milam michael (5 Ergebnisse)

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

162 pp.; 21.5 cm.; sewn bound; duotone; edition size unknown; unsigned and unnumbered; offset-printed; Catalogue of conversations held as part of "Art Basel Conversations," Art Basel Miami Beach, Dec. 2 - 5, 2004 and Art Basel 35, Basel, Switzerland, June 16 - June 21, 2004. Include speakers biographies and directory as well as selected transcripts of conversations. Speakers include John Baldessari, Ute Meta Bauer, Daniel Birnbaum, Stefano Boeri, Paloma Botín, Roger M. Buergel, Janet Cardiff, Catherine David, Lisa Dennison, Trisha Donnelly, Olafur Eliasson, David Elliott, João Fernandes, Antoine de Galbert, Liam Gillick, Zaha Hadid, Kathy Halbreich, Yuko Hasegawa, Hans-Michael Herzog, Marieluise Hessel, Erika Hoffmann, Jens Hoffmann, Jenny Holzer, Kasper König, Rem Koolhaas, Jeff Koons, Gunnar B. Kvaran, Wilfried Lentz, Rosa Martinez, Ivo Costa Mesquita, Paul Morrissey, Ernesto Neto, Hans Ulrich Obrist, Adriano Pedrosa, Anne Philbin, Terence Riley, James Rondeau, Beatrix Ruf, Ricardo Sardenberg, Linda Shearer, Bruce Sterling, Juan Vergez, Mercedes Vilardell, Francesca von Habsburg, Sheena Wagstaff, and Billie Milam Weisman Very Good. Light wear to covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: New.

Zustand: New. Michael Hill is Head of Art History and Theory at the National Art School in Sydney. His research focuses on the art and architecture of the Italian Baroque, Australian sculpture, and art historiography. Michael has also written with Peter Kohane a numbe.

Buch. Zustand: Neu. Neuware - Fear of death and disease preoccupied the European consciousness throughout the early modern era, becoming most acute at times of plague and epidemics. In these times of heightened anxieties, images of saints and protectors served to reassure the faithful of their religious protection against infection. Modes of visual engagement and devotional subject matter were coupled in new ways to reinforce the emotive impact of art works and to reaffirm the perceived reality of the afterlife. In this context, a visual language of mystical devotion, which overcame the limits of the body and even eroticised its suffering, could serve the needs of the desolate and the pained. In this series of essays focused on spiritual sensibilities in Renaissance art and its legacies, authors present original ideas about the themes of death, disease, and mystical experience, based primarily on the study of objects and their documented historical contexts. Methodologically wide-ranging in approach, the resulting volume provides novel insights into the interplay between suffering and art making in the Western world.