Monaco pietro (33 Ergebnisse)

Loose Leaf. Zustand: New. Reproduction. Original title: Portrait of artist Giovanni Battista Tiepolo German: Porträt des Künstlers Giovanni Battista Tiepolo French: Portrait de l'artiste Giovanni Battista Tiepolo Spanish: Retrato del artista Giovanni Battista Tiepolo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Request by Antony German: Antrag von Antony French: Demande d'Antony Spanish: Solicitud de Antony High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Christ succumbs to the weight of the cross German: Christus erliegt dem Gewicht des Kreuzes French: Le Christ succombe au poids de la croix Spanish: Cristo sucumbe al peso de la cruz High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Angel raises Jonah to preach at Nineveh German: Engel erhebt Jona zum Predigen in Ninive French: Ange élève Jonas pour prêcher à Ninive Spanish: Ángel levanta a Jonás para predicar en Nínive High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Sanctuaries of the Grotta family German: Wallfahrtsstätten der Familie Grotta French: Sanctuaires de la famille Grotta Spanish: Santuarios de la familia Grotta High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Stigmatization of Saint Francis German: Stigmatisierung des Heiligen Franziskus French: Stigmatisation de Saint François Spanish: Estigmatización de San Francisco High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Saint Hilarion of Gaza German: Heilige Hilarion von Gaza French: Saint-Hilarion de Gaza Spanish: San Hilario de Gaza High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Worship by the shepherds German: Anbetung durch die Hirten French: L'adoration des bergers Spanish: Adoración de los pastores High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Abraham and the three angels German: Abraham und die drei Engel French: Abraham et les trois anges Spanish: Abraham y los tres ángeles High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Christ and Angel in the Garden of Gethsemane German: Christus und Engel im Garten Gethsemane French: Christ et Ange dans le Jardin de Gethsémané Spanish: Cristo y Ángel en el Jardín de Getsemaní High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Moses is being found out German: Moses wird entdeckt French: Moïse est découvert. Spanish: Moisés está siendo descubierto High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Israelite women guard the herd German: israelitische Frauen bewachen die Herde French: Les femmes israélites gardent le troupeau Spanish: Las mujeres israelitas vigilan el rebaño High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Judit cuts off the head of Holofernes German: Judit schneidet Holofernes Kopf ab French: Judit coupe la tête de Holofernes Spanish: Judit corta la cabeza de Holofernes High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Portrait of Gian Rinaldo Carli German: Porträt von Gian Rinaldo Carli French: Portrait de Gian Rinaldo Carli Spanish: Retrato de Gian Rinaldo Carli High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Portrait of painter Giovanni Battista Pittoni German: Porträt des Malers Giovanni Battista Pittoni French: Portrait du peintre Giovanni Battista Pittoni Spanish: Retrato del pintor Giovanni Battista Pittoni High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Peter receives the keys of Christ German: Petrus empfängt die Schlüssel Christi French: Pierre reçoit les clés du Christ Spanish: Pedro recibe las llaves de Cristo High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Saint Catherina of Siena with crown of thorns German: Heilige Caterina von Siena mit Dornenkrone French: Sainte Catherina de Sienne avec couronne d'épines Spanish: Santa Catalina de Siena con corona de espinas High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Hope, Faith and Love German: Hoffnung, Glaube und Liebe French: Espérance, foi et amour Spanish: Esperanza, fe y amor High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Ascension of Mary German: Himmelfahrt Marias French: Ascension de Marie Spanish: Ascensión de María High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Zustand: New. Reproduction. Original title: Saint Hieronymus with two angels German: Heiliger Hieronymus mit zwei Engeln French: Saint Hieronymus avec deux anges Spanish: San Jerónimo con dos ángeles High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Zustand: New. Reproduction. Original title: Piazza San Pier Maggiore German: Piazza San Pier Maggiore French: Piazza San Pier Maggiore Spanish: Piazza San Pier Maggiore High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1717). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Zustand: NEW.

Zustand: Buono (Good). I ed. della pubblicazione periodica quattordicinale (usciva il martedì) edita dall'Istituto Geografico De Agostini DeAGOSTINI - ideaDonna n. 3. La presente pubblicazione deriva in parte da "La buona cucina". Redazione: IGDA, via Montefeltro 6/a, Milano. IV/52/rilegatura rifinita in carta patinata (Progetto e realizzazione grafica della copertina: G & P. Communication, Milano). Illustrazioni fotografiche a colori nel testo. Referenze fotografiche: IGDA/I. Feroldi; IGDA/P. Martini; IGDA/M. Sarcina; IGDA/A. Valentini. Coordinamento fotografico a cura del Centro Iconografico dell'Istituto Geografico De Agostini. Progetto e realizzazione grafica dei volumi della collana: Apotema s.a.s. Redazione: Cristina Pradella. Stato buono (volume nel complesso leggermente brunito). Book.…

Zustand: new.

Milano, Angeli, 1978, in-8, br. editoriale, pp. 119. Ottime condizioni.

749 p. in-8.

In 16° (cm. 15,5 x 10,5); pagg. 142; con 28 illustrazioni fotograf. anche a piena pagina n.t.; leggera cartonatura origin. VG. ** Ottmo esemplare. "Si vende a beneficio dei restauri del 'Sacro Speco'".

Rilegato. Zustand: ottimo. prima edizione, edizione illustrata. 4° Pagine 1 carta bianca + antiporta incisa in rame di Pietro Monaco su disegno di Bartolomeo Nazari + 4 carte non numerate + incisione a piena pagina di Pietro monaco su disegno di Pietro Antonio Novelli + 159. Legatura coeva in piena pergamena. Titolo on oro al dorso su tassello. Capolettera e vignette incise. Tra le vignette ne segnaliamo una che raffigura il Lago di Garda con Peschiera in primo piano. Prima edizione. Un bellissimo volume illustrato veneziano del XVIII secolo contenente composizioni del poeta e librettista Carlo Innocenzo Frugoni (1692-1768), epistole di Francesco Algarotti (1712-1764) e dodici brevi poesie dello scrittore gesuita Saverio Bettinelli (1718-1808). Questi versi sono preceduti da dieci lettere di Bettinelli, firmate Publio Virgilio Marone, che deridono "gli abusi introdotti nella poesia italiana". Ottimo e fresco esemplare. Cfr: Lapiccirella, 172 Morazzoni, p. 232 (che cita solo la ristampa del 1766) Melzi, III, 212 Lanckoronska, 113. Francesco Novelli Pietro Monaco (illustrator).…

Incisione su rame all'acquaforte e bulino di 502 x 360 mm., applicata su cartoncino ottocentesco. II stato su V. Alcuni difetti e qualche piccola mancanza. Al centro in basso: "La presentazione di Christo al Tempio. Et ecce homo erat inJerusalem cui nomen Simeon, et cura inducerent puerum Iesum parentes eus, ut facereat secundum consuetudinem legis pro eo et ipse accepit eum in ulnas suas, et benedixit Deum. Luc. Cap. II v. 25 & a 7. Pittura di Sebastiano Rizzi posseduta dal illu Antonmaria Zanetti Q. Girolamo A. & M. Materdomini.". In piccolo a sinistra "Pietro Monaco scul et del"; a destra "e forma in Venezia". La complessa vicenda di riedizioni della "Raccolta di cinquanta cinque storie sacre incise in altrettanti rami" è segnata da varie tappe editoriali e di modifica nello stato dei rami, a partire dalla prima pubblicazione a Venezia, avvenuta in fascicoli dal 1739 e in volumi dal 1743 (per la storia dettagliata della serie, delle diverse ristampe e degli stati delle matrici si veda Apolloni 2000 e Apolloni in Donvito, Ton 2012, pp. 361-362, 376-379). La serie venne portata nel tempo fino a 112 soggetti, di cui sono stati individuati a livello indicativo cinque stati diversi, corrispondenti rispettivamente a un primo stato delle lastre mantenutosi fino all'edizione veneziana di Guglielmo Zerletti del 1763, dal titolo "Raccolta di cento dodici stampe di pitture della storia sacra incise per la prima volta in rame fedelmente copiata dagli originali di celebri autori antichi", a un secondo stato con aggiunta di una sequenza delle tavole in numeri arabi nell'edizione curata da Alessandri e Scattaglia nel 1772 (dal titolo "Raccolta di cento e dodeci quadri rappresentanti istorie sacre dipinti da' più celebri, e rinomati pittori"), a un terzo stato recante l'indirizzo di Teodoro Viero nell'edizione del 1789, a un quarto stato con indirizzo milanese dei fratelli Pietro e Giuseppe Vallardi nell'edizione ottocentesca (forse tra il 1819 e il 1822), per arrivare al quinto e ultimo stato noto, in cui viene abrasa l'indicazione di edizione dei Vallardi. Anche per la cornice decorativa, ricavata su matrice separata da disegno di Giambattista Crosato, risultano noti quattro diversi stati. Molte stampe, infatti, sono ricavate con due matrici, una per la cornice e una per l'immagine al centro. (EN) Etching and burin copper engraving measuring 502 x 360 mm, applied on nineteenth-century cardboard. II condition on V. Some defects and some small shortcomings. Bottom center: "The presentation of Christ in the Temple. Et ecce homo erat inJerusalem cui nomen Simeon, et cura inducerent puerum Iesum parentes eus, ut facereat secundum consuetudinem legis pro eo et ipse accepit eum in ulnas suas, et benedixit Deum. Luc . Chapter II v. 25 & a 7. Painting by Sebastiano Rizzi owned by the illu Antonmaria Zanetti Q. Girolamo A. & M. Materdomini.". In small on the left "Pietro Monaco scul et del"; on the right "and form in Venice". The complex story of re-editions of the "Collection of fifty-five sacred stories engraved in as many branches." is marked by various editorial stages and changes in the state of the branches, starting from the first publication in Venice, which took place in installments from 1739 and in volumes from 1743 (for the detailed history of the series, the various reprints and the states of the matrices, see Apolloni 2000 and Apolloni in Donvito, Ton 2012, pp. 361-362, 376-379). The series was brought over time up to 112 subjects, of which five different states have been identified at an indicative level, corresponding respectively to a first state of the plates which remained until the Venetian edition by Guglielmo Zerletti in 1763, entitled "Collection of one hundred and twelve prints of paintings of sacred history engraved for the first time in copper faithfully copied from the originals of famous ancient authors", to a second state with the addition of a sequence of tables in Arabic numerals in the edition edited by Alessandri and Scattaglia in 1772 (titled "Collection of one hundred and twelve paintings representing sacred stories painted by the most famous and renowned painters."), to a third state bearing the address of Teodoro Viero in the 1789 edition, to a fourth state with the Milanese address of the Pietro brothers and Giuseppe Vallardi in the nineteenth-century edition (perhaps between 1819 and 1822), to arrive at the fifth and last known state, in which the Vallardi edition indication is abraded. Four different states are also known for the decorative frame, obtained from a separate matrix based on a design by Giambattista Crosato. Many prints, in fact, are made with two matrices, one for the frame and one for the image in the center. 18mo secolo.…

Incisione su rame all'acquaforte e bulino di 511 x 373 mm , di 548 x 419 mm. III/V stato. Bella carta vergata forte con filigrana (corona). Proveniente da: Raccolta di cento e dodeci quadri rappresentanti istorie sacre dipinti da' più celebri, e rinomati pittori. In centro: "S: Gio Battista nel deserto. In diebus illis venit Ioannes Baptista, predicans in deserto Iudee .Ipse autem Ioannes habebat vestimentum de pilis camelorum, et Zonam pelliceam. Tunc exibat ad eum Hierosolijma, et omnis Iudea. Matt. Cap. III v. I. 4. 5. Pittura di Francesco Zuccarelli, posseduta dal sig. Carlo Orsolini.". Più in basso in piccolo a sinistra "Pietro Monaco del sculp", a destra "App.sso Teodoro Viero in Venezia". (EN) Copper etching and burin measuring 511 x 373 mm, 548 x 419 mm. III/V state. Beautiful strong laid paper with watermark (crown). Coming from: Collection of one hundred and twelve paintings representing sacred stories painted by the most famous and renowned painters. In the center: "S: John the Baptist in the desert. In diebus illis venit Ioannes Baptista, preachans in Gerusalemme Iudee .Ipse autem Ioannes habebat vestimentum de pilis camelorum, et Zonam pelliceam. Tunc exibat ad eum Hierosolijma, et omnis Iudea. Matt. Chapter III v. 4. 5. Painting by Francesco Zuccarelli, owned by Mr. Carlo Orsolini. Further down in small text on the left "Pietro Monaco del sculp", on the right "App.sso Teodoro Viero in Venezia". 18mo secolo.…