Sprache: Englisch
Verlag: White Horse Press, 2024. 9781912186860, 2024
ISBN 10: 1912186861 ISBN 13: 9781912186860
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In den Warenkorb1st edn. 8vo. Original laminated pictorial boards (Fine), no dustwrapper. Pp. xx + 213, illus with b&w photos in text and other figures (no inscriptions).
Sprache: Englisch
Verlag: The White Horse Press, Cambridge, 2012
ISBN 10: 1874267693 ISBN 13: 9781874267690
Anbieter: PsychoBabel & Skoob Books, Didcot, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Dust Jacket. Hardcover without jacket in very good condition. Pages are clean and sound. TS. Used.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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Zustand: Hervorragend. Zustand: Hervorragend | Seiten: 52 | Sprache: Englisch | Produktart: Bücher | This small volume within the AIAC-proceedings is the result of a panel discussion on diversity in Classical Archaeology, and can be read as a call and pamphlet for more inclusivity and social justice in t he fi eld. In light of t he dismay of many concerning t he initial all-male keynote panel at AIAC2018, the panel was aimed at discussing broader issues concerning diversity and intersectionality in Greco-Roman archaeology. As archaeologists, we have made it one of our principal tasks to bring to the fore ¿the people without history¿ and show a more diverse image of the Greek and Roman past. Then why is this diversity not refl ected in the discipline itself? The all-male panel was symptomatic of more fundamental problems that the discipline suff ers from, both in terms of gender and its inseparably related issues of whiteness, class, and the ¿Classical¿. The AIAC-panel proved to be a constructive and empowering meeting ground, where vital matters of inequality and injustice were discussed, as well as the discipline¿s capability of moving towards a more self-refl exive and socially engaged future. The contributions in this volume count as a refl ection of this fruitful and ongoing debate, which will hopefully lead to more awareness as well as more dialogue. DE.
Anbieter: Buchpark, Trebbin, Deutschland
Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 346 | Sprache: Englisch | Produktart: Bücher | Deserts - vast, empty places where time appears to stand still. The very word conjures images of endless seas of sand, blistering heat and a virtual absence of life. However, deserts encompass a large variety of landscapes and life beyond our stereotypes. As well as magnificent Saharan dunes under blazing sun, the desert concept encompasses the intensely cold winters of the Gobi, the snow- covered expanse of Antarctica and the rock- strewn drylands of Pakistan. Deserts are environments in perpetual flux and home to peoples as diverse as their surroundings, peoples who grapple with a broad spectrum of cultural, political and environmental issues as they wrest livelihoods from marginal lands. The cultures, environments and histories of deserts, while fundamentally entangled, are rarely studied as part of a network. To bring different disciplines together, the 1st Oxford Interdisciplinary Deserts Conference in March 2010 brought together a wide range of researchers from backgrounds as varied as physics, history, archaeology anthropology, geology and geography. This volume draws on the diversity of papers presented to give an overview of current research in deserts and drylands. Readers are invited to explore the wide range of desert environments and peoples and the ever-evolving challenges they face.
Verlag: , Ludion / KMSKA,
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgien
Verbandsmitglied: ILAB
Hardback, Dimensions 290 x 235 mm, 224 Pages, Language; Fr. edition. NEUF. ISBN 9789464781205. En 1938, Ren Magritte donne une conf rence au Mus e royal des Beaux-Arts d'Anvers sur sa vision de la r alit . Il y voque l'origine et le d veloppement de son art, ainsi que l'histoire du mouvement surr aliste en Belgique. Intitul e La Ligne de Vie , cette conf rence - la seconde apr s celle de l'Exposition Internationale du Surr alisme Londres - est la plus importante que Magritte ait jamais donn e sur son ?uvre 0 g.