misiano viktor (36 Ergebnisse)

Paperback. Zustand: Very Good. MJ Manifesta Journal: v. 10: The Curator as Producer This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Zustand: Very good.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Gr.-8°. Orig.-Karton. 167 S. mit Abbildungen. Erste Ausgabe. - Gutes Exemplar. Sprache: Englisch Gewicht in Gramm: 800.

Zustand: New.

Hardcover. Zustand: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

ca. 24cm x 16,5cm. 78, (2) p. Original boards (softcover) with title to cover. Boards slightly worn, inside in very good condition. (= Manifesta Journal - journal of contemporary curatorship, No1). ################## LIEBE KUNDEN, WIR MACHEN UNSERE JÄHRLICHE FRÜHLINGSAKTION MIT MINDESTENS 30% RABATT AUF DEN GESAMTEN BESTAND. DIE ERMÄSSIGUNG GILT AB SOFORT, DER RABATT IST IN DEN ANGEZEIGTEN PREISEN BEREITS ENTHALTEN. ÜBER IHR INTERESSE AN UNSEREN SELTENEN STÜCKEN WÜRDEN WIR UNS WIE JEDES JAHR SEHR FREUEN ###################.

SOFTCOVER. Zustand: Fine. 1st Edition. Large 4to. in stiff card covers, 96pp on various types of paper, illustrations in text, colour plates, etc . [CONDITION: An extremely well preserved FINE very clean and tight unmarked copy (text leaves tanned) ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

paperback. Zustand: Very Good. colour illustrations (illustrator). Catalogue for the exhibition of Post-Soviet art, Museum of Contemporary Art Kiasma (Helsinki) June-September 2007, with focus on art from Central Asia and specifically Kazakhstan, but also including Georgia, Kyrgyzstan, Armenia, etc; text is bi-lingual Finnish/English; colour illustrations throughout; very minor knock to fore-edge, with very minor creases to edges of some pages, o.w. Very Good tight clean copy. . 152pp. 8vo. Very Good.

Gebundene Ausgabe, 4°. Zustand: Sehr gut. 1. 288 S. Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. -----Inhalt:. Franco Viola  paints landscapes based on sketches he produces during tours in the mountains and along the coast near his hometown. During the painting process in the studio, the sketches are enriched and supplemented by his memories of things he has personally perceived or of paintings from the treasure trove of art history. This book deals less with the resulting works as such and more with the everyday life of a contemporary painter in todays Italy, taking Viola as an example. What exactly does it mean to go to the studio every day and stand in front of a canvas? What is the relationship between contemporary life and what becomes visible as color and form on the canvas? On a journey through the artists world, readers are invited to pursue these and other questions while immersing themselves in Violas intensely colorful paintings.FRANCO VIOLA (*1953 Gaeta) graduated from the University of Rome in 1977 with a degree in electrical engineering and worked for a long time in research on spatial theory before devoting himself entirely to art in the mid-1990s.FRANCO VIOLA (*1953 Gaeta) graduated from the University of Rome in 1977 with a degree in electrical engineering and worked for a long time in research on spatial theory before devoting himself entirely to art in the mid-1990s. ISBN: 9783775746441 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Englisch Gewicht in Gramm: 1746.

Paperback. Zustand: FINE. 225, [3] pp. Sewn binding in glossy printed French-flap wraps. Color illustrated. FINE copy, entirely clean and sharp. Catalog of the exhibition in Ljubljana, at the Moderna galerija, Dec. 20, 2004-Mar. 13, 2005. '7 sins, Ljubljana-Moscow deals with the issue of the Eastern European space and its identity. The exhibition describes this identity through seven typical characteristics: Collectivism, Utopianism, Masochism, Cynism, Laziness, Non-professionalism, Love of the West. These can be understood as deficiencies or weaknesses but also as virtues, contributed by the eastern Europeans to the common European cultural identity.' (Publisher's blurb).

4°, gebundene Ausgabe. Zustand: Sehr gut. 52 S., lll. Gebraucht: sehr guter Zustand. Sprache: Deutsch Gewicht in Gramm: 550.

Zustand: Sehr gut. 1. 288 S. Alle Bücher & Medienartikel von Book Broker sind stets in gutem & sehr gutem gebrauchsfähigen Zustand. Unser Produktfoto entspricht dem hier angebotenen Artikel, dieser weist folgende Merkmale auf: Helle/saubere Seiten in fester Bindung. Leichte Gebrauchsspuren. Altersfreigabe FSK ab 0 Jahre Sprache: Englisch Gewicht in Gramm: 1760 Gebundene Ausgabe, Maße: 24.38 cm x 3.05 cm x 28.7 cm.

Soft Cover. Zustand: Near Fine. 1st Edition. Released alongside an exhibition of the same name, held at the Kiasma Museum of Modern Art, Helsinki during 21.6.-30.9.2007. The book presents contemporary art from the territory of the former Soviet republics: Moldova, Armenia, Georgia and Russia as well as Kazakhstan, Kyrgyzstan and Uzbekistan, telling about the present with texts and pictures, when young countries are building their new identity. The works of 14 artists reflect a contradictory situation, where traditional rich culture merges with the legacy of the Soviet era and hopes for a better future. Text in Finnish and English. 152 pp.

Hard Cover. Zustand: Fine. This is a fine hardcover copy in as new condition with no wear at all. Completely clean inside and out. Text in Russian and English. This catalog was preprared to accompany the exhibition at the Moscow Museum of Contemporary Art in 2007. Exhibition curated by Yevgeniya Kikodze. Interviews with the artists, exhibition history. Illustrated throughout in color. Lime green illustrated boards, no jacket as issued. 14" high X 10" wide, 63 pages. A fine unused copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.

Tapa dura. 60 Arte.

Verleger: Idea Books . Datum: 1996. 168 unpaginierte Seiten mit zahlr. teils ganzs. Farb- und Schwarweissabb. Englisch . 4. OKarton. Erschienen anlaesslich der ersten Manifesta 1996 in Rotterdam. Sehr gut erhalten.

Auflage: 10000 Exemplare. 26 x 19 cm. 167 S., 1 Blatt. OKarton. Seitenränder leicht lichtrandig, sonst gutes Exemplar. Jährlich findet in wechselnden Ländern bzw. Städten die Manifesta statt. Hier der Katalog zur legendären Premiere in Rotterdam 1996. Durchgehend farbige Abbildungen. Texte in Englisch.

Zustand: Good. 8vo. 10 pp. Soft cover. Very Good. Color plates. Includes letter from the artist to Selz.From the collection of Peter Selz, Art History Professor at UC Berkeley.

Zustand: New.

Altersgemäß sehr guter Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Softcover, 23.5 x 16.5 cm, 111 pages, Dutch, English, Russian. *Fine condition. ISBN 9072828291. Editors : Bart De Baere (Director MuHKA), Viktor Misiano & Yonah Foncé (Curator MuHKA). Texts : Bart De Baere & Viktor Misiano, Vladislav Sofronov-Antomoni, and the artists. 0 g.

Softcover, 22.5 x 16.6 cm, 136 pages, English. *fine condition. ISBN 9789081666503. Concept : Bart De Baere, Director M HKA. Editor : Leen De Backer, Curator M HKA. Texts : Bart De Baere, Viktor Misiano, Daniel Muzyczuk, Agnieszka Pindera, Dieter Roelstraete (Curator M HKA), Leen De Backer and Maja Lozic (M HKA staff). This publication is the result from the focus on the former Soviet Union in the M HKA collection. It is contextualised by two essays written by Viktor Misiano and by Daniel Muzyczuk and Agnieszka Pindera. Viktor Misiano concentrates on recent developments and analyses how artists process the historical trauma of the collapse of the Soviet Union. Muzyczuk and Pindera argue on the discord cohesion/diversity. 0 g.

Culture, Amsterdam, 2000, 78 Seiten, mit einigen Abbildungen, kartoniert---- gutes Exemplar - 200 Gramm.

4°, 229 S., zahlr. farb. Abb., Kart., Untere Ecke bestossen, Läsur in vord. Rückenkante u. a. vord. Vs., innen sonst tadellos. Erschienen anlässlich der Ausstellung. Text engl. - «Yelena Vorobyeva was born 1959 in Balkanabat (former Nebit Dag), Turkmenistan. Viktor Vorobyev was born 1959 in Pavlodar, Kazakhstan. They live and work in Almaty. Yelena and Viktor Vorobyev have been working together since 1990s. Their usage of different genres and techniques results in multi-layered, often ironic, works focussing on Post-Soviet realities of constant change, disorientation and their effects on everyday life. The artists have been compiling a precise record of the ephemeral and quotidian details of daily life, local particulars, subjects that have been often overlooked and are not exactly photogenic. They do so in series, sorting images according to their typology. While seemingly insignificant, these details (of objects, colours and customs) are integral to the creation of the new symbols of power, and serve as poignant social metaphors. The pair engages deeply with the environment they live in, examining its socio-cultural underlining, using a light and humorous approach. In 2015 Aspan Gallery has staged Vorobyevs' mid-career restrospective The Artist is Asleep at the A. Kasteev Museum of Arts, Almaty, curated by Viktor Misiano. Notable recent group shows include Viva Arte Viva, 57th Venice Biennale (2017), 8th Asia-Pacific Triennale in Brisbane (2015), BALAGAN!!! in Berlin (2015), The Beast and the Sovereign at MACBA in Barcelona and Württembergischer Kunstverein in Stuttgart (2015), 1st Kyiv Biennale (2012), 14th Sculpture Biennale of Carrara (2010) and Central Asia Pavilion at the Venice Biennale (2009, 2005).» 1600 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.

4°, 208 S., zahlr. farb. Abb., Kart., Untere Ecke min. gedrückt, sonst tadellos. Erschienen anlässlich der Ausstellung. Text engl. - «On 12 February 2015 ?Eternal Return?, the first solo museum show of contemporary Kazakh artist Yerbossyn Meldibekov, opened at the A. Kasteev Museum of Arts in Almaty. This project was initiated by the Aspan Gallery in partnership with ForteBank. The exhibition is curated by Viktor Misiano, curator of the first Central Asia pavilion at the 2005 Venice Biennale. This exhibition is the first of a series of monographic exhibitions celebrating Central Asia's leading contemporary artists, including Yelena Vorobyeva and Viktor Vorobyev, Gulnara Kasmalieva and Muratbek Djumaliev, Almagul Menlibayeva, Said Atabekov and Vyacheslav Akhunov. Yerbossyn Meldibekov?s exhibition title ?Eternal Return? has several meanings. First, it points to the specificity of Meldibekov's works, who since the beginning of his career has been in a constant dialogue with his artistic heritage. Many of these works are linked to the classical examples of European painting and sculpture, while others are related to the traditional and contemporary art of Central Asia. Secondly it refers to the search for national roots, one of the main goals of Meldibekov's art. Traditional culture has inspired the artist not only to change and renew, but also to repeat and return. Finally, ?Eternal Return?is crucial to understanding the destiny of Central Asia, where, according to Meldibekov, historical processes do not follow a linear progression but move in circles and constantly repeat themselves. We should not forget that this view of history was suggested at the dawn of Modernity by Friedrich Nietzsche, whose term ?eternal return?Meldibekov makes use of. The exhibition concept ?the appeal to art as a self-referential cycle of forms and themes ?is reflected in the idiosyncrasy of its installation. Meldibekov?s works are presented at the museum not only in its temporary exhibitions rooms but also among pieces from its permanent collection, placing contemporary art into direct dialogue with works of the ancient and recent past. Although his works have been widely exhibited in the most prestigious art institutions worldwide, ?Eternal Return? represents Meldibekov?s first comprehensive solo exhibition in his home country of Kazakhstan. This exhibition presents visitors with the opportunity to view all the facets of Meldibekov?s multimedia and diverse practice, from sculpture and installation to video, performance and photography. Famous and critically acclaimed works by the artist, such as Black Square (2004), Transformer (2013), Contest (2010-2013, in collaboration with Boris Golender) and Fog (2011) are presented in Almaty for the first time, alongside his new works Brezhnev-Giacometti (2015), One-Day Visa (2014), Spit (2014), Stamp (2014-2015), Self-Portrait with My Idols (2014-2015) and Phantom Invasion (2015) created especially for the exhibition.» 1600 gr. Schlagworte: Kunst - Monographien, Kunst - 20 Jht. nach 1945.

Hardcover. Zustand: Fair in fair dj. First Edition. 23 x 30cm 335pp fair hardback with dust jacket, a slight tear towards the spine on front of jacket, one or two nicks along bottom edge. Illustrated with colour reproductions accompanied by Russian and English text.