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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Peepal Tree Press, Limited, 2009
ISBN 10: 1845230833 ISBN 13: 9781845230838
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. Über den AutorMillicent A. A. Graham was a member of the Wayne Brown Writer s Workshop in Kingston, Jamaica, and a Calabash Writer s Workshop fellow who won the Observer Literary Award for Poetry in 2005 and the silver and br.
Zustand: New. KlappentextIn this collection, Millicent Graham focuses on memory and the idea of home, while questioning the very nature of home as both a physical and emotional space. There are comforts--the landscape, the vegetation, the food, the pl.
Sprache: Englisch
Verlag: Peepal Tree Press Jun 2009, 2009
ISBN 10: 1845230833 ISBN 13: 9781845230838
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Sparkling with sharp wit and off-kilter humor, this emotional collection shows a distinctly contemporary and urban Jamaica through the eyes of a surrealist whose sharp imagery and precise language expose the absurdities and contradictions of society. Written in a distinctly female voice that is modern and experimental, these poems explore a wide range of subjects, from the erotic to the ironic, with sophistication and imagination.
Sprache: Englisch
Verlag: Peepal Tree Press Jun 2014, 2014
ISBN 10: 1845232348 ISBN 13: 9781845232344
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In this collection, Millicent Graham focuses on memory and the idea of home, while questioning the very nature of home as both a physical and emotional space. There are comforts--the landscape, the vegetation, the food, the playground, the hand of parents, the romantic escapades--and there are the disquiets--the bullying, the violence, the fearfulness, the failure of memory, the losses. In these very intimate poems, Graham marks out a distinct poetic territory for herself with an immediately recognizable voice, an assured handling of language and image, and the sensation that she is adding to the corpus of Caribbean poetry in important ways. Graham, has, in this book, made good on her indebtedness to her fascination with the elliptical and image-heavy verse of Tony McNeill, and the lyrical, lushness of story and memory in the poetry of Lorna Goodison. It is possible to see an army of poetic influences in these two Jamaican poets, and Graham carries all these influences inside of her, while sounding only like herself. Her work is guided first by her desire to write her home, both the actual and physical world of Jamaica, and her other home, her equally rich imaginative and poetic home.