macabre poems using the title Tales of Terror, was also published in 1801. It seems likely that it was deliberately published to mimic Tales of Wonder, but the assumption that Lewis was involved is unlikely. This has not stopped the two works often being confused or conflated, and in some places Tales of Terror is still attributed to Lewis. As well as original contributions by Lewis, Tales of Wonder contains three original poems by Sir Walter Scott; 'The Fire-King', 'Glenfinlas, or Lord Ronald's Coronach' and 'The Eve of St. John'. There are also two translations by Scott from the German, 'Frederick and Alice' and 'The Wild Huntsman'. Robert Southey contributes seven poems; 'The Old Woman of Berkeley', 'Bishop Bruno', 'Lord William', 'The Painter of Florence', 'Donica', 'Cornelius Agrippa's Bloody Book' and 'Rudiger'. There are also contributions by Robert Burns ('Tam O'Shanter'), John Dryden, Ben Jonson, George Colman the Younger, and others. This copy belonged to Sir William Earle Welby, 1734-1815, baronet, land-owner, MP, and the High Sheriff of Lincolnshire from 1796 to 1797.…

Soft cover. Zustand: Very Good. 135 pp. : chiefly illustrations, some in color ; numerous photographs ; 35 cm. ; OCLC: 11766799 ; LC: ND2073.6.Z8 ; a rare collection of action photographs, ceramics and calligraphic paintings and lithographs executed by Jung Kwang, the Mad Monk ; " The present volume is an attempt to present a partial retrospective of his paintings including the latest work which has expanded into the use of lithographs.In 1980-81, he took an extended trip, his first to the U.S. and Europe, giving demonstrations of his painting style."--preface ; "Jung Kwang, the painter, has his artistic roots firmly placed within a style of art that was nourished by the monastic communities of East Asia. Using only the brush and ink, monks made their art using rapid and yet disciplined brush strokes. The paintings only took seconds to complete; they could not be retouched or corrected; each was finished when the brush left the paper. As might be imagined, this style was particularly favored by the Zen schools. The paintings were used as a test for the state of enlightenment of the painter.Jung Kwang began to separate his art from this traditional school and with that separation came many questions about the value of his work. The controversies of his art continue to the present.Having introduced all sorts of new subjects into his paintings: bulls, guardian figures, roosters, fish, and, more shocking, penises on all the animals and even coming out of the head of Dharma, it is little wonder that the traditionalists were horrified."--Introduction ; Jung Kwang's reputation as "The Mad Monk" is here fully represented by the use of color, non-traditional brushes and pens, even to the shocking photographs of him using his penis as th e brush on a series of paintings! ; he was ordained a monk in the Chongye Buddhist Order at Tong-do Monastery near Pusan in 1962 and practiced meditation under direction of Master Kuha, and was later a member of the Chongye National Council as its art consultant, but was then expelled in 1983, presumably for his movement away from traditional forms ; nonetheless, there are many who would consider the paintings in this book enlightened visual Zen koans of a sublime nature ; SIGNED presentation by Jung Kwang from 1986 on the front ep ; folio, bound in color pictorial stiff paper wrappers ; some wear, but otherwise VG. Very scarce, with only 25 copies known held by libraries worldwide. [This online listing contains text in Chinese and Korean fonts]. Inscribed by Author(s). Book.…

FIRST EDITION. Ad. on verso of final leaf; sl. dusted. Disbound. 'This drama is in a great measure translated from a French Play in four acts, called "Les Victimes Cloitrées".'.

Disbound. (2), 22pp. BL only on Copac.