Mills robert p ed (21 Ergebnisse)
Venture Science Fiction, Vol. 1 No. 3: May 1957
Mills Robert P. (Ed. ) with James E. Gunn, Theodore Sturgeon et al
Verlag: Fantasy House Inc, New York, 1957
- Softcover
Anbieter: DogStar Books, Lancaster, PA, USADogStar Books
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In den WarenkorbPaperback. Zustand: Near Fine. Cover art; B&W Drawings; Small 8vo 7½" - 8" tall; 130 pages; Digest sized magazine in color illustrated wraps. Bright, tight copy. Expected toning to the page stock. Small red marker strip top edge. Illustrated with color cover by Emsh and B&W drawings, NF. Illustrated by Emsh; Giunta and Smith (il…lustrator).
- Hardcover
Anbieter: Chapter 1, Johannesburg, GAU, SüdafrikaChapter 1
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Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Fair. jacket is shelf rubbed, torn and tape repaired. edge wear on boards. tanning, foxing and soiling. well bound. fair copy.[S.K]. Our orders are shipped using tracked courier delivery services.
Verlag: Doubleday, New York, 1962
- Hardcover
- Erstausgabe
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USABetween the Covers-Rare Books, Inc. ABAA
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In den WarenkorbHardcover. Zustand: Very Good. First edition. Very good plus. Hardcover rubbed at spine ends and lightly bumped corners, cover and foredges lightly soiled, writing on front endpaper.
Verlag: Dell X12, 1962
- Softcover
- Erstausgabe
Anbieter: Books From California, Simi Valley, CA, USABooks From California
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In den Warenkorbpaperback. Zustand: Good. First Edition. First printing, General shelfwear to the cover and page edges. Some tanning to the pages mainly on the edges.
Verlag: Victor Gollancz Ltd, 1962
- Hardcover
- Erstausgabe
Anbieter: Aucott & Thomas, Ibstock, Vereinigtes KönigreichAucott & Thomas
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In den WarenkorbHardcover. Zustand: Good. First Edition. Clean hardback tightly bound in red cloth with faded gilt titles, spine sunned, cloth marked on back board, no inscriptions. 402 pages. Includes John Masefield, Anthony Boucher and Theodore Sturgeon.
Verlag: Panther Books, 1964
Anbieter: Cotswold Internet Books, Cheltenham, Vereinigtes KönigreichCotswold Internet Books
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In den WarenkorbZustand: Used - Good. Good paperback. 9th series, 1964. Pages yellowed. Small, rough losses to fore-edge of rear cover and last several pages. Spine creased with slight lean.
(Science Fiction Art) Proof Of Cover Painting For The Magazine Of Fantasy And Science Fiction, November 1961
Edited By Robert P. Mills; Color Illustration By Ed Emshwiller (Emsh)
Sprache: Englisch
Verlag: Mercury Press, New York, 1961
- Erstausgabe
- Kunst / Grafik / Poster
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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In den WarenkorbNo Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Someti…mes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).
(Science Fiction Art) Proof Of Cover Painting For The Magazine Of Fantasy And Science Fiction, December 1961
Edited By Robert P. Mills; Color Illustration By Ed Emshwiller (Emsh)
Sprache: Englisch
Verlag: Mercury Press, New York, 1961
- Erstausgabe
- Kunst / Grafik / Poster
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
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EUR 40,04
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In den WarenkorbNo Binding. Zustand: Fine. Original Proof Illustration. Proof, Color. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Sometimes Used Ed… Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).
Venture Science Fiction Magazine. Australian Edition August 1964. (British Edition June 1964, No. 10)
Mills, Robert P. (ed,); var. authors, including Keith Laumer, Judith Merril, Israel Zangwill
Verlag: Atlas Publishing, London, 1964
- Softcover
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den WarenkorbOctavo, printed wraps, b&w illus, pp 112. Wraps worn, and lightly marked, especially around the edges. Pages lightly toned. Good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. ( A British edition appeared fo…r 28 issues between 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia, ) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes a long featured story by Israel Zangwill, "Satan Mekatrigg"; four short stories by Keith Laumer, Judith Merril, Kem Bennett and Willard March; and two novelettes, by Edmund Hamilton ("No Earthman, I") and F.L. Wallace ("The Nevada Virus").
Venture Science Fiction Magazine. Australian Edition May 1964. (British Edition March 1964)
Mills, Robert P. (ed,); var. authors, including Alfred Bester
Verlag: Atlas Publishing, London, 1964
- Softcover
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den WarenkorbOctavo, printed wraps, b&w illus, pp 112. Spine lightly worn, pages lightly toned, very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. ( A British edition appeared for 28 issues between 1963 and 1965; i…t reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia, ) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes: three short stories, including L. Sprague de Camp "How to Plan a Fauna" and Charles G. Finney "The Horsenapping of Hotspur"; three novelettes including Alfred Bester "They Don't Make Life Like They Used To"; and a featured longer story, "The Makers of Destiny".
Venture Science Fiction Magazine. Australian Edition April 1964. (British Edition February 1964)
Mills, Robert P. (ed,); var. authors, including Arthur C. Clarke, Richard Matheson
Verlag: Atlas Publishing, London, 1964
- Softcover
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den WarenkorbOctavo, printed wraps, b&w illus, pp 112. Spine lightly worn, pages lightly toned, very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. ( A British edition appeared for 28 issues between 1963 and 1965; i…t reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia, ) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes: eight short stories, including Arthur C. Clarke ("Of Mind and Matter"), Richard Matheson ("The Edge"), C.M. Kornbluth ("The Education of Tigress McArdle"); and a featured longer story, "Not So Great an Enemy" by James E. Gunn.
Venture Science Fiction Magazine. Australian Edition February 1964. (British Edition December 1963, No. 4.)
Mills, Robert P. (ed,); var. authors, including P.G. Wodehouse, Robert Bloch, James E. Gunn
Verlag: Atlas Publishing by arrangement with Mercury Press, London, 1964
- Softcover
- Erstausgabe
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den Warenkorb1st thus. Octavo, printed wraps, b&w illus, pp 128. Light wear to edges, spine slanted, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. (A British edition appeared for 28 issues… between 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia.) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes: four short stories by Chrles G. Finney, Avram Davidson, Will Worthington, and Robert Bloch; three novelettes by Algis Budrys, Walter M. Miller and Lincoln Boone, and P.G. Wodehouse; and a long featured story by James E. Gunn. (The somewhat unexpected in tis context P.G. Wodehouse story is "Honeysuckle Cottage", and involves Mr Mulliner and a story about a haunted house. It was apparently described by Ludwig Wittgenstein as the funniest thing he had ever read.).
Venture Science Fiction Magazine. Australian Edition June1964. (British Edition April 1964, No. 8)8
Mills, Robert P. (ed,); var. authors, including Roger Zelazny, Robert Silverberg, Miriam Allen de Ford
Verlag: Atlas Publishing, London, 1964
- Softcover
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den WarenkorbOctavo, printed wraps, b&w illus, pp 112. Spine lightly worn, pages lightly toned, very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. ( A British edition appeared for 28 issues between 1963 and 1965; i…t reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia, ) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes as the featured long story Roger Zelazny's Hugo-nominated "A Rose for Ecclesiastes". It also includes: three short stories by Alfred Bester ("The Men Who Murdered Mohammed"), Miriam Allen de Ford ("Timequake"), and Anthony Boucher ("The Pink Caterpillar"); and four novelettes, including Robert Silverberg's "The Winds of Siros".
Venture Science Fiction Magazine. Australian Edition January 1964. (British Edition November 1963, No. 3.)
Mills, Robert P. (ed,); var. authors, including Poul Anderson, Tom Godwin, Zenna Henderson, Rose Sharon
Verlag: Atlas Publishing by arrangement with Mercury Press, London, 1964
- Softcover
- Erstausgabe
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den Warenkorb1st thus. Octavo, printed wraps, b&w illus, pp 128. Light creasing to the covers, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. (A British edition appeared for 28 issues betwe…en 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia.) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes:four short stories by Otis Kidwell Burger, C.D. Heriot, R.M. McKenna and John Collier; four noveletters by Poul Anderson, Rose Sharon, Charles Foster and Zenna Henderson; and a featured longer story by Tom Godwin.
Venture Science Fiction Magazine. Australian Edition October 1964. (British Edition August 1964, No. 12)
Mills, Robert P. (ed,); var. authors, including Poul Anderson, Algis Budrys, Jane Rice, Carol Emshwiller
Verlag: Atlas Publishing, London, 1964
- Softcover
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den WarenkorbOctavo, printed wraps, b&w illus, pp 112. Wraps lightly worn, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. ( A British edition appeared for 28 issues between 1963 and 1965; i…t reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia, ) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes a long featured story by Poul Anderson, "The Game of Glory"; eight short stories, by Eleazar Lipsky, Carol Emshwiller, Jane Roberts, George P. Elliott, A. Bertram Chandler, Damon Knight, Jane Rice, and Leslie Jones; and two novelettes, by Algis Budrys and William Tenn.
Venture Science Fiction Magazine. Australian Edition December 1963. (British Edition October 1963, No. 2
Mills, Robert P. (ed,); var. authors, including Theodore Sturgeon, Leigh Brackett, Gordon R. Dickson, Sylvia Edwards, Edgar Pangborn
Verlag: Atlas Publishing by arrangement with Mercury Press, London, 1963
- Softcover
- Erstausgabe
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den Warenkorb1st thus. Octavo, printed wraps, b&w illus, pp 128. Light creasing to the covers, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958, and revived for a brief run in 1969 and 1970. (A British edition appeared for 28 issues betwe…en 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia.) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes six short stories by Hugo Correa, Gordon R. Dickson, Charles L. Fontemay, Allen Drury, Theodore Sturgeon, and Rex Lardner; novelettes by Leigh Brackett and Sylvia Edwards; and a long featured story by Edgar Pangborn.
Venture Science Fiction Magazine. Australian Edition November 1963. (British Edition September 1963, No. 1.)
Mills, Robert P. (ed,); var. authors, including Isaac Asimov, Alfred Bester, Frederik Pohl, Zenna Henderson
Verlag: Atlas Publishing by arrangement with Mercury Press, London, 1963
- Softcover
- Erstausgabe
Anbieter: Muir Books [Robert Muir Old & Rare Books], PERTH, WA, AustralienMuir Books [Robert Muir Old & Rare Books]
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In den Warenkorb1st thus. The first edition of the British edition of "Venture", republished in Australia. Octavo, printed wraps, b&w illus, pp 128. Small dent to the rear edge of the spine, pages lightly toned. Very good condition. Venture Science Fiction was an American digest-size science fiction magazine, first published from 1957 to 1958,…and revived for a brief run in 1969 and 1970. (A British edition appeared for 28 issues between 1963 and 1965; it reprinted material from The Magazine of Fantasy & Science Fiction as well as from the US edition of Venture. This is the Australian version of the British edition, which was published two months later in Australia.) The magazine published some well-known writers, and SF historian Mike Ashley has suggested it was ahead of its time. This issue includes eight short stories by Isaac Asimov, Theodore L. Thomas, Avram Davidson, Charles Beaumont, Otis Kidwell Burger, Les Cole, Rose Sharon, and Joseph Dickinson; two novelettes by James White ("Counter Security") and Alfred Bester ("The Pi Man"); and featured long story by Zenna Henderson, "Return".
Verlag: Dell, 1962
- Softcover
Anbieter: Storisende Versandbuchhandlung, Melle, DeutschlandStorisende Versandbuchhandlung
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In den WarenkorbZustand: gut. Sprache: English Taschenbuch .
(Science Fiction Art) Proof Of Cover Painting For The Magazine Of Fantasy And Science Fiction, February 1961
Edited By Robert P. Mills; Color Illustration By Ed Emshwiller (Emsh)
Sprache: Englisch
Verlag: Mercury Press, New York, 1961
- Erstausgabe
- Kunst / Grafik / Poster
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenVerbandsmitglied: IOBA
Zustand: Gebraucht - Gut bis sehr gut
EUR 57,83
EUR 6,91 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Someti…mes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).
(Science Fiction Art) Proof Of Cover Painting For The Magazine Of Fantasy And Science Fiction, December 1959
Edited By Robert P. Mills; Color Illustration By Ed Emshwiller (Emsh)
Sprache: Englisch
Verlag: Mercury Press, New York, 1959
- Erstausgabe
- Kunst / Grafik / Poster
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenVerbandsmitglied: IOBA
Zustand: Gebraucht - Gut bis sehr gut
EUR 57,83
EUR 6,91 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Someti…mes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).
(Science Fiction Art) Proof Of Cover Painting For The Magazine Of Fantasy And Science Fiction, February 1960
Edited By Robert P. Mills; Color Illustration By Ed Emshwiller (Emsh)
Sprache: Englisch
Verlag: Mercury Press, New York, 1960
- Erstausgabe
- Kunst / Grafik / Poster
Anbieter: Arroyo Seco Books, Pasadena, Member IOBA, Pasadena, CA, USAArroyo Seco Books, Pasadena, Member IOBA
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenVerbandsmitglied: IOBA
Zustand: Gebraucht - Gut bis sehr gut
EUR 57,83
EUR 6,91 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbNo Binding. Zustand: Near Fine. Original Proof Illustration. Proof, Color Print. Fine. Edmund Alexander Emshwiller (1925 - 1990), Better Known As Ed Emshwiller, Was An American Visual Artist Notable For His Science Fiction Illustrations And His Pioneering Experimental Films. He Usually Signed His Illustrations As Emsh But Someti…mes Used Ed Emsh, Ed Emsler, Willer And Others. From 1951 To 1979, While Living In Levittown, New York, Emshwiller Created Covers And Interior Illustrations For Dozens Of Science Fiction Paperbacks And Magazines, Notably Galaxy And The Magazine Of Fantasy & Science Fiction. He Debuted In The Pulp Magazines With About 50 Interior Illustrations And Four Cover Paintings For The May To December 1951 Issues Of Galaxy, A Monthly Edited By H. L. Gold. In That Year Or 1952 He Also Did His First Book Cover For The U.S. Paperback Edition Of Odd John (Galaxy Publishing Corp.) Because He Experimented With A Diversity Of Techniques, There Is No Typical Emsh Cover. His Painterly Treatment For The August 1951 Cover Of Galaxy Science Fiction Prefigures Later Work By Leo And Diane Dillon. Emshwiller Won One Of The Inaugural Hugo Awards In 1953, As The Previous Year's Best "Cover Artist" (A Tie With Hannes Bok). Cover Artists And Interior Illustrators Were Not Thereafter Distinguished By The Hugo Award For Best Artist Under Various Names; He Won Four More During The 1960S Under The Current "Professional Artist" Distinction.[8] On June 16, 2007, He Became The Third Artist Inducted By The Science Fiction Hall Of Fame. His Paintings Of Aliens Were Displayed In The Alien Encounters Exhibition Of The Science Fiction Museum, Which Houses The Hall Of Fame, At That Time (September 10, 2006 To October 30, 2007). In 1964, A Ford Foundation Grant Allowed Emshwiller To Pursue His Interest In Film. Active In The New American Cinema Movement Of The 1960S And Early 1970S, He Created Multimedia Performance Pieces And Did Cine-Dance And Experimental Films, Such As The 38-Minute Relativity (1966). He Also Was A Cinematographer On Documentaries, Such As Emile De Antonio's Painters Painting (1972), And Feature Films, Such As Time Of The Heathen (1964) And Adolfas Mekas' Hallelujah The Hills (1963). Emshwiller's Footage Of Bob Dylan Singing "Only A Pawn In Their Game" On July 6, 1963 At A Voters' Registration Rally In Greenwood, Mississippi, Was Shot For Jack Willis' 1963 Documentary The Streets Of Greenwood And Appears In D. A. Pennebaker's Dylan Documentary, Dont Look Back (1967). His Films Of The 1960S Were Mostly Shot In 16Mm Color, And Some Of These Included Double Exposures Created Simply By Rewinding The Cameras. He Was One Of The Earliest Video Artists. With Scape-Mates (1972), He Began His Experiments In Video, Combining Computer Animation With Live-Action. In 1979, He Produced Sunstone, A Groundbreaking Three-Minute 3-D Computer-Generated Video Made At The New York Institute Of Technology With Alvy Ray Smith.[4] Now In The Museum Of Modern Art's Video Collection, Sunstone Was Exhibited At Siggraph 79, The 1981 Mill Valley Film Festival And Other Festivals. In 1979, It Was Shown On Wnet's Video/Film Review, And A Single Sunstone Frame Was Used On The Front Cover Of Fundamentals Of Interactive Computer Graphics, Published In 1982 By Addison-Wesley. After A Period As Artist-In-Residence At The Television Laboratory Wnet/13 (New York), Where He Worked On The Effects For The Lathe Of Heaven Among Other Projects, He Moved To California Where He Was The Founder Of The Calarts Computer Animation Lab And Served As Dean Of The School Of Film/Video At The California Institute Of Arts From 1979 To 1990. He Also Served As Provost From 1981 Through 1986. In 1987, He Created His Electronic Video Opera, Hunger, For The 1987 Los Angeles Arts Festival, In Partnership With Composer Morton Subotnick. It Was His Last Completed Work, Also Presented In October 1989 At The Ars Electronica Festival In Linz, Austria. (Wikipedia).
