monica bartolini (8 Ergebnisse)

Zustand: NEW.

Zustand: NEW.

Zustand: NEW.

Vintage borderless reference photograph of director Michelangelo Antonioni and actors Monica Vitti and Alain Delon during a cafe scene on the set of the 1962 film. With a mimeo snipe on the verso, along with the stamps of Keystone Photo and Publifoto, and a stamp noting No. 8710. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy, all starring Vitti, preceded by "L'avventura" (1960) and "La notte" (1961). Awarded the Jury Special Prize, and nominated for the Palme d'Or at the 1961 Cannes Film Festival. Shot on location in Rome and Verona, Italy. 10.5 x 8.5 inches. Near Fine. Criterion Collection 278. Rosenbaum 1000. Scorsese, My Voyage to Italy. Vogel, Film as a Subversive Art.

Vintage borderless reference photograph of director Michelangelo Antonioni on the set of the 1960 film. With the stamp of Promopress agency on the verso, along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean, leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy, followed by "La Notte" (1961) and "L'eclisse" (1962). Shot on location throughout Italy, including in Rome, the Aeolian Islands, and Sicily. 7 x 9.5 inches. Very Good plus overall. Criterion Collection 98. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Scorsese, My Voyage to Italy. Vogel, Film as a Subversive Art.

Vintage borderless reference photograph from the 1962 film, showing actor Alain Delon leaning against a fence. With a mimeo snipe on the verso, along with the stamps of Keystone Photo and Publifoto. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Michelangelo Antonioni's modernity trilogy, preceded by "L'avventura" (1960) and "La notte" (1961). Shot on location in Rome and Verona, Italy. 7.25 x 9.5 inches. Very Good plus, with light creasing to the bottom left corner, reinforced with white paper tape on the verso. Criterion Collection 278. Rosenbaum 1000. Scorsese, My Voyage to Italy. Vogel, Film as a Subversive Art.

Vintage oversize borderless reference photograph from the 1960 film, showing actress Monica Vitti. With the stamp of Pari Films on the verso, along with manuscript pencil annotations. A young woman disappears during a cruise in the Mediterranean, leading her lover and best friend to search for her. The first film in Antonioni's famed trilogy, followed by "La Notte" (1961) and "L'eclisse" (1962). Shot on location throughout Italy, including in Rome, the Aeolian Islands, and Sicily. 12 x 9 inches. Near Fine. Criterion Collection 98. Ebert I. Godard, Histoire(s) du cinema. Rosenbaum 1000. Scorsese, My Voyage to Italy. Vogel, Film as a Subversive Art.

Two vintage borderless reference photographs from the 1962 film, one of Michelangelo Antonioni with Alain Delon and Monica Vitti, and one of Antonioni and crew shooting a scene in Rome from scaffolding built in the water. One with French "L'Eclipse" stamp, and provenance stamp of film historian "Maurice Bessy" on verso, one with "P.I.P." and "Copyright" stamps on verso. A woman's newfound relationship with a power-hungry stockbroker gradually erodes as she becomes dissatisfied with his shallow interests. The final film in Antonioni's modernity trilogy, all starring Vitti, preceded by "L'avventura" (1960) and "La notte" (1961). Awarded the Jury Special Prize, and nominated for the Palme d'Or at the 1961 Cannes Film Festival. Shot on location in Rome and Verona, Italy. 6.75 x 9.25 inches and 9.5 x 7 inches. Very Good plus with light creasing and edgewear. Criterion Collection 278. Rosenbaum 1000. Scorsese, My Voyage to Italy. Vogel, Film as a Subversive Art.