Mize ramey (32 Ergebnisse)

HARDCOVER. Zustand: As New. Hardcover edition. oblong quarto hc. As New condition, still in shrinkwrapper.

Zustand: New.

Hardback. Zustand: New. The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right   American artist Winslow Homer (1836-1910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did."   This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art.   Published in association with the Portland Museum of Art  Exhibition Schedule:   Portland Museum of Art, Maine July 3-October 18, 2026.…

hardcover. Zustand: Very Good.

Hardback. Zustand: New. The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey's work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey's art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey's work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey's art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.…

Hardback. Zustand: New. The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right   American artist Winslow Homer (1836-1910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did."   This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art.   Published in association with the Portland Museum of Art  Exhibition Schedule:   Portland Museum of Art, Maine July 3-October 18, 2026.…

hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Zustand: New.

hardcover. Zustand: New. Special order direct from the distributor.

Hardcover. Zustand: Brand New. 224 pages. 8.00x10.50x79.92 inches. In Stock.

Hardcover. Zustand: Brand New. 224 pages. 8.00x10.50x79.92 inches. In Stock.

Hardcover. Zustand: Brand New. 224 pages. 8.00x10.50x79.92 inches. In Stock.

Hardcover. Zustand: Brand New. 160 pages. 12.00x9.50x0.97 inches. In Stock.

Zustand: New.

Zustand: New.

Zustand: New. 2026. Standard Edition. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Zustand: New. The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right   American artist Winslow Homer (1836-1910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did."   This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art.   Published in association with the Portland Museum of Art  Exhibition Schedule:   Portland Museum of Art, Maine July 3-October 18, 2026.…

Zustand: NEW.

Zustand: New. Jaime DeSimone is chief curator at the Farnsworth Art Museum. She was formerly the Robert and Elizabeth Nanovic Curator of Contemporary Art at the Portland Museum of Art, Maine.Ramey Mize is assistant curator of American art at the Por.

Hardback. Zustand: New. The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey's work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey's art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.…

Buch. Zustand: Neu. Neuware - The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right American artist Winslow Homer (18361910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did." This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art, Maine July 3October 18, 2026.…

Zustand: New. 2026. Standard Edition. hardcover. . . . . .

Zustand: New.

Rilegato. Zustand: nuovo. edizione illustrata. pp. 188; ill. a colori; rilegato cartonato The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right American artist Winslow Homer (1836-1910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did." This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art. Published in association with the Portland Museum of Art.…

Hardcover. Zustand: new. Hardcover. The first comprehensive exploration of Homer's etchings in the context of his paintings and as fully realized artworks in their own right American artist Winslow Homer (18361910) is renowned for his masterful depictions of American life that offer sensitive portrayals of the complexity of the U.S. Civil War and Reconstruction periods, dazzling watercolors from extensive travels across the Atlantic, Adirondacks, and Caribbean, as well as monumental marines from his studio home in Prouts Neck, Maine. His early work in the 1850s and 1860s as a commercial illustrator for magazines such as Harper's Weekly and Ballou's Pictorial is well documented; less well known is the series of etchings Homer completed later in his career, between 1884 and 1889, which he counted among his finest artistic achievements, asserting that they were "as good work . . . as I ever did." This book is the first to foreground the role of Homer's understudied etchings within his growing stature as an artist and his evolving strategies in the rapidly evolving nineteenth-century pictorial landscape. Most of these prints revisit subjects of popular oil paintings and watercolors by the artist, including The Life Line (1884), Eight Bells (1886), and Mending the Nets (1882), and highlight his captivation with the medium through extravagant linework, lush details, and a dazzling variety of intaglio techniques. Featuring essays by respected scholars and curators, and illustrated with dozens of objects and comparative images that document progressive work across states, this book will enthrall Homer enthusiasts as it reorients the importance of the artist's etching practice within his prolific oeuvre and against the backdrop of late nineteenth-century American art. Published in association with the Portland Museum of Art Exhibition Schedule: Portland Museum of Art, Maine July 3October 18, 2026 Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Zustand: New. The only book on award-winning Indigenous basket maker Jeremy Frey, accompanying his first major traveling exhibition.Frey (Passamaquoddy) is one of the most respected Indigenous basket makers working today. Descended from a long line of basket makers, his work is known for its intricate design and exquisite artistry, which reflect both traditional techniques and his own creative vision.This catalogue considers his work from a variety of perspectives. Secord, whom Frey credits for guiding his career as the founder of Maine Indian Basketmakers Alliance, contributes a detailed biographical essay. DeSimone situates Frey's work in the broader field of contemporary art, with a specific focus on the new video work he is making for the exhibition. Hoska focuses on Frey's art in the broader context of Native basket and fiber arts. And Mize considers the ways in which his expanding practice registers ecological knowledge, time, and the impact of climate change.…